Behringer

Behringer 1047 Multimode Filter Eurorack Module

4.3 (24 reviews)

Vintage 2500-series analog filter character for your Eurorack — four simultaneous outputs shape everything from searing leads to vowel-like resonant sweeps.

$54.22*$61.94Save 12%
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*Price sourced from Amazon.com. Last updated:Jun 27, 2026.Price and availability are subject to change.

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Overview

The Behringer 1047 Multimode Filter/Resonator is a faithful recreation of the legendary 2500-series analog filter circuit from the 1970s, built for the modern Eurorack format. At its core is a 12 dB/octave state-variable filter that simultaneously outputs low-pass, high-pass, band-pass, and notch signals — each with its own distinct sonic character. The resonance circuit is where this module truly sings: push the Q and you'll hear the filter move from subtle harmonic emphasis into thick, vowel-like formant territory that responds dynamically to incoming audio. The cutoff range spans 16 Hz to 16 kHz with separate coarse and fine controls, making it easy to zero in on a specific frequency pocket whether you're sculpting bass tones or carving out space in a dense mix.

Build quality follows Behringer's current Eurorack standard — solid panel, responsive potentiometers, and reliable jacks that hold patch cables firmly. The two CV inputs with dedicated attenuators are essential for integrating the 1047 into complex patches; route an envelope to one and an LFO to the other, and you have a filter that breathes and evolves with your performance. Under session pressure, the knobs feel accurate enough for real-time tweaking during a take, and the simultaneous outputs invite creative routing — send the low-pass to one voice and the band-pass to another for instant stereo interest. At 16HP, it demands commitment in your rack layout, but what it returns in tonal variety and hands-on analog character makes it a centerpiece filter for synthesis work.

Key Features

Classic-sounding 1047 analog multi-mode filter and resonator module from the '70s

Authentic reproduction of the circuitry from the "2500" Series

Consists of a highly resonant 12 dB state-variable filter capable of proving a wide variety of formant shaping and tonal modulation

Filter simultaneously provides high-pass, band-pass, low-pass and notch outputs

Coarse and fine controls adjust the cut-off frequency of the filter from 16 Hz to 16 kHz with 2 external control signal inputs and attenuators

Specifications

Module Format
Eurorack
Width
16HP
Filter Type
Multimode State-Variable VCF
Filter Slope
12 dB/octave
Outputs
Low-Pass, High-Pass, Band-Pass, Notch (simultaneous)
Cutoff Frequency Range
16 Hz – 16 kHz
Cutoff Controls
Coarse and Fine
CV Inputs
2 with dedicated attenuators
Circuit Heritage
2500 Series reproduction
Brand
Behringer
Model
1047

Pros & Cons

👍 Pros

  • Four simultaneous filter outputs let you split a single source into distinct tonal characters within one patch
  • The 12 dB state-variable topology delivers a warm, vocal resonance that stays musical even at high Q settings
  • Fine and coarse cutoff controls allow precise frequency targeting across the full 16 Hz to 16 kHz range
  • Two CV inputs with attenuators provide flexible modulation depth for expressive, evolving timbres
  • Authentic reproduction of the classic 2500-series circuit captures the harmonic richness of vintage analog filtering

👎 Cons

  • 12 dB slope is gentler than 24 dB designs, which may lack the aggressive cutoff some patches demand
  • At 16HP it occupies significant rack real estate in smaller Eurorack cases
  • No built-in overdrive or saturation stage for pushing the filter into heavier distortion territory
  • Self-oscillation behavior at maximum resonance can be unpredictable and requires careful gain staging downstream

Frequently Asked Questions

The module provides four simultaneous outputs — low-pass, high-pass, band-pass, and notch — all available at the same time, so you can route different filtered versions of your signal to separate destinations in your patch without repatching.
The cutoff sweeps from 16 Hz to 16 kHz using coarse and fine knobs, giving you precise control from sub-bass rumble through the full audible spectrum.
Two external control voltage inputs with dedicated attenuators let you modulate the cutoff frequency from envelope generators, LFOs, or sequencers, allowing you to dial in exactly how much modulation reaches the filter.
The 1047 is a 12 dB/octave state-variable filter, which produces a more gradual rolloff than 24 dB designs — resulting in a warmer, more harmonically open character that lets more of the original signal through.
It occupies 16HP in a standard Eurorack case.