AKG

AKG 6000H50950 CM311 Head-Worn Condenser Microphone

4.2 (83 reviews)
CondenserXLR

Purpose-built for loud stages and touring vocalists, the AKG CM311 delivers handheld-grade clarity and Differoid noise rejection in a hands-free package.

$650.00*
In Stock on Amazon.com
View on Amazon

*Price sourced from Amazon.com. Last updated:Jun 27, 2026.Price and availability are subject to change.

Affiliate Disclosure: Studio Supplies may earn a commission from qualifying purchases made through links on this page, at no additional cost to you. This helps support our editorial team.

Notice a mistake? Let Us Know

Overview

The AKG CM311 is engineered specifically for the realities of live touring — loud stages, dense monitor mixes, and performers who move. Its Differoid noise-cancelling technology is not a marketing softening of a standard cardioid; it is a differential pressure design that actively works against off-axis pressure waves, meaning the signal arriving at the capsule from ambient sources is acoustically cancelled before it enters the electronics. The result is a head-worn microphone that sounds closer to a well-placed handheld than anything else in the headset category. With a 78 dB SNR and self-noise of 26 dB, the CM311 resolves vocal texture and consonant articulation cleanly — critical when intelligibility is non-negotiable in a theatrical or high-energy live event context.

The construction reflects professional touring demands. Aluminum and plastic materials keep weight low while providing the durability a microphone needs to survive costume changes, rain, and backstage handling. The internal shock mount decouples the capsule from the headband mechanically, so footfalls and movement artifacts stay out of the signal chain. The headband's flexibility allows a tight, consistent fit across performers — and consistency of capsule placement is what keeps your gain-before-feedback margin where it needs to be show after show. Available in multiple connector formats for wireless compatibility, the CM311 integrates cleanly into professional wireless systems without adapter compromises.

Key Features

Differoid noise-cancelling technology for highest ambient noise rejection

Cardioid polar pattern for outstanding gain before feedback

Condenser capsule with internal shock mount for efficient rejection of mechanical and body noise

Robust headband construction for maximum comfort and freedom of movement

Available with professional XLR/mini XLR and W/TA4F connector for all wireless pocket transmitters

Specifications

Sensitivity
-68 dBV/Pa
Signal-to-Noise Ratio
78 dB
Self-Noise
26 dB
Impedance
75 Ohm
Polar Pattern
Cardioid (Differoid)
Connector
XLR / Mini-XLR / TA4F (variant dependent)
Form Factor
Head-worn / Headset
Power Source
Phantom Power (corded)
Materials
Aluminum, Plastic
Color
Black

Pros & Cons

👍 Pros

  • Differoid noise-cancelling eliminates stage wash and crowd bleed without gating artifacts — the vocal sits forward and natural in the mix
  • 78 dB signal-to-noise ratio produces a clean, low-floor signal that holds up under the gain required for soft-to-loud vocal dynamics
  • Internal capsule shock mount filters mechanical transmission from the headband, keeping handling rumble out of the signal chain
  • Cardioid polar pattern delivers strong gain-before-feedback margin — critical for close-proximity monitor setups on busy stages
  • Robust aluminum and plastic construction survives the physical demands of touring production without adding significant weight to a performer's head

👎 Cons

  • At -68 dB sensitivity, the CM311 demands a clean, high-gain preamp — a noisy interface or budget wireless receiver will raise the noise floor audibly
  • No built-in pad switch means very loud vocalists at close mic placement distances may clip a low-headroom wireless transmitter input
  • 26 dB self-noise is workable for live performance but disqualifying for quiet studio dialogue or broadcast applications requiring sub-20 dB noise floors
  • Placement at the corner of the mouth is critical — even small positional shifts alter the off-axis rejection angle and can invite feedback

Frequently Asked Questions

Yes — as a condenser capsule, the CM311 requires phantom power (+48V standard). Ensure your wireless transmitter or mixer's mic preamp supplies full phantom power; insufficient voltage will degrade sensitivity and add unwanted noise.
The Differoid design uses a differential pressure principle to reject off-axis ambient noise — crowd noise, stage wash, monitor bleed — while preserving the close-proximity vocal signal. In practice, you hear a tighter, cleaner vocal even in high-SPL environments where a standard cardioid headset would color the source with room noise.
With a sensitivity of -68 dBV/Pa, the CM311 is on the lower end — plan for 50–60 dB of clean gain at your preamp or wireless receiver. Headroom is your friend here; overgaining a headset mic in a loud environment compresses the transients and kills intelligibility.
The cardioid Differoid pattern provides excellent gain-before-feedback for frontfill and wedge monitor configurations. Placement consistency matters — mount position relative to the mouth directly affects your rejection angle. A few centimeters of drift changes the feedback margin noticeably.
Yes — the CM311 is available with standard XLR, mini-XLR, and TA4F (W4) connector options to match most professional wireless pocket transmitters from major manufacturers. Verify the connector variant matches your transmitter's input before ordering.