Beyerdynamic

Beyerdynamic AMS-DT-290-MKII-200-250 Broadcasting Headset

5.0 (1 reviews)

A closed-back broadcast headset built for the signal chain — the DT 290 MK II delivers hypercardioid isolation and 250-ohm clarity where every word on air matters.

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Overview

The Beyerdynamic DT 290 MK II 200/250 is built for the realities of professional broadcast — talkback booths, live mixing positions, and on-air monitoring where signal clarity and isolation aren't optional. The 250-ohm closed dynamic headphone runs a wide frequency response of 10–30,000 Hz, and the neodymium driver system reproduces transients with enough accuracy that talent can hear themselves and program audio cleanly without ear fatigue. The dynamic hypercardioid microphone is tuned for voice intelligibility rather than full-range capture — it sits in the mouth of the signal chain as a utility mic that handles gain without coloring the source, rejecting room noise effectively from off-axis angles that matter most in live environments.

Build quality follows beyerdynamic's professional heritage — the headband adjusts for a consistent, low-pressure fit that works across long broadcast sessions, and the earcup design sits comfortably without the clamping force that causes fatigue in high-stress live situations. The pivoting gooseneck microphone boom is the standout practical feature for multi-operator environments: talent can swing it out of the way between sets and reposition it without fumbling. The combination of passive isolation, a no-phantom dynamic capsule, and 250-ohm headphone impedance makes this a one-cable, no-compromise broadcast headset that integrates cleanly with professional consoles and routing systems.

Key Features

Closed dynamic headphone, 250 ohms

Good ambient noise attenuation

Lightweight, low-profile design

Flexible, pivoting gooseneck microphone

Powerful neodymium system for accurate reproduction

Specifications

Headphone Type
Closed Dynamic
Impedance
250 Ohms
Frequency Response
10 – 30,000 Hz
Microphone Type
Dynamic Hypercardioid
Microphone Boom
Flexible Pivoting Gooseneck
Phantom Power Required
No
Driver System
Neodymium
Model
AMS-DT-290-MKII-200-250

Pros & Cons

👍 Pros

  • 250-ohm impedance delivers low noise floor and clean signal reproduction on broadcast-grade console outputs
  • Hypercardioid dynamic capsule rejects off-axis bleed effectively in live control rooms and noisy broadcast environments
  • Closed-back earcup design provides meaningful passive isolation without requiring powered noise cancellation
  • Lightweight, low-profile construction reduces fatigue during long broadcast shifts or extended session monitoring
  • Flexible gooseneck boom allows precise microphone positioning without mechanical adjustment tools

👎 Cons

  • 250-ohm impedance is under-driven by low-power consumer interfaces — requires a console or dedicated amp with adequate output voltage
  • Dynamic microphone capsule has a higher noise floor than condenser alternatives, which may be audible in very quiet, acoustically treated broadcast environments
  • No integrated pad or roll-off switch on the microphone — gain staging must be managed entirely at the preamp or console
  • Closed-back design, while isolating, introduces some low-frequency buildup that can skew bass-heavy monitoring decisions
  • Limited to mono microphone output — not suited for stereo recording applications or dual-channel broadcast setups

Frequently Asked Questions

The headphone capsule runs at 250 ohms, which means it draws less current but requires more voltage to reach optimal listening levels. Most broadcast consoles and dedicated monitor outputs handle this natively, but a standard USB audio interface may leave you short on headroom — a dedicated amp or mixer with a high-impedance output is the professional choice here.
The microphone is a dynamic hypercardioid, meaning the null points sit off-axis at roughly 110–120 degrees rather than directly to the sides. This provides tighter rejection of room reflections and monitor bleed than a standard cardioid — well-suited for talkback, broadcast booths, and live control rooms where ambient noise is a factor.
No. The DT 290 MK II uses a dynamic capsule, which is a passive transducer requiring no phantom power. You can connect it directly to any XLR mic input without risk of damage from phantom-powered preamps, though enabling phantom won't harm it either.
The closed earcups provide passive ambient attenuation, which keeps talent from hearing their own voice excessively in the room and reduces feedback risk in open-mic situations. The tradeoff is a slightly more colored low-end compared to open-back reference headphones — but for on-air monitoring and talkback applications, that isolation is worth more than flat reproduction.
Yes. The microphone is mounted on a flexible pivoting gooseneck that can be repositioned to suit different head sizes and mic placement preferences. This is particularly useful in multi-operator broadcast environments where the headset exchanges between talent.