Blackmagic Design Studio Camera 4K Plus G2 Bundle — main product image

Blackmagic Design Studio Camera 4K Plus G2 Bundle

Blackmagic Design Studio Camera 4K Plus G2 Bundle

Name: Blackmagic Design Studio Camera 4K Plus G2 Bundle
Brand: Blackmagic Design
SKU: 30 amps Fusible 2-Pole Fuse Safety Switch

12G-SDI I/O, built-in DaVinci Resolve color correction, and UHD 4K 60p capture make the Blackmagic Studio Camera 4K Plus G2 a complete production node in a single body.

$1,525.00*

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*Price sourced from Amazon.com. Last updated:Jul 14, 2026.Price and availability are subject to change.

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Overview

The Blackmagic Design Studio Camera 4K Plus G2 is engineered as a self-contained broadcast production node capable of UHD 4K capture at up to 60 frames per second. Its 12G-SDI input and output is the specification that defines its place in a professional signal chain: a single 75-ohm BNC coaxial cable carries full 4K 60p bi-directionally, enabling this camera to slot into any 12G-SDI infrastructure — routers, multiviewers, production switchers — without the quad-link adapter complexity that plagued earlier 4K SDI workflows. The active Micro Four Thirds mount gives access to a wide lens ecosystem with full electronic communication, and the onboard DaVinci Resolve color corrector operates as a live primary grade engine, applying lift/gamma/gain adjustments to the output signal in real time. ISO performance extends to 25,600, which expands the usable shooting envelope in studio environments where full lighting control is not always achievable.

This camera is built for fixed or semi-fixed studio broadcast and live production applications — multicam talk shows, sports studios, house-of-worship broadcasts, and corporate video production where the camera feeds a production switcher and the output needs to be broadcast-ready without post-processing. The 7" capacitive touchscreen serves as both a monitoring and control surface, and Ethernet connectivity means it can be fully operated from an ATEM switcher control panel at the production desk. Blackmagic RAW recording to USB-C SSDs captures a color-science-consistent archive for post-production in DaVinci Resolve. The light carbon fiber polycarbonate body keeps weight manageable on studio pedestals and shoulder rigs, though crews running demanding multi-day productions should factor the external drive dependency into their media workflow planning.

Key Features

Active Micro Four Thirds Lens Mount ; Capture up to UHD 4K 3840 x 2160p60

12G-SDI Input/Output, HDMI Output ; Control via HDMI, SDI, USB, or Ethernet

7" LCD Capacitive Touchscreen ; Record to External USB-C Disks

Records Blackmagic RAW, Up to 25,600 ISO ; 3.5mm Audio Input, Built-In Mics

Built-In DaVinci Resolve Color Corrector ; Light Carbon Fiber Polycarbonate Body

Specifications

Lens Mount

Active Micro Four Thirds

Maximum Resolution

UHD 4K 3840 x 2160p60

Video Inputs

12G-SDI

Video Outputs

12G-SDI, HDMI

Control Interfaces

HDMI, SDI, USB, Ethernet

Display

7" LCD Capacitive Touchscreen

Recording Media

External USB-C Disks

Recording Format

Blackmagic RAW

Maximum ISO

25,600

Audio Input

3.5mm

Microphones

Built-In

Color Correction

Built-In DaVinci Resolve Color Corrector

Body Material

Carbon Fiber Polycarbonate

Pros & Cons

👍 Pros

12G-SDI I/O carries UHD 4K 60p over a single BNC cable, integrating cleanly into 4K SDI infrastructure without quad-link complexity.
Built-in DaVinci Resolve color corrector enables real-time primary grading and look-matching across multicam setups without outboard hardware.
ISO sensitivity up to 25,600 provides usable signal in low-light studio environments where additional lighting may not be practical.
Ethernet control integration with ATEM switchers enables full remote camera control from the production desk in broadcast-grade workflows.
7" capacitive touchscreen at 1920x1080 provides a large, color-accurate monitoring surface directly on the camera body.

👎 Cons

Recording requires an external USB-C SSD — there is no internal media slot, which adds a cable and an external drive to the rig that must be managed and powered.
Active Micro Four Thirds mount imposes a 2x crop factor, limiting wide-angle coverage compared to Super 35 or full-frame studio camera alternatives at the same lens focal length.
Light carbon fiber polycarbonate body reduces weight but limits the mounting and rigging options that heavier-duty metal-body studio cameras support.
No internal ND filter system — exposure management in changing light conditions requires external ND solutions, adding complexity in field or window-lit studio environments.

Frequently Asked Questions

What does 12G-SDI connectivity enable that standard 3G-SDI studio cameras cannot do?

12G-SDI carries UHD 4K video over a single BNC coaxial cable at up to 60 frames per second. Standard 3G-SDI maxes out at 1080p60 or requires quad-link configurations for 4K. With 12G-SDI, this camera integrates into a 4K SDI infrastructure — switchers, routers, monitors — using the same single-cable runs your existing 3G setup uses, eliminating multi-link complexity.

Can this camera be controlled remotely over a network, and what protocols does it support?

Yes. The Studio Camera 4K Plus G2 supports remote control via HDMI, SDI (tally and control signals), USB, and Ethernet. Ethernet control is particularly useful for broadcast environments where the camera is rack-mounted or positioned away from the operator — it can be integrated into Blackmagic's ATEM switcher ecosystem for full camera control from the switcher panel.

What does the built-in DaVinci Resolve color corrector actually do in a live production context?

The onboard color corrector provides primary grading controls — lift, gamma, gain — accessible in real time through the 7" touchscreen or via remote control from an ATEM switcher. This means the camera output can be graded for consistent look-matching across a multicam setup without a dedicated outboard LUT box or post-processing step.

What recording media does the G2 use, and what formats does it record?

The Studio Camera 4K Plus G2 records to external USB-C disks — SSDs connected via USB-C. It records Blackmagic RAW, which is a camera-native codec that balances quality and file size and is natively supported in DaVinci Resolve for post-production. There is no internal media slot; the USB-C drive is the primary recording path.

What lens mount does the Studio Camera 4K Plus G2 use, and what does "active" mean?

It uses an active Micro Four Thirds (MFT) mount. "Active" means the camera communicates electronically with the lens — supporting autofocus, electronic aperture control, and image stabilization on compatible MFT lenses. The MFT ecosystem is broad, covering Panasonic, Olympus/OM System, Sigma, and adapted options via third-party adapters.