Meike

Meike 25mm T2.1 S35 Wide Angle Prime Cinema Lens

Paint cinematic wide-angle frames with butter-smooth T2.1 bokeh and zero breathing on the Meike 25mm S35 prime.

$649.99*
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*Price sourced from Amazon.com. Last updated:Jul 14, 2026.Price and availability are subject to change.

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Overview

The Meike 25mm T2.1 S35 is built for cinematographers who need a proper wide-angle prime for narrative, documentary, or commercial work on Super 35 cine cameras. At 25mm on an S35 sensor, you're working in classic wide-angle territory — expansive enough to establish environments, tight enough to stay intimate with a subject. The T2.1 aperture rating is the critical detail here: T-stops measure actual light transmission rather than theoretical aperture, which means exposure consistency is precise when matching this lens with others in the Meike cine set. The result is reliable, repeatable image quality across a production day without chasing exposure drift between setups.

Physically, the lens is built around a cinema-first ergonomic philosophy: a smooth manual focus ring with engraved distance markings, minimal focus breathing, and a PL mount that locks onto compatible bodies with the reassuring solidity that professional camera assistants expect. The 0.8 mod gear pitch on the focus ring is compatible with standard follow-focus systems, which means integrating it into a proper rig is straightforward. For solo operators or small crews working fast, the consistent ring action makes zone-focus and manual pulls predictable across takes. It's not a lens for everything — the PL mount and S35 coverage make it a specialist tool — but within its intended context, it's a reliable, image-quality-first wide prime.

Specifications

Focal Length
25mm
Max Aperture
T2.1
Lens Type
Wide Angle Prime Cinema

Pros & Cons

👍 Pros

  • Wide T2.1 aperture lets you shoot in genuinely low ambient light — candle-lit interiors, magic hour exteriors — without pushing ISO into noisy territory.
  • Minimal focus breathing keeps rack-focus pulls clean and invisible, which matters on narrative work where frame stability is expected.
  • Engraved, consistent focus markings make repeatable follow-focus pulls reliable across takes.
  • PL mount delivers the mechanical precision and seating stability that professional cine bodies demand during long shooting days.
  • As a prime, it delivers a fixed, predictable field of view that forces intentional framing and rewards considered composition.

👎 Cons

  • Manual focus only — there is no autofocus, so fast-moving documentary or run-and-gun subjects require a skilled focus puller or careful zone-focus technique.
  • PL mount limits this lens to S35 cine bodies; it cannot be adapted to mirrorless or DSLR systems without significant rigging compromises.
  • S35 coverage means it's not usable on full-frame sensors without vignetting, restricting its versatility across larger-format productions.
  • At T2.1 in true wide-open conditions, corner sharpness may be slightly softer than the center — a trade-off worth knowing before shooting product or architectural work wide open.

Frequently Asked Questions

This lens ships in a Canon PL mount, making it a direct fit for Canon EOS C700PL, C700PL GS, Z CAM E2-S6 6K, and other S35 cine cameras with a PL mount. Always verify your specific body's mount before ordering.
No — this is an S35 (Super 35) coverage lens. It's optimized for S35 cine sensors. Shooting on a full-frame body will introduce vignetting at the corners.
Yes, with reasonable setup. The manual focus ring has a smooth, consistent throw designed for follow-focus systems or on-lens adjustments. Markings are clearly engraved for repeatable pulls, which is genuinely useful even without a dedicated AC.
This is a prime lens with no zoom range — focal length is fixed at 25mm. Aperture is rated T2.1 (transmission stop), which remains constant and is more precise than f-stop ratings for consistent exposure across a multi-lens set.
Meike designed this lens with minimal focus breathing, meaning the frame doesn't noticeably expand or contract as you rack focus. This is a critical characteristic for narrative work where invisible focus pulls keep the audience in the story.