Behringer

Behringer C-3 Dual-Diaphragm Studio Condenser Microphone

4.4 (704 reviews)
Condenser

A budget-friendly dual-diaphragm condenser mic with three selectable polar patterns for versatile studio recording.

$59.00*
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*Price sourced from Amazon.com. Last updated:Jul 14, 2026.Price and availability are subject to change.

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Overview

The Behringer C-3 is a dual-diaphragm condenser microphone built around a pressure-gradient transducer with an internally shock-mounted capsule. Its defining feature is the inclusion of three selectable polar patterns—cardioid, omnidirectional, and figure-eight—controlled by a switch on the microphone body. This makes the C-3 adaptable to a range of recording situations: cardioid for isolating a single source, omnidirectional for capturing room ambience or group performances, and figure-eight for interview setups or mid-side stereo recording techniques.

Housed in a solid metal body with a silver finish, the C-3 connects via a standard XLR output and requires 48V phantom power from an external source. Its frequency response spans 20 Hz to 18 kHz, and the dual-diaphragm design helps maintain a consistent pickup character across its polar patterns. The microphone is well-suited for recording acoustic guitars, piano, drum overheads, and vocal applications where budget is a primary concern. While it lacks the extended high-frequency response and low self-noise of premium studio condensers, the C-3 offers multi-pattern versatility that is uncommon at its price point.

Key Features

Medium Dual-Diaphragm Condenser Microphone With Cardioid

Omnidirectional Figure-eight Pickup Patterns

Pressure-gradient transducer with shock-mounted dual-diaphragm capsule

Perfect for acoustic instruments, overhead, piano, etc

Specifications

Brand
Behringer
Model
C-3
Type
Dual-Diaphragm Condenser
Polar Patterns
Cardioid, Omnidirectional, Figure-eight
Transducer Type
Pressure-gradient
Frequency Response
20 Hz – 18 kHz
Connectivity
XLR
Material
Metal
Color
Silver

Pros & Cons

👍 Pros

  • Three selectable polar patterns in a single microphone provide flexibility across different recording scenarios
  • Internally shock-mounted dual-diaphragm capsule reduces vibration and handling noise
  • Durable metal construction adds durability and resistance to accidental drops
  • Very affordable entry point for a multi-pattern condenser microphone

👎 Cons

  • Frequency response tops out at 18 kHz, which is narrower than many competing condenser microphones that extend to 20 kHz
  • Self-noise may be noticeable in quiet recording environments compared to higher-end condensers
  • Does not include a shock mount or pop filter, which are typically needed for vocal recording
  • The microphone can sound harsh on some sources without careful placement and gain staging

Frequently Asked Questions

The C-3 provides three selectable polar patterns: cardioid for focused front-facing pickup, omnidirectional for capturing sound from all directions, and figure-eight for recording from the front and rear while rejecting the sides.
Yes, as a condenser microphone the C-3 requires 48V phantom power, which is supplied by most audio interfaces, mixers, and preamps.
The C-3 connects via a standard XLR output, so you will need an XLR cable and a compatible audio interface or mixer.
Yes, the dual-diaphragm capsule is internally shock-mounted within the microphone body to help reduce vibration noise and handling rumble.
The C-3 has a frequency response of 20 Hz to 18 kHz, covering the fundamental range needed for vocals and most acoustic instruments.