Allen & Heath

Allen & Heath DX168 Portable I/O Expander

4.7 (4 reviews)

Bring a full 16-input, 8-output stage box to any dLive, SQ, or Avantis rig over a single Cat 5e cable — up to 100 meters away.

$1,999.00*
In Stock on Amazon.com
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*Price sourced from Amazon.com. Last updated:Jul 14, 2026.Price and availability are subject to change.

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Overview

The Allen & Heath DX168 is a portable remote I/O expander that adds 16 mic preamp inputs and 8 XLR outputs to any compatible dLive, SQ, or Avantis system. What makes the specification meaningful in practice is the delivery mechanism: all 24 channels of audio travel across a single Cat 5e cable, up to 100 meters, carrying both the audio data and remote control signaling for all 16 preamps. This eliminates the traditional multicore analog snake between stage and FOH — and with it, the weight, the setup time, and the ground loop risk. The preamps live in the box itself, so your signal is converted to digital at the source and stays digital all the way to the console's DSP engine. In a system where headroom and noise floor matter, keeping the analog path as short as possible is a meaningful engineering advantage.

The DX168 is designed for touring professionals and rental companies running Allen & Heath digital consoles on mid-size live events. Its carry handle and floor-ready chassis reflect a product engineered to be thrown in a van, set on a stage, and connected in minutes — not rack-mounted in a permanent install. In practice, it excels as a drum or band riser input hub, as a secondary stage-left input box on festival rigs, or as the primary stage connection for the SQ series in small-to-mid-size venue applications. The 8 outputs serve monitor engineers well, providing local XLR feeds for wedge drives or IEM transmitters without running additional cable back to FOH. For any engineer already committed to the Allen & Heath ecosystem, the DX168 represents the most efficient way to expand a rig's physical reach without compromising the system's audio integrity.

Key Features

16-in/8-out Portable DX Expander for dLive

Avantis Systems

SQ

Specifications

Inputs
16 Mic Preamps (XLR)
Outputs
8 XLR
Network Connectivity
Cat 5e (single cable)
Maximum Cable Run
100 meters
Compatible Systems
Allen & Heath dLive, SQ, Avantis
Gain Control
Remote (from host console)
Form Factor
Portable with integrated carry handle

Pros & Cons

👍 Pros

  • 16 onboard mic preamps with remote gain control from the console surface eliminate the need to walk the stage for input adjustments during soundcheck.
  • Single Cat 5e connectivity carries all 16 inputs and 8 outputs on one cable, dramatically reducing the snake infrastructure between FOH and stage.
  • 100-meter Cat 5e range covers most venue stage-to-FOH distances without requiring fiber optic conversion hardware.
  • 8 XLR outputs provide dedicated monitor sends, IEM feeds, or front-fill drives directly from the stage box without additional distribution.
  • The rugged chassis and integrated carry handle make it genuinely deployable as a floor unit without racking, reducing setup time on touring rigs.

👎 Cons

  • Compatibility is locked to Allen & Heath dLive, SQ, and Avantis ecosystems — it cannot integrate with any other brand's digital snake infrastructure.
  • No standalone operation means any failure in the network connection between the DX168 and the console results in a complete loss of all 16 inputs simultaneously.
  • The 100-meter Cat 5e limit, while sufficient for most venues, requires fiber extenders for larger theatrical or arena-scale distances — adding cost and complexity.
  • No built-in digital patching flexibility independent of the console — all routing is managed from the host system, so troubleshooting requires console access.

Frequently Asked Questions

The DX168 works natively with Allen & Heath dLive, SQ, and Avantis systems. It is not compatible with third-party consoles or Allen & Heath's older iLive or GLD platforms — the digital audio transport protocol is proprietary to these three system families.
A single Cat 5e (or better) cable carries both audio and control data between the DX168 and the host console or MixRack. The rated maximum run is 100 meters — sufficient for most stage-to-FOH distances in mid-size venues without requiring fiber conversion.
The DX168 houses 16 onboard mic preamps. Gain is controlled remotely from the host console surface, but the analog-to-digital conversion and preamp circuitry live physically in the DX168, meaning your mic cables plug directly into the box on stage.
The DX168 requires a connected dLive, SQ, or Avantis system to operate — it has no standalone processing capability. It functions as a remote I/O expander, not an independent stage box with its own DSP.
The DX168 features a rugged chassis with a carry handle, designed to be deployed on stage floors, in drum risers, or in speaker wings without a dedicated rack. It is built for the physical demands of touring rather than permanent installation.