
Behringer
Behringer S16 16-Channel Digital Snake with Midas Preamps
★★★★★
XLR
16 Midas-designed remote preamps over AES50 digital snake — clean gain and low-latency stage-to-console connectivity for serious live sound.
$579.00*
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*Price sourced from Amazon.com. Last updated:Jul 14, 2026.Price and availability are subject to change.
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Overview
Key Features
16 MIDAS-designed, fully programmable mic preamps for audiophile sound quality
8 analogue, servo-balanced XLR outputs
AES50 network ports featuring KLARK TEKNIK’s SuperMAC networking capability for ultra-low jitter and latency
ULTRANET connectivity for BEHRINGER's P16 personal monitoring system
Digital audio and control connectivity for TURBOSOUND speaker systems with ULTRANET networking capability
Specifications
Mic Preamps
16 Midas-designed, fully programmable, remote-controllable
Analog Outputs
8 servo-balanced XLR
Digital Networking
AES50 (dual ports) with Klark Teknik SuperMAC
Monitoring
ULTRANET port for Behringer Powerplay P16 system
Speaker Integration
ULTRANET digital connectivity for Turbosound speaker systems
Form Factor
1U rackmount
Max Cable Length
100m (Cat5e)
Brand
Behringer
Model
S16
Pros & Cons
👍 Pros
- 16 Midas-designed preamps deliver clean, transparent gain with low self-noise, performing well above the price point on vocal and instrument sources.
- AES50 with Klark Teknik SuperMAC provides sub-millisecond latency and ultra-low jitter over a single Cat5e cable run up to 100 meters.
- Full remote control of all preamp parameters from the console eliminates the need for a stage tech to adjust gain during soundcheck and performance.
- ULTRANET port enables direct integration with Behringer P16 personal monitoring, consolidating stage wiring into a single digital infrastructure.
- Dual AES50 ports allow daisy-chaining multiple units for expanded channel counts without additional network switches.
👎 Cons
- 8 analog outputs limit the unit's usefulness for large monitor setups that need more than 8 discrete stage sends.
- The S16 is functionally tied to the Behringer/Midas ecosystem — AES50 compatibility with third-party consoles is limited.
- The 1U rackmount chassis is steel but relatively lightweight, and the XLR connectors can feel less robust than those on premium stage boxes.
- No built-in redundancy or automatic failover if the single AES50 cable connection is interrupted during a show.
- Phantom power is globally switchable per channel from the console, but there is no local override or indicator on the S16 itself for quick stage-side verification.
Frequently Asked Questions
How does the S16 connect to a mixing console?
The S16 uses AES50 networking via standard Cat5e cable, carrying all 16 input channels and 8 output channels digitally over a single Ethernet run of up to 100 meters. It is designed to integrate directly with Behringer X32 and Midas M32 consoles, which have built-in AES50 ports.
Can the mic preamp gain on the S16 be controlled remotely from the console?
Yes. All 16 Midas-designed preamps are fully programmable and remote-controllable from a connected X32 or M32 console, including gain, phantom power, and pad settings — no stage-side adjustments required during the show.
What is ULTRANET and how does it work with the S16?
ULTRANET is Behringer's digital personal monitoring protocol. The S16's ULTRANET port connects directly to Behringer Powerplay P16 personal monitor mixers, allowing performers on stage to control their own monitor mixes via a digital connection alongside the main audio snake.
What is the latency of the AES50 connection?
AES50 with Klark Teknik SuperMAC technology delivers sub-millisecond latency across the network, which is effectively inaudible and well within professional broadcast and live sound requirements.
Can multiple S16 units be daisy-chained for more channels?
Yes. The S16 features two AES50 ports, allowing units to be daisy-chained to expand channel count. Two S16 units provide 32 inputs and 16 outputs on a single AES50 network connected to a compatible console.