
Blackmagic Design SWATEMSCN2/1ME1/HD ATEM 1 M/E Constellation HD Switcher
Ten SDI inputs, seven-layer compositing, and a 28-channel audio mixer in a single chassis built for the scale of live concerts and broadcast events.
*Price sourced from Amazon.com. Last updated:Jun 27, 2026.Price and availability are subject to change.
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Overview
Key Features
FEATURE RICH: 10-Channel SDI/HDMI switcher, supports up to 7 layers, 28-channel digital audio mixer, DVE for Transitions and Keyers, Multiview monitoring, talkback, media players, full front panel control with LCD and more.
DESIGNED FOR MASSIVE LIVE EVENTS: Ideal for concerts, music festivals, live sports, houses of worship because you can place cameras on all areas of the stage for amazing coverage! Plus huge number of inputs and DVEs lets you build multi-layer compositions to cover the action
INPUTS: 10 x standards converted 3G/HD/SD-SDI; 1 x Reference SDI; 2 x balanced 1/4" TRS input; 1 x 5 pin XLR talkback; 2 x RJ-45 (Control and Talkback).
OUTPUTS: 6 x 3G-SDI; 1 x USB Type-C; 1 x 16-Way Multiview SDI.
INCLUDES: ATEM 1 M/E Constellation HD Live Production Switcher (SWATEMSCN2/1ME1/HD), 6ft black power cord and 5-pack of Solid Signal Cable Ties.
Specifications
Pros & Cons
👍 Pros
- Ten standards-converted SDI inputs accept 3G/HD/SD sources simultaneously, eliminating external conversion hardware between mixed-format cameras.
- 16-way Multiview SDI output condenses all sources to a single monitor feed, reducing confidence monitor infrastructure on large stages.
- 28-channel digital audio mixer is built into the switcher itself, removing the need for a separate audio rack in smaller live productions.
- Up to 7 layers of compositing with DVE-capable transitions and keyers enables broadcast-quality multi-layer graphics and effects directly in the live mix.
- Full front panel control with LCD displays allows standalone operation without a connected laptop — critical when a laptop failure would otherwise take down the production.
👎 Cons
- HD only — no UHD or 4K signal path support, which limits the switcher's useful lifespan as productions migrate to 4K acquisition.
- Single M/E (mix/effects) bus restricts complex multi-bus routing that broadcast productions using two or more M/E banks require; upsizing requires a fundamentally different switcher.
- The included bundle accessories (power cord, cable ties) add no meaningful production value — operators will need to source their own monitor, HDMI-to-SDI adapters, and intercom hardware separately.
- HDMI input is not present directly — the specification lists SDI inputs only, meaning HDMI sources require an external converter before hitting the switcher.
- Third-party intercom integration through the 5-pin XLR may require adapters depending on the specific IFB or party-line system in use.