FEELWORLD

FEELWORLD LUT11S 10.1" 2000nit HDMI/SDI Touchscreen Monitor

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2000 nits of daylight-readable confidence — the LUT11S delivers color-critical SDI/HDMI monitoring with 50 custom LUT slots for demanding field productions.

$349.99*
In Stock on Amazon.com
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*Price sourced from Amazon.com. Last updated:Jul 14, 2026.Price and availability are subject to change.

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Overview

The FEELWORLD LUT11S occupies a well-defined role in professional field production: a high-brightness, scope-equipped director's monitor or A-camera operator's reference display for single or small multicamera productions that need reliable color and exposure feedback in variable lighting conditions. The 2000 nit panel specification is the spec that drives most purchase decisions here — it represents meaningful, practical daylight viewability rather than a marketing number that barely clears the bar in full sun. For documentary crews, commercial production teams, and ENG operators working across controlled interiors and unpredictable exteriors in the same day, having a monitor that doesn't require a sun hood in outdoor conditions is a genuine workflow efficiency gain.

The I/O layout — two HDMI inputs, one SDI input with corresponding loop outputs, plus Tally — is thoughtfully configured for the scale of production this monitor targets. The dual HDMI inputs allow a director and a DIT to monitor the same camera signal without a distribution amp, while the SDI loop enables clean integration into a signal chain feeding both the monitor and a recording device simultaneously. The touchscreen interface handles LUT loading, scope overlay, and function switching cleanly, and the F970 battery plate means on-camera power integration uses hardware your AC already carries. At 810g, it's not the lightest option for gimbal work, but for shoulder rigs, articulating arms, and follow carts, the form factor is well-proportioned for the feature set it delivers.

Key Features

【Daylight Viewable】LUT11S has 10.1 inch touchscreen 2000nit ultra brightness screen, 1920x1200 resolution, 224 pixel pitch, 16:10 aspect ratio, 800:1 contrast ratio, 170° viewing angle

【F970 Install and Power Kit】Support install and power wireless transmission and others that can be powered by a F970 battery, simplify your photography equipment【HDMI and SDI Input Output】LUT11S with 2x HDMI, 1x 3G-SDI, Tally Input and 1x HDMI, 1x 3G-SDI Output, compatible with movie cameras, DSLR cameras

【Accurate Expose and Focus】Support load 50 custom 3D LUT, waveform, RGB parade, vectorscope, RGB histogram, histogram, embedded audio, focus peaking, zoom, zebra, false color, safe frames, etc. function.

【SDI Support Format】SDI Input Support Format: 720p (60/59.94/50/30/29.97/25/24/23.98), 1080i(60/59.94/50), 1080p (60/59.94/50/30/29.97/25/24/23.98), 2048x1080i (60/59.94/50), 2048x1080p (60/59.94/50/30/29.97/25/24/23.98). SDI Output Support Format: 720p (60/59.94/50/30/29.97/25/24/23.98), 1080i(60/59.94/50), 1080p (60/59.94/50/30/29.97/25/24/23.98).

【HDMI Support Format】HDMI Input/ Output Support Format: 480i/576i/480p/576p, 1080i (60/59.94/50), 720p (60/59.94/50/30/29.97/25/24/23.98), 1080p (60/59.94/50/30/29.97/25/24/23.98), 3840x2160p (60/50/30/29.97/25/24/23.98), 4096×2160p (60/50/30/29.97/25/24/23.98) 【Package Include】1× Monitor, 1× Mini HDMI Cable, 1× Power Adapter, 1× U-shape Bracket, 1× Manual

Specifications

Screen Size
10.1" IPS Touchscreen
Resolution
1920×1200 pixels
Aspect Ratio
16:10
Brightness
2000 cd/m²
Contrast Ratio
800:1
Viewing Angle
170°
Pixel Pitch
224 PPI
Video Input
2× HDMI, 1× 3G-SDI, 1× Tally
Video Output
1× HDMI, 1× 3G-SDI
Audio Output
3.5mm Stereo Headphone
HDMI Format Support
Up to 4096×2160p (60/50/30/29.97/25/24/23.98fps)
SDI Input Format Support
Up to 2048×1080p (60/59.94/50/30/29.97/25/24/23.98fps)
SDI Output Format Support
Up to 1080p (60/59.94/50/30/29.97/25/24/23.98fps)
Custom LUT Slots
50 × 3D LUT
Power
Sony F970 Battery / DC Power Adapter
Dimensions
242 × 156 × 23 mm
Weight
810 g

Pros & Cons

👍 Pros

  • 2000 nit panel brightness makes the display genuinely usable in direct outdoor sunlight — critical for exterior location shoots where sub-1000 nit monitors become unreadable.
  • Full scope suite (waveform, RGB parade, vectorscope, false color) eliminates the need for a separate outboard scope in single-camera run-and-gun or small-crew productions.
  • 50 custom 3D LUT slots provide enough storage for multi-project and multi-camera-profile workflows without constant file management between jobs.
  • Dual HDMI inputs plus SDI in/out enables loop-through monitoring integration without breaking the signal chain to a recorder or switcher.
  • F970 battery compatibility plugs the LUT11S into the most widely used on-camera battery ecosystem, simplifying power management on multi-accessory camera rigs.

👎 Cons

  • SDI is limited to 3G-SDI (up to 2048×1080p output) — the monitor does not pass or display 12G-SDI 4K signals, which limits its placement in higher-end cinema workflows routing 4K over SDI.
  • The 16:10 aspect ratio (1920×1200) is non-standard — 16:9 content displays with thin horizontal bars, which is a minor distraction during critical framing checks on the 1.5% of real estate it affects.
  • At 810g, the LUT11S is on the heavier end for a 10.1" on-camera monitor — noticeable on a gimbal rig where balance and weight distribution affect motor performance.
  • 800:1 contrast ratio is adequate for location work but not suited for critical grading reference — colors and shadow detail in log footage look different here than on a calibrated post monitor.
  • No genlock input, which limits its role in frame-sync-critical multicamera broadcast setups where all monitors need to be synchronized to a house reference signal.

Frequently Asked Questions

Yes — the HDMI inputs support signals up to 4096×2160p at frame rates through 60fps, covering the full range of DCI 4K and UHD 4K sources from Canon Cinema EOS, Sony FX, BMPCC, and other production cameras. The SDI inputs are limited to up to 2048×1080p, so for 4K SDI sources you'll need to route via HDMI.
The LUT11S accepts standard .cube format 3D LUT files loaded via the unit's management interface. In practice, this means you can load manufacturer-supplied LUTs (ARRI LogC-to-Rec709, Sony S-Log3 to Rec709, etc.) or custom show LUTs from your colorist for on-set reference monitoring. With 50 slots available, you can store LUTs for multiple camera profiles or projects without clearing and reloading between jobs.
Yes — the monitor supports the Sony F970 battery form factor for both power and for powering accessories via its battery plate system. This is the same battery ecosystem used by most professional wireless video transmitters and follow focus systems, which simplifies your on-camera power consolidation considerably.
The LUT11S provides waveform, RGB parade, vectorscope, RGB histogram, and standard histogram — a full professional scope suite. Combined with focus peaking, zebra, and false color, you have the complete exposure and focus verification toolkit a camera operator or DIT needs to make confident decisions without pulling up a separate scope unit.
Yes — there is a dedicated Tally input on the I/O panel, which allows integration with production tally systems to indicate live/program status to operators. This extends the monitor's usefulness beyond single-camera field work into small multicamera live event or broadcast scenarios.