
Allen & Heath SQ Series SQ-7 48-Channel Digital Mixer
The Allen & Heath SQ-7 delivers 96kHz studio-grade mixing with sub-millisecond latency for demanding live and broadcast environments.
*Price sourced from Amazon.com. Last updated:Jun 19, 2026.Price and availability are subject to change.
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Overview
Key Features
Driven by Allen & Heath’s 96kHz XCVI FPGA engine, delivering exceptional high-resolution audio quality, ultra-low latency of <0.7ms and variable bit depths for optimized dynamic range
DEEP processing architecture allows owners to hand-pick boutique compressor and preamp emulations to suit needs; DEEP plugins can be embedded directly within the mixer’s inputs and mix channels
With no less than 12 stereo mixes and super-low latency, and both parametric and graphic EQ on every mix, SQ-7 is the perfect companion for in-ear monitoring setups
Can be expanded up to a total of 48 mic inputs via a family of 96kHz and 48kHz rack and stage box expanders; can connect to another SQ, Qu or dLive system for two way audio patching
Add an audio networking card such as Dante or Waves to SQ’s I/O port and you’re ready to integrate with installed systems, provide a digital FoH / Monitor split and more
Specifications
Pros & Cons
👍 Pros
- The 96kHz XCVI engine produces an open, detailed top end with excellent transient resolution that you can hear immediately on percussion and vocal tracks.
- Sub-0.7ms latency makes it one of the fastest digital consoles for real-time monitoring, eliminating the comb-filtering issues that plague higher-latency desks with IEMs.
- DEEP processing embeds high-quality compressor and preamp emulations directly in the signal path without adding latency or requiring external plugin hosts.
- Expandable to 48 mic inputs via dedicated stage boxes, giving you serious channel count for festival stages or multi-room broadcast without outboard splitters.
- Parametric and graphic EQ on all 12 stereo mixes provides the surgical control needed to tame room modes and shape individual monitor sends.
👎 Cons
- The 48-channel surface is physically large and heavy, making it a significant load-in consideration for mobile engineers working without dedicated crew.
- Stage box expanders are sold separately and represent a substantial additional investment to reach the full 48-input capacity.
- The optional Dante and Waves networking cards add cost and require separate configuration, which can complicate initial setup for engineers new to audio-over-IP.
- The proprietary DEEP plugin ecosystem, while high quality, does not support third-party VST or AU formats, limiting your processing options to Allen & Heath's curated library.