
Aputure HS202204010322C02 Amaran F22C RGBWW Flexible LED Light
A 2×2 flexible LED mat that bends into the frame, wraps around subjects, and delivers 200W of full-spectrum RGBWW color wherever rigid panels can't reach.
*Price sourced from Amazon.com. Last updated:Jun 04, 2026.Price and availability are subject to change.
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Overview
Key Features
Aputure amaran F22c 200W Output 2’x2’ RGBWW Flexible LED Mat.6,420+ lux @ 1 meter (5600K)
HSI Full Color Control.Tunable CCT from 2,500K to 7,500K.Frequency Selection: Tune Out Flicker, Up to +2000Hz Adjustment
Sidus Link App Control.DMX Control via USB-C to 5-Pin DMX512 In & Out Adapter Cable
15 Built-in Lighting FX: Paparazzi, Lightning, TV, Candle, Fire, Strobe, Explosion, Faulty Bulb, Pulsing, Welding, Cop Car, Color Chase, etc.
Two power supply ways, AC adapter or V-mount battery.(Battery not included).
Specifications
Pros & Cons
👍 Pros
- 6,420+ lux at 1 meter (5600K) from a 2×2 flexible form factor delivers output density that rivals rigid panels, enabling it to work as a key light in close-quarters setups where a solid fixture can't be positioned.
- CRI 95+ and TLCI 97+ ensure color accuracy across the full 2500–7500K range — critical for skin tone work and product shoots where color consistency across takes matters.
- Frequency selection up to +2000Hz allows precise flicker elimination when shooting at high frame rates or with cameras sensitive to LED beat frequencies.
- Dual power input (AC and V-mount DC via included battery bracket) makes the panel equally at home in a studio with mains power and on a remote location without it.
- 15 built-in lighting effects cover practical simulation scenarios — fire, lightning, police car, TV screen — that save significant time and cost compared to adding practical fixtures or post-production work.
👎 Cons
- At 200W, the F22C draws significantly more power than compact panel lights, and V-mount battery run time at full output will be limited — field shooters will need to budget for large-capacity batteries or step down output.
- The panel's flexible construction requires a rigging solution — it doesn't stand independently and needs to be draped, clamped, or suspended, adding setup time compared to a rigid panel on a light stand.
- SSI scores (83 for Tungsten, 74 for D56) are notably lower than the CRI/TLCI figures, indicating the spectral distribution is less optimized for cinema-grade color science workflows where SSI is the relevant metric.
- The DMX512 adapter cable for wired control is not included in the box, adding cost for users who require hard-wired integration into a lighting console.
- At 2×2 format, the panel produces a softer, wider source than a focused spot — it is not the right tool for hard directional lighting without additional shaping flags or grids.