Allen & Heath

Allen & Heath SQ-6 48-Channel Digital Audio Mixer

5.0 (12 reviews)
128x128XLR

48 channels of FPGA-processed headroom and a 96kHz signal path make the SQ-6 the most scalable compact digital desk for demanding live and studio environments.

$4,999.00*
In Stock on Amazon.com
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*Price sourced from Amazon.com. Last updated:Jun 19, 2026.Price and availability are subject to change.

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Overview

The Allen & Heath SQ-6 is a 48-channel digital mixing console built around the XCVI FPGA processing core — a hardware architecture that delivers low-latency mixing (around 0.7ms at 96kHz) with per-channel processing including four-band parametric EQ, compressor, gate, and insert points on every input and output. The 24 onboard XCVI preamps are designed for transparent gain staging: they add gain without adding character, which means the sonic signature you shape comes from your EQ and dynamics decisions rather than from preamp coloration bleeding into the signal. The desk runs at 96kHz sample rate on its AES digital outputs, and its 36 mix busses — 12 stereo mix busses plus the main LR — give a seasoned engineer sufficient architecture to build a complete FOH, monitor world, and broadcast split from a single desk without consolidating or compromising.

In practice, the SQ-6 is built for the engineer who regularly works at the upper edge of what a mid-format desk can do: theater shows with complex monitor mixes, club installs where a single desk handles multiple zones simultaneously, and touring mid-size venues where the SLink connection to a remote stagebox eliminates the analog snake entirely. The six-layer fader system with 144 assignable strips means you can organize your entire channel complement — inputs, groups, DCAs, FX returns, and matrix outputs — across logical layers without compromise. The I/O expansion slot for Dante or Waves SoundGrid is the detail that separates the SQ-6 from competitors: it keeps the desk relevant as venue infrastructure and broadcast requirements evolve, without requiring a forklift upgrade.

Key Features

48 Input Channels, 36 Total Busses, PAFL Bus, 12 Stereo Mix (Aux or Group) + Main

24 Local Mic Inputs (XLR), 2 1/4" Stereo Inputs (TRS), (1) 3.5mm Stereo Input, 16 Assignable Local Outputs (14 XLR + 2 1/4" TRS)

Dedicated Talkback mic input (XLR), 1/4" TRS Headphone out with dedicated control, SLink EtherCON connection for remote audio using dSnake/ME, DX or GigaACE/GX protocol (128x128 channels)

I/O Port for Option Card (including 3 rd party protocols – Dante/Waves)

24+1 Faders with 6 Layers for 144 assignable Channel Strips

Specifications

Input Channels
48
Total Busses
36 (12 Stereo Mix Aux/Group + Main LR + PAFL)
Local Mic Inputs
24 x XLR
Stereo Inputs
2 x 1/4" TRS, 1 x 3.5mm
Local Outputs
16 assignable (14 x XLR + 2 x 1/4" TRS)
Faders
24+1, 6 layers (144 assignable channel strips)
Display
7" color touchscreen
Digital Output
AES, 2-channel, 96kHz
Expansion Port
SLink EtherCON (dSnake/ME, DX, GigaACE/GX — 128x128 ch)
I/O Option Card
1 slot (Dante, Waves SoundGrid, other third-party protocols)
Talkback
Dedicated XLR input
Headphone Output
1/4" TRS with dedicated level control

Pros & Cons

👍 Pros

  • The XCVI preamp design delivers a transparent noise floor that lets condenser microphones reveal source detail without the preamp coloring or compressing the signal character.
  • 48 input channels with 36 mix busses provides routing headroom for complex FOH builds — monitors, front fill, delays, broadcast feed, and recording split — without running out of bus architecture mid-show.
  • SLink over a single EtherCON cable carries up to 128x128 channels to remote stageboxes, eliminating the analog multicore run and the signal degradation that comes with it over long cable distances.
  • The I/O option card slot for Dante or Waves SoundGrid integration gives the desk a meaningful future-upgrade path without requiring a desk replacement.
  • The 7" color touchscreen provides channel-level EQ, dynamics, and routing visibility that eliminates the need to enter menus for most common live mixing adjustments.

👎 Cons

  • At this channel count and capability tier, the SQ-6 is a physically large desk — engineers working in fly-date or festival contexts where backline space is shared will feel its footprint compared to smaller format consoles.
  • Full 48-channel operation requires SLink-connected stagebox hardware as an additional purchase; the desk ships capable of 24 local mic inputs only without that investment.
  • Dante and Waves SoundGrid expansion cards are not included and represent a significant additional cost for engineers who need those protocols as part of their standard workflow.
  • The 7" touchscreen, while functional, is smaller than competing desks at this price tier — detailed EQ curve editing during a live show requires confidence with the UI to avoid missed adjustments.

Frequently Asked Questions

The SQ-6 provides 48 input channels, of which 24 are available locally via onboard XLR mic preamps. To access the full 48 inputs simultaneously you need an SLink-connected stagebox — such as an Allen & Heath DX168 or AR2412 using dSnake protocol — which connects via a single EtherCON cable and carries up to 128x128 channels of audio over Cat5e/Cat6.
The SQ series uses Allen & Heath's XCVI preamps, which are designed for transparent, low-noise gain staging. They are clean and accurate rather than colored — you're hearing the microphone, not the preamp. The noise floor is low enough for condenser microphones on quiet acoustic sources without hiss becoming a mixing problem.
Not natively, but the I/O port accepts an optional Dante expansion card (sold separately), which enables full bidirectional Dante audio-over-IP integration. The same slot supports Waves SoundGrid cards for onboard plugin processing. This makes the SQ-6 future-proofed for hybrid FOH/broadcast workflows that require IP audio distribution.
The 24 faders plus master fader are organized into 6 assignable layers, giving you up to 144 assignable channel strips accessible across layer switches. Engineers typically organize inputs, groups, DCAs, and FX returns across layers — the 7" touchscreen provides fast visual confirmation of what each fader is controlling on any given layer without requiring memorization.
Yes. The SQ-6 supports multitrack USB recording and playback directly to a connected computer, allowing it to serve as a high-channel-count audio interface for DAW sessions alongside live mixing duties — a significant workflow advantage for hybrid live-recording scenarios.