Blackmagic Design

Blackmagic Design CINEURSANWFRCAM Camera Fiber Converter

Extend camera runs across a studio or stadium on a single SMPTE fiber cable, keeping SDI timing intact while collapsing the cable bundle to one strand

$3,575.00*
In Stock on Amazon.com
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*Price sourced from Amazon.com. Last updated:Jul 14, 2026.Price and availability are subject to change.

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Overview

This camera-side fiber converter slots into multi-camera and long-throw productions where copper SDI simply cannot reach. Positioned on the camera body, it hands the production signal off to a fiber tether so the control room, truck, or flypack can sit hundreds of meters away without signal degradation. For live events, houses of worship, studio chat shows, and sports venues, that workflow advantage collapses a thick bundle of coax, power, and comms into one managed fiber link, which is the kind of decision that changes how a camera plan gets drawn up on paper.

Build-wise, the unit is designed to live on a camera through full shooting days and tour cycles, which means it is expected to share rigging space with batteries, wireless, and viewfinders without getting in a camera operator's way. The manufacturer's broader ecosystem sits behind it, so signal routing into switchers and capture decks tends to follow conventions that broadcast engineers already recognize. Productions already standardized on this vendor's switchers and recorders will absorb it quickly; crews coming from a different fiber platform should audit return video, talkback, and tally behavior against their existing workflow before committing a full camera package.

Specifications

Brand
Blackmagic Design
Product Type
Camera Fiber Converter
Category
Pro Video
Mount Position
Camera side
Signal Medium
Fiber optic
ASIN
B079MJ7TC1

Pros & Cons

👍 Pros

  • Pushes camera signal over long fiber runs, removing the distance limits that copper SDI imposes on remote and venue productions
  • Consolidates video, return, talkback, and power references into a single fiber path, cutting cable mass on multi-camera rigs
  • Built by a manufacturer whose broadcast ecosystem is already familiar to engineers running switchers, routers, and recorders on set
  • Designed for permanent or semi-permanent camera-side mounting, which keeps the signal chain stable across long shooting days

👎 Cons

  • Requires a matching studio-side fiber converter to close the loop, adding cost for productions not already invested in the system
  • Fiber handling demands trained crew and protected cable runs, which adds friction on run-and-gun or guerrilla shoots
  • Published source copy is sparse on codec, tally, and intercom specifics, so integrators should confirm feature parity before committing
  • Camera-mount form factor adds mass at the camera body, which can unbalance gimbal and Steadicam builds without rebalancing

Frequently Asked Questions

It is the camera-end half of a fiber transport pair, converting the camera output so a long fiber run can carry the signal back to the switcher, router, or recording area.
Yes. A fiber workflow requires a complementary studio-side unit to terminate the fiber and hand off baseband signals to the rest of the production chain.
It is designed as a camera-mounted converter, intended to live on the camera package so the operator carries only the fiber tether back to control.
Not ideally. Fiber transport pays off on long cable runs and multi-camera venue work; single-camera field jobs rarely need the distance this system unlocks.
Integration is the point. The converter is built into the vendor's broader switcher and router ecosystem, so crews already running that gear will find familiar signal conventions.