AKG

AKG D112 MKII Professional Bass Drum Microphone

4.6 (239 reviews)

The D112 MKII's internal bass resonance chamber delivers the punchy, attack-forward kick drum sound that front-of-house engineers reach for on stages worldwide.

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Overview

The AKG D112 MKII is a large-diaphragm dynamic microphone with one specific design objective: reproduce the kick drum with accuracy in the low-frequency fundamentals and definition in the beater transient. Its internal bass resonance chamber is the key differentiator — a physical acoustic cavity that reinforces the low-end body of the sound before it ever reaches the preamp. The result is a signal that already has the characteristic weight and punch of a well-recorded kick drum at the source, with a presence peak engineered to preserve the click and snap of the beater attack. The cardioid polar pattern provides useful rear rejection in live environments where stage bleed from other sources is a constant pressure on the mix. The integrated hum-compensation coil is a practical engineering addition — not marketing — that measurably reduces electromagnetic interference from stage dimmers and power infrastructure in live rigs.

In use, the D112 MKII rewards thoughtful placement inside the shell. The MKII's integrated flexible mount allows continuous repositioning relative to the beater path without requiring a separate boom arm inside the drum — closer to the beater for more attack, pulled back for more body, angled off-axis for a blend of both. The mic handles the SPL of even the most aggressive kick drum configurations without overload, and its 210-ohm output impedance is a universal match for any standard mic preamp input. Studio engineers use it as a foundation track, often combined with a condenser for top-end air; live engineers reach for it because it consistently produces a mix-ready kick signal that requires less corrective work under show pressure. After over three decades in production in various forms, the D112 MKII remains the benchmark against which other kick drum microphones are measured.

Key Features

Integrated flexible mount makes it even more versatile

Bass resonance volume chamberfor unique, punchy sound

Large diaphragm dynamic microphone delivers accurate low frequencies

Integrated hum-compensation coil keeps noise to an absolute minimum

Established as an industry-standard kick drum microphone

Specifications

Transducer Type
Large diaphragm dynamic
Polar Pattern
Cardioid
Frequency Response
20Hz – 17,000Hz
Sensitivity
1.8 mV/Pa
Output Impedance
210 Ohms
Connector
Balanced XLR 3-pin
Phantom Power Required
No
Hum Compensation
Integrated hum-compensation coil
Mount
Integrated flexible mount (MKII)
Dimensions
115mm length x 126mm height x 70mm diameter
Weight
300g (mic body only)

Pros & Cons

👍 Pros

  • The internal bass resonance chamber shapes a natural low-mid punch that sits in the mix without requiring heavy EQ boosting at the console — you're hearing the mic's engineered character, not a heavily corrected signal.
  • The large diaphragm dynamic design handles kick drum SPL levels with no risk of capsule distortion, even under the hardest-hitting playing styles or in close-mic configurations.
  • The integrated hum-compensation coil provides measurable rejection of stage electromagnetic interference, which is audible as reduced 50/60Hz hum on the direct signal in electrically noisy live venues.
  • The presence peak around 4kHz delivers beater attack definition that survives a full band mix without adding a harsh, peaky EQ correction that can fatigue over a long show.
  • The integrated flexible mount eliminates the need for a secondary internal stand or separate mount arm, reducing setup time and clutter inside the drum shell.

👎 Cons

  • The D112 MKII's frequency response tops out at 17kHz, which is a practical non-issue for kick drum use but means the microphone is not a general-purpose choice for sources requiring extended high-frequency response above that ceiling.
  • The built-in character of the bass resonance chamber means you are starting from a shaped, engineered sound — engineers who prefer a flatter, more neutral capture to shape entirely at the console may find the D112 MKII's inherent character less flexible than alternatives.
  • At 300g for the capsule assembly alone, the mic body is moderately weighted, and the flexible mount, while convenient, has less precise locking rigidity than a standard mic clip on a boom stand — vibration transmission from the drum shell can be a factor with loose mounting.
  • The cardioid pattern provides good off-axis rejection but the D112 MKII has no switchable polar pattern, limiting its adaptability to other low-frequency source types like bass cabinet miking where a different pattern might be preferred.

Frequently Asked Questions

No. The D112 MKII is a dynamic microphone and operates entirely without phantom power. It presents a 210-ohm output impedance and connects directly to any balanced XLR mic preamp input. Applying phantom power will not damage it, but it provides no benefit.
Placement significantly shapes the D112 MKII's output. Positioning it closer to the beater produces a harder, more attack-forward transient snap — useful in dense rock or metal mixes. Moving it back toward the center or batter head produces a rounder, fuller low-end weight. The integrated flexible mount on the MKII gives you continuous in-hole repositioning without needing a separate stand arm inside the shell.
The D112 MKII covers 20Hz to 17kHz. The low-frequency response extends fully into the sub-bass range where a tuned kick drum fundamentally resonates — typically between 50Hz and 100Hz — and the presence peak around 4kHz is engineered to capture the beater attack transient that cuts through a dense mix without requiring aggressive EQ additions.
Yes. The large diaphragm dynamic design is inherently resistant to SPL overload — it does not clip at the capsule level the way condenser microphones can. The D112 MKII is rated for high SPL applications and will handle even a heavy-footed drummer in a live or rehearsal environment without distortion.
The integrated hum-compensation coil is an additional winding wound in reverse polarity to the main coil. It cancels electromagnetic interference from nearby sources — stage dimmers, lighting rigs, power transformers — by rejecting the common-mode hum that single-coil dynamics can pick up. In a live environment with significant EM interference, this is a tangible noise floor advantage.