
AKG
AKG D112 MKII Professional Bass Drum Microphone
★★★★★
The D112 MKII's internal bass resonance chamber delivers the punchy, attack-forward kick drum sound that front-of-house engineers reach for on stages worldwide.
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Overview
Key Features
Integrated flexible mount makes it even more versatile
Bass resonance volume chamberfor unique, punchy sound
Large diaphragm dynamic microphone delivers accurate low frequencies
Integrated hum-compensation coil keeps noise to an absolute minimum
Established as an industry-standard kick drum microphone
Specifications
Transducer Type
Large diaphragm dynamic
Polar Pattern
Cardioid
Frequency Response
20Hz – 17,000Hz
Sensitivity
1.8 mV/Pa
Output Impedance
210 Ohms
Connector
Balanced XLR 3-pin
Phantom Power Required
No
Hum Compensation
Integrated hum-compensation coil
Mount
Integrated flexible mount (MKII)
Dimensions
115mm length x 126mm height x 70mm diameter
Weight
300g (mic body only)
Pros & Cons
👍 Pros
- The internal bass resonance chamber shapes a natural low-mid punch that sits in the mix without requiring heavy EQ boosting at the console — you're hearing the mic's engineered character, not a heavily corrected signal.
- The large diaphragm dynamic design handles kick drum SPL levels with no risk of capsule distortion, even under the hardest-hitting playing styles or in close-mic configurations.
- The integrated hum-compensation coil provides measurable rejection of stage electromagnetic interference, which is audible as reduced 50/60Hz hum on the direct signal in electrically noisy live venues.
- The presence peak around 4kHz delivers beater attack definition that survives a full band mix without adding a harsh, peaky EQ correction that can fatigue over a long show.
- The integrated flexible mount eliminates the need for a secondary internal stand or separate mount arm, reducing setup time and clutter inside the drum shell.
👎 Cons
- The D112 MKII's frequency response tops out at 17kHz, which is a practical non-issue for kick drum use but means the microphone is not a general-purpose choice for sources requiring extended high-frequency response above that ceiling.
- The built-in character of the bass resonance chamber means you are starting from a shaped, engineered sound — engineers who prefer a flatter, more neutral capture to shape entirely at the console may find the D112 MKII's inherent character less flexible than alternatives.
- At 300g for the capsule assembly alone, the mic body is moderately weighted, and the flexible mount, while convenient, has less precise locking rigidity than a standard mic clip on a boom stand — vibration transmission from the drum shell can be a factor with loose mounting.
- The cardioid pattern provides good off-axis rejection but the D112 MKII has no switchable polar pattern, limiting its adaptability to other low-frequency source types like bass cabinet miking where a different pattern might be preferred.
Frequently Asked Questions
Does the D112 MKII require phantom power?
No. The D112 MKII is a dynamic microphone and operates entirely without phantom power. It presents a 210-ohm output impedance and connects directly to any balanced XLR mic preamp input. Applying phantom power will not damage it, but it provides no benefit.
Where should the D112 MKII be positioned inside the kick drum for the best sound?
Placement significantly shapes the D112 MKII's output. Positioning it closer to the beater produces a harder, more attack-forward transient snap — useful in dense rock or metal mixes. Moving it back toward the center or batter head produces a rounder, fuller low-end weight. The integrated flexible mount on the MKII gives you continuous in-hole repositioning without needing a separate stand arm inside the shell.
What is the frequency range, and does the D112 MKII handle the sub frequencies of modern tuned kick drums?
The D112 MKII covers 20Hz to 17kHz. The low-frequency response extends fully into the sub-bass range where a tuned kick drum fundamentally resonates — typically between 50Hz and 100Hz — and the presence peak around 4kHz is engineered to capture the beater attack transient that cuts through a dense mix without requiring aggressive EQ additions.
Can the D112 MKII handle high SPL from a loud drummer in an untreated room?
Yes. The large diaphragm dynamic design is inherently resistant to SPL overload — it does not clip at the capsule level the way condenser microphones can. The D112 MKII is rated for high SPL applications and will handle even a heavy-footed drummer in a live or rehearsal environment without distortion.
Does the hum-compensation coil make a practical difference in live environments with stage lighting or transformers nearby?
The integrated hum-compensation coil is an additional winding wound in reverse polarity to the main coil. It cancels electromagnetic interference from nearby sources — stage dimmers, lighting rigs, power transformers — by rejecting the common-mode hum that single-coil dynamics can pick up. In a live environment with significant EM interference, this is a tangible noise floor advantage.