
Cokin P132 Gradual Yellow Y1 Filter P-Series
Enhance Your Landscape Photography with Gradual Color Control The Cokin P132 Gradual Yellow Y1 Filter allows you to selectively add color and contrast to your images. Perfect for enhancing skies and creating dramatic effects, this filter offers creative control over your photography. Specificat...
*Price sourced from Amazon.com. Last updated:Jul 14, 2026.Price and availability are subject to change.
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Overview
Enhance Your Landscape Photography with Gradual Color Control
The Cokin P132 Gradual Yellow Y1 Filter allows you to selectively add color and contrast to your images. Perfect for enhancing skies and creating dramatic effects, this filter offers creative control over your photography.
Specifications:
- Filter Type: Gradual Yellow Y1
- Filter Series: Cokin P-Series
- Light Reduction: Up to 2-stop
- Edge Type: Hard Edge
- Material: C39 optical resin
Key Features
Fits Cokin P-Series filter holder
Adds color in select areas
Manufactured with C39 optical resin
Up to 2-stop light reduction with hard Edge
Great for enhancing sky on flat days
Specifications
Pros & Cons
👍 Pros
- This filter is specifically designed to fit the Cokin P-Series filter holder, ensuring compatibility and ease of use.
- It adds a gradual yellow color in select areas of the image, allowing for targeted creative enhancement.
- Manufactured with C39 optical resin, the filter offers good optical quality for photographic applications.
- The filter provides up to a 2-stop light reduction with a hard edge, offering control over exposure in specific regions.
- It is particularly effective for enhancing skies on flat days, adding drama and interest to otherwise subdued conditions.
👎 Cons
- This Cokin P132 filter is designed only for the P-Series holder, limiting its use with other filter systems.
- The gradual yellow effect might not be suitable for all photographic scenarios or artistic preferences.
- As an optical resin filter, it may be more susceptible to scratches compared to glass filters if not handled carefully.
- The 2-stop light reduction, while useful, might not be enough for extremely bright conditions requiring more significant exposure control.
- The hard edge transition of the gradient might be too abrupt for certain scenes where a softer transition is desired.