Behringer

Behringer BA 19A Half-Cardioid Instrument Microphone

4.7 (785 reviews)
Condenser

The Behringer BA 19A boundary condenser mic captures kick drums, pianos, and bass instruments with clarity and minimal background noise.

$69.90*
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*Price sourced from Amazon.com. Last updated:Jul 14, 2026.Price and availability are subject to change.

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Overview

The Behringer BA 19A is a condenser boundary microphone purpose-built for capturing acoustic instruments that produce significant low-frequency energy. Its half-cardioid polar pattern is inherently suited to boundary placement — whether inside a kick drum, on a stage floor in front of a bass cabinet, or resting on a grand piano lid — picking up the direct sound source while rejecting ambient noise, reflections, and feedback from the surrounding environment. An integrated preamplifier ensures the signal reaching your mixer or interface is clean and well-defined, preserving the dynamics and tonal character of the instrument.

Where the BA 19A adds practical versatility is in its switchable filters, which allow engineers to tailor the output on the fly. One filter position emphasizes the low-frequency response for a fuller, rounder bass tone, while the other brings out high-frequency attack for added clarity and punch on percussive sources. The microphone connects via a standard XLR output, ensuring compatibility with virtually any professional audio setup. For live sound reinforcement, studio tracking of drums and acoustic instruments, or house-of-worship applications where a discreet, floor-level mic is preferred, the BA 19A delivers focused low-end capture at a price point that makes it accessible for small venues and home studios alike.

Key Features

Condenser boundary microphone for acoustic instruments

Frequency response for kick drums, piano and bass-heavy instruments

Integrated preamplifier for outstanding signal integrity

Half-cardioid polar pattern minimizes background noise and feedback

Switchable filters for stronger lows and high-frequency attack

Specifications

Brand
Behringer
Model
BA 19A
Microphone Type
Condenser Boundary
Polar Pattern
Half-Cardioid
Frequency Response
Optimized for kick drums, piano, and bass-heavy instruments
Preamplifier
Integrated
Filters
Switchable (low-frequency boost / high-frequency attack)
Connector
XLR

Pros & Cons

👍 Pros

  • Half-cardioid polar pattern effectively rejects background noise and feedback, making it usable in live settings.
  • Integrated preamplifier maintains strong signal integrity without requiring an external preamp.
  • Switchable tone filters allow quick adjustment between bass-heavy and attack-forward sound profiles.
  • Boundary design requires no stand — simply place it on the floor, inside a kick drum, or on a piano lid.
  • XLR output ensures compatibility with standard mixers, interfaces, and PA systems.

👎 Cons

  • Boundary placement means the BA 19A must rest on a flat surface, limiting positioning flexibility compared to stand-mounted microphones.
  • Requires phantom power, so it cannot be used with devices that lack phantom power supply.
  • Optimized frequency response favors bass-heavy sources, making it less versatile for vocals or high-pitched instruments.
  • Plastic housing may be less durable than metal-bodied alternatives in heavy touring environments.

Frequently Asked Questions

It is a condenser boundary microphone with a half-cardioid polar pattern, designed to be placed on a flat surface near the sound source rather than mounted on a stand.
It is optimized for bass-heavy acoustic instruments including kick drums, pianos, cajons, and upright basses, with a frequency response tailored for low-end capture.
Yes, as a condenser microphone with an integrated preamplifier, it requires phantom power supplied through its XLR connection from a mixer or audio interface.
The filters let you shape the sound by boosting low-frequency response for fuller bass or emphasizing high-frequency attack for more percussive definition, depending on the instrument and application.
The half-cardioid pattern picks up sound from above the mic's surface while rejecting sound from below and behind, which reduces stage noise, room reflections, and feedback when placed on floors or inside kick drums.