
Allen & Heath SQ-6 48-Channel Digital Audio Mixer
48 channels of FPGA-processed headroom and a 96kHz signal path make the SQ-6 the most scalable compact digital desk for demanding live and studio environments.
*Price sourced from Amazon.com. Last updated:Jun 19, 2026.Price and availability are subject to change.
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Overview
Key Features
48 Input Channels, 36 Total Busses, PAFL Bus, 12 Stereo Mix (Aux or Group) + Main
24 Local Mic Inputs (XLR), 2 1/4" Stereo Inputs (TRS), (1) 3.5mm Stereo Input, 16 Assignable Local Outputs (14 XLR + 2 1/4" TRS)
Dedicated Talkback mic input (XLR), 1/4" TRS Headphone out with dedicated control, SLink EtherCON connection for remote audio using dSnake/ME, DX or GigaACE/GX protocol (128x128 channels)
I/O Port for Option Card (including 3 rd party protocols – Dante/Waves)
24+1 Faders with 6 Layers for 144 assignable Channel Strips
Specifications
Pros & Cons
👍 Pros
- The XCVI preamp design delivers a transparent noise floor that lets condenser microphones reveal source detail without the preamp coloring or compressing the signal character.
- 48 input channels with 36 mix busses provides routing headroom for complex FOH builds — monitors, front fill, delays, broadcast feed, and recording split — without running out of bus architecture mid-show.
- SLink over a single EtherCON cable carries up to 128x128 channels to remote stageboxes, eliminating the analog multicore run and the signal degradation that comes with it over long cable distances.
- The I/O option card slot for Dante or Waves SoundGrid integration gives the desk a meaningful future-upgrade path without requiring a desk replacement.
- The 7" color touchscreen provides channel-level EQ, dynamics, and routing visibility that eliminates the need to enter menus for most common live mixing adjustments.
👎 Cons
- At this channel count and capability tier, the SQ-6 is a physically large desk — engineers working in fly-date or festival contexts where backline space is shared will feel its footprint compared to smaller format consoles.
- Full 48-channel operation requires SLink-connected stagebox hardware as an additional purchase; the desk ships capable of 24 local mic inputs only without that investment.
- Dante and Waves SoundGrid expansion cards are not included and represent a significant additional cost for engineers who need those protocols as part of their standard workflow.
- The 7" touchscreen, while functional, is smaller than competing desks at this price tier — detailed EQ curve editing during a live show requires confidence with the UI to avoid missed adjustments.