
Allen & Heath
Allen & Heath DX168 Portable I/O Expander
★★★★★
Bring a full 16-input, 8-output stage box to any dLive, SQ, or Avantis rig over a single Cat 5e cable — up to 100 meters away.
$1,999.00*
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*Price sourced from Amazon.com. Last updated:Jul 14, 2026.Price and availability are subject to change.
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Overview
Key Features
16-in/8-out Portable DX Expander for dLive
Avantis Systems
SQ
Specifications
Inputs
16 Mic Preamps (XLR)
Outputs
8 XLR
Network Connectivity
Cat 5e (single cable)
Maximum Cable Run
100 meters
Compatible Systems
Allen & Heath dLive, SQ, Avantis
Gain Control
Remote (from host console)
Form Factor
Portable with integrated carry handle
Pros & Cons
👍 Pros
- 16 onboard mic preamps with remote gain control from the console surface eliminate the need to walk the stage for input adjustments during soundcheck.
- Single Cat 5e connectivity carries all 16 inputs and 8 outputs on one cable, dramatically reducing the snake infrastructure between FOH and stage.
- 100-meter Cat 5e range covers most venue stage-to-FOH distances without requiring fiber optic conversion hardware.
- 8 XLR outputs provide dedicated monitor sends, IEM feeds, or front-fill drives directly from the stage box without additional distribution.
- The rugged chassis and integrated carry handle make it genuinely deployable as a floor unit without racking, reducing setup time on touring rigs.
👎 Cons
- Compatibility is locked to Allen & Heath dLive, SQ, and Avantis ecosystems — it cannot integrate with any other brand's digital snake infrastructure.
- No standalone operation means any failure in the network connection between the DX168 and the console results in a complete loss of all 16 inputs simultaneously.
- The 100-meter Cat 5e limit, while sufficient for most venues, requires fiber extenders for larger theatrical or arena-scale distances — adding cost and complexity.
- No built-in digital patching flexibility independent of the console — all routing is managed from the host system, so troubleshooting requires console access.
Frequently Asked Questions
What Allen & Heath mixing systems is the DX168 compatible with?
The DX168 works natively with Allen & Heath dLive, SQ, and Avantis systems. It is not compatible with third-party consoles or Allen & Heath's older iLive or GLD platforms — the digital audio transport protocol is proprietary to these three system families.
What cable infrastructure does the DX168 require, and what is the maximum run length?
A single Cat 5e (or better) cable carries both audio and control data between the DX168 and the host console or MixRack. The rated maximum run is 100 meters — sufficient for most stage-to-FOH distances in mid-size venues without requiring fiber conversion.
Does the DX168 carry its own mic preamps, or does it rely on the console's DSP?
The DX168 houses 16 onboard mic preamps. Gain is controlled remotely from the host console surface, but the analog-to-digital conversion and preamp circuitry live physically in the DX168, meaning your mic cables plug directly into the box on stage.
Can the DX168 be used as a standalone unit, or does it require a host console to function?
The DX168 requires a connected dLive, SQ, or Avantis system to operate — it has no standalone processing capability. It functions as a remote I/O expander, not an independent stage box with its own DSP.
How rugged is the DX168 for touring and live event use?
The DX168 features a rugged chassis with a carry handle, designed to be deployed on stage floors, in drum risers, or in speaker wings without a dedicated rack. It is built for the physical demands of touring rather than permanent installation.