Boss

Boss DS-2 Turbo Distortion Guitar Pedal

Dual-mode distortion pedal that shifts from warm blues grit to aggressive lead tones with the flip of a switch.

$96.00*
In Stock on Amazon.com
View on Amazon

*Price sourced from Amazon.com. Last updated:Sep 03, 2026.Price and availability are subject to change — details.

Affiliate Disclosure: As an Amazon Associate, Studio Supplies earns from qualifying purchases made through links on this page, at no additional cost to you. This helps support our editorial team.

Notice a mistake? Let Us Know

Overview

The Boss DS-2 Turbo Distortion builds on the legacy of the iconic DS-1 by adding a second distortion voice, giving guitarists two distinct tonal characters in one rugged stompbox. Turbo Mode I produces a warm, smooth distortion with a rounded midrange—well suited for rhythm work, blues-rock riffs, and classic crunch tones. Turbo Mode II shifts the EQ curve to emphasize the midrange with added bite and sustain, making it a go-to setting for solos and lead lines that need to cut through a live mix.

The pedal's remote jack is a practical performance feature that sets it apart from many single-mode distortion boxes. By connecting an external footswitch like the Boss FS-5L, players can toggle between the two Turbo modes without reaching down to flip the selector—a real advantage during live sets. With straightforward Level, Tone, and Distortion knobs, the DS-2 keeps tweaking simple while delivering a broad gain range from mild overdrive to saturated distortion. Its standard Boss compact housing fits easily on any pedalboard, and the option to run on a 9V battery or AC adapter keeps setup flexible.

Specifications

Type
Distortion Pedal
Modes
Turbo Mode I (warm, mellow distortion), Turbo Mode II (biting distortion with mid-range boost)
Controls
Level, Tone, Distortion, Turbo Mode Selector
Remote Jack
Yes (for external footswitch, e.g., FS-5L)
Power
9V battery or PSA-series AC adapter
Brand
Boss
Model
DS-2

Frequently Asked Questions

Mode I delivers a warm, mellow distortion suited to rhythm playing and classic rock tones. Mode II adds a pronounced mid-range boost with more aggressive clipping, ideal for cutting lead lines.
Turbo Mode I delivers a warm, mellow distortion suited for rhythm playing and blues-rock tones. Turbo Mode II adds a pronounced mid-range boost with more aggressive bite, ideal for cutting lead lines.
Turbo Mode I delivers a warm, mellow distortion suited for rhythm playing and bluesy tones. Turbo Mode II adds a pronounced mid-range boost with more aggressive bite, ideal for cutting lead lines.
The remote jack lets you connect an external footswitch, such as the Boss FS-5L, so you can switch between Turbo Mode I and Turbo Mode II hands-free during a performance.
The remote jack lets you connect an external footswitch like the Boss FS-5L, so you can switch between Turbo Mode I and Turbo Mode II hands-free while performing.
Yes. The DS-2 has a remote jack that accepts an external footswitch such as the Boss FS-5L, allowing hands-free mode switching during a performance.
The pedal features Tone, Level, and Dist (distortion amount) knobs, plus the Turbo mode selector for choosing between Mode I and Mode II.
Yes, the DS-2 runs on a single 9V battery or an optional PSA-series AC adapter, giving you flexibility for practice or stage use.
Yes, the DS-2 runs on a single 9V battery or an optional PSA-series AC adapter, giving you flexibility for both stage and practice use.
The DS-2 is voiced and designed for electric guitar frequencies. While you can run a bass through it, the pedal's EQ shaping is optimized for guitar and may thin out low-end bass response.
Turbo Mode II can push into heavier territory with its mid-boosted distortion, though the DS-2 is generally voiced for rock and blues styles rather than extreme high-gain metal.
It can run on a single 9V battery or an optional 9V DC power adapter (such as the Boss PSA series), giving you flexibility for pedalboard or standalone use.
No. Like most Boss compact pedals, the DS-2 uses buffered bypass, which helps maintain signal integrity across long cable runs and large pedalboards.
It is generally placed after tuners and compressors but before modulation, delay, and reverb effects, following standard distortion pedal placement.