Behringer

Behringer Xenyx QX2222USB 22-Input Mixer USB Effects

4.1 (57 reviews)

Eight XENYX preamps, onboard compression, and USB I/O in one mixer — built for the working live or studio engineer on a budget.

$498.98*
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*Price sourced from Amazon.com. Last updated:Jun 19, 2026.Price and availability are subject to change.

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Overview

The Behringer Xenyx QX2222USB is a 22-input mixing console built for the engineer who needs a full-featured front-of-house or studio mixing solution without a large budget or complex signal chain. Eight XENYX mic preamps with individual 48V phantom power handle a full band's microphone complement or a multi-source podcast setup, and the onboard KLARK TEKNIK FX processor brings reverb and delay quality that would otherwise require a separate outboard unit. The "British" 3-band EQ with semi-parametric mid on every channel is a characterful tool — it adds warmth and presence to vocals and instruments in a way that clinical flat-response EQs don't, and it's fast to work with under live session pressure.

The built-in USB stereo interface is the QX2222USB's workflow multiplier — it lets you record the mix directly to a DAW for archival, broadcast, or post-production without adding an interface to the chain. One-knob compressors on all eight mic channels handle dynamic control without demanding attention mid-mix, a genuine operational advantage during live sound work. The faders are 60mm logarithmic-taper designs that hold up through repeated use. The honest limitation of this mixer is its USB routing — you get stereo mix output to the DAW, not individual stems — so engineers who need multitrack session recall will want to complement it with a dedicated interface or step up to a digital console. For live sound reinforcement, location recording, and content production where a stereo mix capture is sufficient, the QX2222USB delivers a professional-class feature set at a price point that's hard to argue with.

Key Features

2/2-bus mixer with 60mm faders

USB Audio Interface

Onboard Effects

3-band EQ

22-input

Specifications

Total Inputs
22
Mic Preamps
8 XENYX, phantom-powered
Compressors
8 one-knob studio-grade
FX Processor
KLARK TEKNIK, 32 presets
EQ
Neo-classic British 3-band, semi-parametric mid
Aux Sends
3 per channel
USB Interface
Built-in stereo USB/audio interface
Faders
60mm logarithmic-taper
Bus Configuration
2/2-bus
Power Supply
Switching, 100–240V~

Pros & Cons

👍 Pros

  • Eight XENYX preamps with individual phantom power give this mixer enough mic input headroom to handle a full band recording or a multi-mic podcast setup without an external preamp stage.
  • The KLARK TEKNIK FX processor delivers 32 studio-grade presets — reverb and delay quality is noticeably above what you'd expect at this price point, reducing the need for outboard effects in live work.
  • Built-in USB stereo audio interface removes the need for a separate audio interface for DAW recording or live streaming — the mixer handles both roles from a single unit.
  • Neo-classic British 3-band EQ with a semi-parametric mid band gives you enough tonal shaping per channel to fix problem frequencies without a graphic equalizer in the rack.
  • One-knob compressors on all eight mic channels add transparent dynamic control at line speed — valuable during live sound work where you can't babysit every channel's level.

👎 Cons

  • The USB interface is limited to stereo — you record the stereo mix bus to the DAW, not individual channel stems, which limits post-session editing flexibility for multitrack recording scenarios.
  • At high preamp gain, the noise floor becomes audible on sensitive condenser microphones in quiet recording environments, making it less suitable for critical studio tracking of acoustic sources.
  • The 3-band EQ, while musical, does not include a high-pass filter per channel — managing low-frequency buildup on mic channels requires using the EQ's low-shelf rather than a dedicated HPF.
  • The chassis is relatively large for the input count — this is a desk or rack-top unit, not something that fits comfortably on a small stage or podcast desk without dedicated space planning.
  • 32 FX presets cover the common reverb and delay types but are not user-programmable, limiting creative flexibility for engineers who want to dial in custom effect settings.

Frequently Asked Questions

The XENYX preamps have a reasonably low noise floor for the price class, but at high gain settings (above 50dB), you will hear a noise floor rise that can be problematic for very quiet sources like a delicate acoustic guitar or a soft-spoken voiceover talent. For louder sources — live vocals, guitar amps, drums — gain staging is not a concern in normal use.
The USB audio interface is class-compliant on macOS and works with core audio without driver installation. Windows users will want to download the ASIO driver from Behringer for low-latency DAW recording performance.
Yes — all eight microphone inputs are phantom-powered, so condenser microphones can be used across the full microphone channel count without an external phantom power supply.
Each compressor is a single-knob design that sweeps from no compression to heavy limiting — Behringer sets a fixed ratio and attack/release curve internally. It is a time-saving tool for live vocals and instruments where transparent gain reduction is more useful than surgical control.
Yes — the FX processor, USB interface, and analog outputs operate independently. You can send reverb-treated signal to the PA via the main outs while recording a dry or wet mix to a DAW over USB at the same time, depending on your routing.