Fujifilm

Fujifilm 600023753 Fujinon GF500mmF5.6 R LM OIS WR Lens

9.4in3.03lb

Track distant birds in flight and freeze peak action in tack-sharp detail with the Fujinon GF500mm — a 396mm-equivalent super telephoto built for GFX's medium format resolving power.

$3,999.00*
In Stock on Amazon.com
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*Price sourced from Amazon.com. Last updated:Jun 04, 2026.Price and availability are subject to change.

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Overview

The Fujifilm Fujinon GF500mmF5.6 R LM OIS WR is the lens that brings medium format's extraordinary resolving power to the subjects that demand the most reach: birds in flight, wildlife at distance, athletes mid-stride at a sporting event. With a 396mm equivalent focal length on GFX bodies, it extends your creative range into territory that medium format previously ceded to smaller-sensor systems, and the optical formula — five ED and two Super ED elements — is built to justify every megapixel the GFX sensor can resolve. The linear autofocus motor with custom tracking presets means the lens hunts minimally when subjects move across the frame, and the 6.0-stop OIS gives handheld photographers genuine confidence at focal lengths where camera shake is normally punishing.

For a GFX super telephoto, the physical design choices are notably practical: 1375g and 24.7cm long is lean enough that field photographers can carry it without immediately reaching for a monopod. The Weather Resistant sealing means changing conditions in the field — morning rain, coastal salt spray, dusty desert environments — don't require a retreat to shelter. The f/5.6 maximum aperture defines the performance envelope honestly: at ISO 800–1600 in soft morning light, the lens delivers; in dim overcast conditions before golden hour, you're trading shutter speed against noise. For GFX photographers who've waited for a reason to take their system into the field beyond landscapes and portraits, the GF500mm makes a compelling case.

Key Features

Compact and lightweight design, just 1375g (3.03lb) and 24.7cm (9.4in) long

Far reaching 396mm equivalent focal length – ideal for sports and wildlife

Fast and accurate linear autofocus motor with presets designed to minimize focusing times

6.0 stop optical image stabilizer offers assured handholding

Five ED and two Super ED elements offer high optical quality

Specifications

Brand
Fujifilm
Model
600023753 (Fujinon GF500mmF5.6 R LM OIS WR)
Focal Length
500mm (396mm equivalent)
Maximum Aperture
f/5.6
Image Stabilization
6.0-stop Optical Image Stabilizer (OIS)
Autofocus
Linear motor with tracking presets
Optical Construction
5 ED + 2 Super ED elements
Weight
1375g (3.03 lb)
Length
24.7cm (9.4 in)
Weather Resistance
WR (Weather Resistant)
Mount
Fujifilm G Mount (GFX system)

Pros & Cons

👍 Pros

  • The 396mm equivalent reach on GFX resolves subject detail at distance with the full benefit of medium format's higher pixel density — feather texture on birds, jersey numbers at a track, facial expression at a sporting event.
  • Five ED and two Super ED elements control chromatic aberration tightly, so high-contrast edges like a bird against bright sky stay clean without fringing.
  • At 1375g, it's genuinely portable for a GFX super telephoto, making day-long wildlife hikes or multi-location sports coverage manageable.
  • The 6.0-stop OIS gives meaningful handheld stability for static or slow-moving subjects, reducing the keeper rate toll of long telephoto shooting.
  • WR sealing means you can keep shooting through changing weather without wrapping the lens in a rain sleeve at the first sign of cloud.

👎 Cons

  • The f/5.6 maximum aperture, while workable in good light, limits performance in overcast or dawn/dusk conditions where wildlife activity often peaks — you'll be pushing ISO to maintain shutter speed.
  • The 396mm equivalent is shorter than a full-frame 500mm, which can matter for bird-in-flight shooting where every millimeter of reach affects how large small subjects appear in the frame.
  • At this focal length and price tier, autofocus on crossing subjects against busy backgrounds will occasionally hunt — no super telephoto is immune to this, and the GFX system's AF isn't as mature as Sony or Canon's in sports contexts.
  • The GFX system investment (body + this lens) is significant — this is a lens for photographers already committed to the medium format ecosystem, not a lens that justifies switching systems on its own.

Frequently Asked Questions

On Fujifilm's GFX system, the 500mm focal length has a 35mm equivalent of approximately 396mm — slightly shorter than a full-frame 500mm due to the larger medium format sensor. In practice, you still get significant telephoto reach for wildlife and sports, but if you're coming from full-frame and expecting identical framing, expect subjects to be slightly smaller in the frame than you're used to.
The 6.0-stop optical image stabilizer is designed to compensate for camera movement during handheld telephoto shooting, which matters most on stationary or slow-moving subjects. For fast-moving subjects, you'll still want a high enough shutter speed to freeze motion — the OIS handles camera shake, not subject movement. In combination with a fast shutter, it gives clean, shake-free backgrounds even at extended focal lengths.
The linear AF motor is fast and accurate, with presets designed to minimize focus acquisition time — Fujifilm specifically engineered it to reduce the hunting that longer telephoto lenses can exhibit when subjects cross complex backgrounds. For wildlife and sports, the tracking performance is strong, though as with any super telephoto, subjects moving directly toward or away from the camera in low contrast conditions are the most demanding scenario.
At 1375g (3.03 lb) and 24.7cm long, it's genuinely compact for a GFX super telephoto — designed to be lighter than comparable focal lengths in this format. Extended handheld sessions are realistic, especially with the OIS active, though most wildlife photographers will reach for a monopod or gimbal head for long sessions at a hide or on a boat where fatigue accumulates.
The WR (Weather Resistant) designation confirms sealing against dust and moisture — it's designed for real field conditions: light rain, humidity, blowing dust at a savanna, or spray near coastlines. It's not submersible, but it's built for the environments where wildlife and sports photography actually happen.