
Elite Screens TT85UWV-PRO 85" Tripod Tab Tension Projector Screen
An 85-inch, 4:3-format tab-tensioned screen with 1.3-gain CineWhite material that deploys without wrinkles and strikes without a case — built for ProAV rental and staging workflows.
*Price sourced from Amazon.com. Last updated:Jul 14, 2026.Price and availability are subject to change.
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Overview
Key Features
Projector Screen Size: 85-Inch Diagonal, 4: 3 Aspect Ratio (multi-format compatible 16:9, 2.35:1). View Size: 51. 0" H x 68. 0" W.
Screen Material: CineWhite UHD-B a 1. 3 Gain, 4K Ultra HD and Active 3D Ready FRONT Projection Screen with Black Backing. Features a 180° viewing angle, Easy to Clean and is ISF,, Compatible with Standard UHD/HD projectors. Compatible w/ Ultra/Short Throw Projectors.
Features a tab-tension system that prevents wrinkles and ensures the flattest possible viewing area. Auto-locking mechanism provides a wide range of height settings and easy operation. Standard keystone eliminator creates flexibility by preventing and correcting image distortion produced by tall or low projection angles.
High quality black velour casing is ideal for ProAV and Rental & Staging applications. Carrying bag and Drape kit included.
[US Based Company Warranty] 2-Year Manufacturer Warranty (*if purchased NEW) by Elite Screens' an ISO9001 manufacturer since 2004 and Lifetime Tech Support by Email, Web Chat, or Toll-Free Phone Call by Elite's Professional Service Team. 3-Year ENR-G Manufactures Warranty* for any Educational, Non-profit, Religious or Government and Military purchases.
Specifications
Pros & Cons
👍 Pros
- The tab-tension system produces a mechanically flat projection surface across the full 51" x 68" viewable area, eliminating wrinkle artifacts that compromise image sharpness in rental-staging contexts.
- Tab-tension system maintains a uniformly flat projection surface by holding both screen edges taut — directly eliminating the bow, curl, and ripple distortion that conventional gravity-hang tripod screens produce at this screen size.
- CineWhite UHD-B at 1.3 gain provides a measurable brightness advantage over neutral-gain surfaces — allowing lower-lumen projectors to achieve adequate image brightness in moderately lit rooms.
- CineWhite UHD-B material with 1.3 gain is ISF-certified for accurate color reproduction, which matters in corporate presentations where brand colors and graphics must read correctly.
- Ultra-short-throw projector compatibility gives rental inventory flexibility — the same screen works with a broad range of projector types without restocking for different throw ratios.
- 180-degree viewing angle ensures image quality is consistent across wide seating arrangements in conference rooms and auditoriums without gain-induced hot-spotting at off-axis positions.
- ISF certification validates the screen's color accuracy for presentations and video content that requires calibrated color reproduction — relevant for both ProAV installs and rental-staging where client expectations are high.
- The auto-locking height adjustment enables fast, repeatable setup configurations for multiple aspect ratios across back-to-back event days.
- The included carrying bag and black velour casing allow the screen to be transported and deployed in a professional, road-ready condition.
- Black velour casing, integrated carrying bag, and drape kit provide a complete, professional presentation package appropriate for rental inventory without additional accessory purchases.
👎 Cons
- The 4:3 native aspect ratio means 16:9 widescreen presentations use only a portion of the 85-inch diagonal — productions delivering in 16:9 effectively get a smaller usable image area than the screen size implies.
- The 4:3 native aspect ratio is a production trade-off: 16:9 widescreen video content — now the dominant delivery format for streaming and cinematic presentations — requires either unused screen area or height adjustment, rather than filling the surface natively.
- At 85 inches diagonal in a 4:3 format, the screen's 68" wide by 51" tall viewing area is narrower than an equivalent 16:9 screen at the same diagonal — productions requiring wide cinematic presentation should consider a 16:9 format screen.
- At 85 inches diagonal, the retracted screen and carrying case require two-person load-in for most venue configurations.
- The tripod base provides good stability on level surfaces but requires shimming or floor securing on uneven venue floors common in older event spaces.
- The keystone eliminator compensates for some projection angle error, but significant vertical offset from very high or very low projector placements will still produce image geometry distortion beyond what the eliminator corrects.
- Auto-locking height adjustment mechanisms on tripod screens require periodic inspection in rental fleet conditions — lock engagement can degrade after repeated adjustments and transport cycles.
- The 1.3 gain material is effective in controlled light but loses its advantage quickly in high-ambient-light environments where event planners have limited control over room lighting.
- No motorized retraction means manual operation at every setup and breakdown, adding time to event turnaround on multi-show days.
- The tab-tension system adds mechanical complexity over a standard screen — tension cable integrity and attachment points are wear items in high-cycle rental environments that require inspection between deployments.