Behringer

Behringer MIC2200 V2 Tube Microphone Preamp 2-Channel

4.4 (27 reviews)

Add rich tube warmth to your recordings with this 2-channel preamp featuring a hand-selected 12AX7 tube and fully parametric EQ.

$149.00*
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*Price sourced from Amazon.com. Last updated:Jun 04, 2026.Price and availability are subject to change.

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Overview

The Behringer MIC2200 V2 is a 2-channel tube microphone and line preamplifier built around a hand-selected 12AX7 vacuum tube and discrete conjugate transistor pair input circuitry. This hybrid design combines the harmonic warmth and subtle compression characteristics of tube amplification with the low-noise performance of solid-state input stages. The result is a preamp that adds musical coloration to vocals, acoustic instruments, and other sources without introducing excessive noise — making it a practical choice for home and project studios looking to add analog character to their signal chain.

Each channel features a fully parametric equalizer with dedicated controls for center frequency, bandwidth, and level, giving you surgical precision to shape your sound at the source. The built-in highpass filter is useful for cleaning up low-end rumble before recording, while the independent line driver on each channel can convert -10 dBV consumer-level signals to +4 dBu professional levels — handy for integrating consumer gear into a pro-level setup. With an ultra-wide frequency response spanning 10 Hz to 200 kHz, the MIC2200 V2 captures the full audible spectrum and beyond, contributing to the open, detailed sound quality that users appreciate. The unit fits a standard 19-inch rack and provides XLR connectivity for straightforward integration into existing studio or live sound signal chains.

Key Features

Ultra-low noise discrete microphone/line preamplifier with hand-selected 12AX7 tube for ultra-musical sound

Mic input stage based on discrete, conjugate transistor pair circuitry

Ultra-wide bandwidth from 10 Hz to 200 kHz for “open” sound

Integrated fully parametric EQs with dedicated center frequency, bandwidth and level controls

Independent line driver for converting -10 dBV into +4 dBu pro level

Specifications

Brand
Behringer
Model
MIC2200 V2
Type
2-Channel Tube Microphone/Line Preamplifier
Tube
Hand-selected 12AX7
Input Stage
Discrete conjugate transistor pair
Frequency Response
10 Hz – 200 kHz
EQ
Fully parametric (frequency, bandwidth, level per channel)
Highpass Filter
Yes
Line Driver
-10 dBV to +4 dBu conversion
Connectivity
XLR
Channels
2

Pros & Cons

👍 Pros

  • Hand-selected 12AX7 tube adds genuine analog warmth and harmonic richness to recordings
  • Fully parametric EQ on each channel provides precise tonal shaping without needing outboard processing
  • Ultra-wide 10 Hz to 200 kHz bandwidth captures the full frequency range with an open, transparent character
  • Built-in line driver converts consumer-level signals to professional +4 dBu output
  • Two independent channels allow simultaneous processing of a stereo pair or two separate sources

👎 Cons

  • XLR connectivity only — no instrument-level Hi-Z input for plugging in guitars or basses directly
  • Single 12AX7 tube shared across the circuit provides subtle coloration rather than heavy tube saturation
  • No digital output means you still need a separate audio interface for computer-based recording
  • Rack-mount form factor requires a rack or shelf space and is less portable than compact desktop preamps
  • Parametric EQ controls are powerful but have a learning curve for users accustomed to simpler semi-parametric designs

Frequently Asked Questions

It uses a hand-selected 12AX7 vacuum tube, which is a widely available dual-triode tube known for adding musical warmth and harmonic character to audio signals.
Yes, each of the two channels accepts both microphone-level (XLR) and line-level inputs, and it includes an independent line driver that converts -10 dBV consumer-level signals to +4 dBu professional-level output.
The parametric EQ on each channel provides independent control over center frequency, bandwidth (Q), and level — letting you precisely boost or cut specific frequency ranges to shape your tone during recording or mixing.
Yes, the built-in highpass filter lets you roll off low-frequency rumble, handling noise, and HVAC hum before the signal hits your recording interface, reducing the need for corrective EQ later.
It covers an ultra-wide bandwidth from 10 Hz to 200 kHz, which contributes to an open, detailed sound that captures the full spectrum of a source without audible roll-off.