
Allen & Heath QU-SB 18-In/14-Out Digital Mixer
The Allen & Heath QU-SB puts a full iLive-grade digital console in your rack and your iPad, built for bands and installs that demand recallable preamps without the footprint.
*Price sourced from Amazon.com. Last updated:Jul 14, 2026.Price and availability are subject to change.
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Overview
Key Features
Compact digital mixer designed for iPad control; 16 mono inputs (TRS + XLR), 1 stereo input (TRS), 12 on-board mix outputs (LR, mono mix 1-4, stereo mix 1-3), 1 stereo Matrix out (TRS)
Qu-32 core inside (32 mono + 3 stereo input channels)
Up to 11 monitor mixes (4 mono + 7 stereo), 4 FX engines, 4 FX sends/returns, 4 mute groups, 4 Dca groups
32 x 32 USB Audio Interface
Qu-drive direct multitrack recording/Playback on USB drives, recallable analogiq preamps, ilive FX library, dsnake remote audio port expansion up to 38 inputs
portable mixer, audio interface, ipad mixer, compact mixer, professional mixer, usb live mixer, monitor mixer, studio mixer
Specifications
Pros & Cons
👍 Pros
- The AnalogIQ preamps are recallable scene-to-scene, so gain staging is repeatable across multi-night runs without touching a knob.
- Up to 11 discrete monitor mixes means even complex stage setups with in-ears and wedges get dedicated, low-latency sends.
- 32x32 USB audio interface functionality turns the box into a full DAW front end, eliminating a separate interface in recording-oriented installs.
- Qu-Drive multitrack recording to USB runs independently of any connected computer — reliable for live capture with no laptop in the signal chain.
- The iLive FX library brings touring-grade reverbs and dynamics processing to a sub-rack-unit form factor.
👎 Cons
- No physical fader surface means all real-time control depends on iPad and Wi-Fi — a dropped connection mid-show is a genuine operational risk.
- The on-board physical outputs are limited to 12; larger monitor rigs require an external dSNAKE AR rack, adding cost and setup time.
- USB audio interface operation is capped at 48kHz — sessions requiring 96kHz tracking will need a different front end.
- The rack-mount chassis, while compact, still requires careful cable management at the rear since all I/O terminates there with no breakout options.
- iPad control-only workflow has a steeper learning curve for engineers accustomed to hands-on console operation under live pressure.