Allen & Heath

Allen & Heath QU-SB 18-In/14-Out Digital Mixer

5.0 (9 reviews)
XLR

The Allen & Heath QU-SB puts a full iLive-grade digital console in your rack and your iPad, built for bands and installs that demand recallable preamps without the footprint.

$999.99*$1,299.99Save 23%
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*Price sourced from Amazon.com. Last updated:Jul 14, 2026.Price and availability are subject to change.

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Overview

The Allen & Heath QU-SB is built for the working band or AV installer who needs a touring-grade digital mixer without the real estate of a full console. At its core sits the Qu-32 DSP engine — the same processing platform that powers Allen & Heath's larger format desks — delivering 32 mono and 3 stereo input channels of headroom, four iLive FX engines, and the recallable AnalogIQ preamp architecture that makes scene-to-scene consistency a workflow asset rather than a happy accident. What you hear is a clean, transparent preamp character with enough top-end detail to trust for tracking acoustic instruments or capturing the nuance of a vocal performance. The four discrete FX engines draw from the iLive library, meaning the reverbs and dynamics processors here are the same ones engineers trust on festival stages.

Physically, the QU-SB is a half-rack-width unit designed for permanent installation or compact touring rigs — all I/O lives on the rear panel, and control is entirely via the QU-Pad iOS app over Wi-Fi. The 32x32 USB audio interface capability makes it viable as a DAW front end in studio-adjacent installs, while Qu-Drive multitrack recording to USB removes the laptop from the live capture equation entirely. The dSNAKE port enables remote audio rack expansion up to 38 inputs for larger stages. Build quality is solid and road-practical, with the metal chassis handling the rigors of installation and touring environments. The dependency on a stable Wi-Fi connection for all real-time control is the single most important operational consideration — with that solved, the QU-SB is a remarkably capable and compact professional mixing system.

Key Features

Compact digital mixer designed for iPad control; 16 mono inputs (TRS + XLR), 1 stereo input (TRS), 12 on-board mix outputs (LR, mono mix 1-4, stereo mix 1-3), 1 stereo Matrix out (TRS)

Qu-32 core inside (32 mono + 3 stereo input channels)

Up to 11 monitor mixes (4 mono + 7 stereo), 4 FX engines, 4 FX sends/returns, 4 mute groups, 4 Dca groups

32 x 32 USB Audio Interface

Qu-drive direct multitrack recording/Playback on USB drives, recallable analogiq preamps, ilive FX library, dsnake remote audio port expansion up to 38 inputs

portable mixer, audio interface, ipad mixer, compact mixer, professional mixer, usb live mixer, monitor mixer, studio mixer

Specifications

Brand
Allen & Heath
Model
QU-SB
Input Channels (Mono)
16 (TRS + XLR)
Input Channels (Stereo)
1 (TRS)
On-board Mix Outputs
12 (LR, mono mix 1-4, stereo mix 1-3)
Stereo Matrix Outputs
1 (TRS)
Core Processing
Qu-32 core (32 mono + 3 stereo input channels)
Monitor Mixes
Up to 11 (4 mono + 7 stereo)
FX Engines
4
FX Sends/Returns
4
Mute Groups
4
DCA Groups
4
USB Audio Interface
32 x 32
Recording/Playback
Qu-drive direct multitrack on USB drives
Preamps
Recallable AnalogiQ
FX Library
iLive FX library
Remote Audio Port
DSNAKE (expansion up to 38 inputs)
Control Method
iPad control

Pros & Cons

👍 Pros

  • The AnalogIQ preamps are recallable scene-to-scene, so gain staging is repeatable across multi-night runs without touching a knob.
  • Up to 11 discrete monitor mixes means even complex stage setups with in-ears and wedges get dedicated, low-latency sends.
  • 32x32 USB audio interface functionality turns the box into a full DAW front end, eliminating a separate interface in recording-oriented installs.
  • Qu-Drive multitrack recording to USB runs independently of any connected computer — reliable for live capture with no laptop in the signal chain.
  • The iLive FX library brings touring-grade reverbs and dynamics processing to a sub-rack-unit form factor.

👎 Cons

  • No physical fader surface means all real-time control depends on iPad and Wi-Fi — a dropped connection mid-show is a genuine operational risk.
  • The on-board physical outputs are limited to 12; larger monitor rigs require an external dSNAKE AR rack, adding cost and setup time.
  • USB audio interface operation is capped at 48kHz — sessions requiring 96kHz tracking will need a different front end.
  • The rack-mount chassis, while compact, still requires careful cable management at the rear since all I/O terminates there with no breakout options.
  • iPad control-only workflow has a steeper learning curve for engineers accustomed to hands-on console operation under live pressure.

Frequently Asked Questions

The QU-SB can run standalone once a scene is loaded — it will recall its last state on power-up. However, all real-time mixing, EQ adjustments, and routing changes require the QU-Pad app on an iPad. There is no physical fader surface on this unit. Plan your show file in advance if Wi-Fi reliability is a concern.
The QU-SB supports up to 11 discrete monitor mixes — 4 mono and 7 stereo — all accessible from the 12 on-board physical outputs (LR, mono mixes 1–4, stereo mixes 1–3, and a stereo matrix out). For larger stages, expansion via dSNAKE to an Allen & Heath AR rack extends your input count to 38 without adding analog snake runs.
The recallable AnalogIQ preamps are the same architecture used across Allen & Heath's professional touring line — they deliver clean, low-noise gain across the range with enough headroom to handle loud transients from drums or brass without clipping. The recallability means your gain staging is consistent from soundcheck to show, night after night.
Yes. The QU-SB operates as a class-compliant 32x32 USB audio interface at up to 48kHz. Combined with Qu-Drive multitrack recording directly to USB storage, you can record a full show to a thumb drive or hard drive without involving a laptop at all — a significant workflow advantage for live capture.
QU-You runs alongside QU-Pad on the same Wi-Fi network, allowing individual performers to control their own monitor mix from a phone or tablet. The FOH engineer retains master control via QU-Pad while musicians adjust their personal sends independently — reducing talkback interruptions during a live set.