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Meike 75mm T2.1 S35 Prime Cinema Lens EF Mount
Meike 75mm T2.1 S35 Prime Cinema Lens EF Mount
Meike 75mm T2.1 S35 Prime Cinema Lens EF Mount
Meike 75mm T2.1 S35 Prime Cinema Lens EF Mount
Meike 75mm T2.1 S35 Prime Cinema Lens EF Mount
Meike 75mm T2.1 S35 Prime Cinema Lens EF Mount
Meike

Meike 75mm T2.1 S35 Prime Cinema Lens EF Mount

★★★★★3.8 (5 reviews)

The Meike 75mm T2.1 delivers tack-sharp Super 35 portraits with cinematic focus control and minimal breathing — in a compact prime built for EF mount camera operators.

$559.99*
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*Price sourced from Amazon.com. Last updated:Jul 14, 2026.Price and availability are subject to change.

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Overview

The Meike 75mm T2.1 is a Super 35 manual focus cinema prime designed for narrative, documentary, and commercial video work where optical consistency and focus control precision matter. Its 9-group, 12-element optical construction delivers a field of view of 48.2 degrees on an S35 sensor — roughly equivalent to a 56mm lens on full-frame — placing it squarely in the portrait and medium close-up range. The T2.1 aperture rating is the transmission stop: the lens delivers that exposure consistently, making it predictable when matched against other T-rated glass in a mixed lens package. The optical design is reported to resolve sharply from center to corner at T2.1 open, with chromatic aberration controlled to the point where post-correction is minimal rather than mandatory. Focus breathing is described as minimal, which is the practical specification that separates purpose-built cinema lenses from adapted photo glass in narrative production contexts.

This lens is built for the camera operator who works with a follow-focus system or lens control motor on a rigged camera. The 270° of focus rotation provides the fine angular resolution needed to execute a smooth, deliberate rack focus pull across the depth of a scene — a pull from a subject at 1.5m to a background element at 8m uses the majority of the focus ring travel, giving the AC or motor controller genuine mechanical precision. The industry-standard gear positions on the focus and aperture rings ensure compatibility with any standard follow-focus unit or lens control system without custom adapters. The Canon EF mount covers the broadest range of cinema and hybrid cameras in the S35 format class, and the compact build relative to full-size cinema primes makes it a realistic choice for gimbal work, shoulder rigs, and documentary setups where weight and balance management are ongoing concerns through a shooting day.

Key Features

With a wide aperture of T2.1, the lens allows you to create shallow depth of view videos, it will cover S35 sized sensors

S35mm cine lens has a wide view angle of 48.2 degrees, great for portrait or landscape

The lens structure is 9 groups 12 elements, makes the lens capable of producing sharp image and videos with low distortion

Meike Mini Prime 75mm T2.1 is small and compact build, offers a focal length equivalent to 56mm with focal lengths that are ideal for video use

This cine lenses have very little focus breathing, sharpness is perform very well both in the center and in the corners, it haven’t any significant chromatic aberration

Specifications

Focal Length
75mm
Aperture Range
T2.1 – T22
Lens Mount
Canon EF
Sensor Coverage
Super 35 (S35)
Field of View
48.2°
Lens Construction
13 elements in 11 groups
Minimum Focus Distance
0.7m (approximately 2.3 ft)
Filter Thread
77mm
Focus Rotation
270°
Focus Type
Manual
Gear Positions
Industry-standard (focus and aperture rings)

Pros & Cons

👍 Pros

  • The T2.1 aperture transmits enough light for cinema-quality shallow depth of field in natural and mixed-light interiors without requiring dedicated lighting infrastructure for every setup.
  • Minimal focus breathing on the 75mm focal length means the frame holds its composition during a rack focus pull, avoiding the post-production correction work that breathing-heavy lenses impose on the edit.
  • The 270° focus rotation provides the control resolution needed for precise, deliberate focus pulls — a meaningful advantage over photo lenses with 90° or less of focus travel.
  • The 9-group, 12-element optical design delivers sharpness that holds from center to corner at T2.1, with low chromatic aberration that keeps fine detail clean without requiring aggressive post-correction.
  • The industry-standard gear positions on the focus and aperture rings are compatible with standard follow-focus and lens control systems, enabling this lens to integrate into a professional rig without modification.

👎 Cons

  • The EF mount with no electronic contacts means there is no autofocus and no EXIF data transmission — the lens is manual-only, requiring operators who are comfortable with a manual focus workflow and follow-focus systems on camera rigs.
  • S35 coverage means this lens cannot be used on full-frame cinema cameras (Sony VENICE, Canon EOS R5C in FF mode, ARRI ALEXA 35 in Open Gate) without vignetting — your sensor format options are constrained to S35 and smaller.
  • At a 75mm focal length on Super 35, the equivalent field of view (approximately 56mm full-frame equivalent) is a moderate portrait focal length — it is neither a wide character lens nor a long telephoto, which means it occupies a narrow creative niche in a prime set that may require companion lenses for coverage.
  • The fully manual aperture ring, while standard for cinema lenses, produces an audible click-free rotation that means accidental aperture changes during a take are possible if the ring is brushed — discipline in rig setup is required.

Frequently Asked Questions

The Meike 75mm T2.1 is designed to cover Super 35 (S35) sensors — the format used by cinema cameras like the Canon C70, Sony FX6, and many ARRI models. It will not cover full-frame sensors without vignetting at the edges. On APS-C and Micro Four Thirds bodies using an EF adapter, coverage is achievable but check your specific sensor dimensions against the S35 image circle.
Focus breathing — the apparent change in field of view as you rack focus — is described by Meike as minimal on this lens. This is a meaningful practical advantage for video operators: when pulling focus from subject to background in a narrative scene, the frame does not visibly zoom in or out, which would require a post-production crop or reframe to correct. The 270° of focus rotation provides fine control over the pull itself.
The minimum focusing distance is 0.7 meters (approximately 2.3 feet). At 75mm on a Super 35 sensor with T2.1 open, 0.7m produces a shallow depth of field suitable for tight portrait framing and upper-body product contexts. For true macro work, this is not the appropriate tool.
The Canon EF mount is mechanically compatible with Canon DSLR bodies (5D series, 6D, 7D, 80D, etc.) and EF-mount cinema cameras. However, this is a fully manual focus lens with no electronic communication to the body — autofocus is unavailable, and EXIF lens data will not be recorded. For video work this is typical and expected; for stills-only shooters, it requires an intentional manual focus workflow.
T-stops are transmission stops — they measure the actual light transmitted through the lens after accounting for glass elements and coatings, rather than the theoretical maximum derived from focal length and aperture diameter (f-stop). A T2.1 rating means this lens reliably delivers the exposure of T2.1 across the entire aperture range, making it consistent with other T-rated cinema lenses in mixed sets for exposure matching.

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