Meike

Meike ZN-2522 25mm T2.2 MFT Mount Cinema Lens

4.6 (55 reviews)

Affordable 25mm T2.2 cinema lens with manual focus and all-metal construction for Micro Four Thirds filmmakers.

$329.99*$399.99Save 17%
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*Price sourced from Amazon.com. Last updated:Jul 14, 2026.Price and availability are subject to change.

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Overview

The Meike ZN-2522 25mm T2.2 is a manual focus prime cinema lens designed for Micro Four Thirds mount cameras, including popular bodies from Panasonic, Olympus, and the Blackmagic Pocket Cinema Camera line. With a 50mm equivalent field of view on MFT sensors, it covers the classic normal focal length that works across narrative filmmaking, interviews, documentary, and general video production. The lens is constructed from aircraft-grade aluminum with an optical formula of 10 elements in 8 groups, all featuring multi-coating to maintain color consistency across the Meike cine lens lineup and minimize ghosting and flare in challenging lighting situations.

As a cinema-focused lens, the Meike 25mm uses T-stop markings rather than f-stops, ensuring accurate and repeatable exposure when matching shots or swapping lenses on set. The T2.2 maximum aperture provides a fast, bright image with shallow depth of field capabilities well-suited to isolating subjects and creating cinematic bokeh. The manual focus ring offers a smooth, damped throw that allows controlled focus pulls — a critical requirement for narrative and commercial video work. The field of view on MFT bodies breaks down to 40.6° horizontal, 31° vertical, and 49.7° diagonal. For filmmakers building a budget-friendly cine lens kit on the MFT system, the Meike 25mm serves as a versatile workhorse focal length with build quality and optical performance that exceed its price point.

Key Features

Compatible with Micro 4/3, Micro4/3, MFT, M43 cameras and BMPCC

Lens Type: 25mm fixed focal length, Manual Focus

Lens construction: 8 groups 10 element

4/3 "frame view: level: 40.6 °/ vertical: 31 °/ diagonal: 49.7 °

Constructed of the aircraft grade aluminum and optical glass elements with multi-coating for color consistency

Specifications

Brand
Meike
Model
ZN-2522
Focal Length
25mm
Maximum Aperture
T2.2
Mount
Micro Four Thirds (MFT/M43)
Focus Type
Manual Focus
Lens Construction
10 Elements in 8 Groups
Coating
Multi-Coated Optical Glass
Body Material
Aircraft-Grade Aluminum
Field of View (MFT)
40.6° Horizontal / 31° Vertical / 49.7° Diagonal
Compatible Cameras
Micro 4/3 Mount, BMPCC

Pros & Cons

👍 Pros

  • Aircraft-grade aluminum body provides durability and a professional feel at a budget-friendly price point
  • T2.2 aperture delivers a fast, bright image with pleasing shallow depth of field for cinematic work
  • Multi-coated optical glass elements across 8 groups and 10 elements help maintain color consistency and reduce flare
  • Smooth manual focus ring with long throw enables precise focus pulls during video recording

👎 Cons

  • Manual focus only, with no electronic communication to the camera body for EXIF data or focus confirmation
  • T2.2 maximum aperture is slightly slower than competing cinema primes that open to T1.5 or wider
  • Lack of image stabilization means handheld shooting requires steady technique or a gimbal for smooth results
  • Focus and aperture ring markings may be small and difficult to read in low-light on-set conditions

Frequently Asked Questions

It uses a Micro Four Thirds (MFT/M43) mount, making it compatible with cameras from Panasonic, Olympus, Blackmagic (BMPCC), and other MFT-mount bodies.
T-stops measure actual light transmission through the lens rather than the theoretical f-stop. Cinema lenses use T-stops so that exposure remains consistent when swapping between lenses on set, which is essential for video production workflows.
No, this is a fully manual focus lens. The focus ring is designed for smooth, precise adjustments suited to cinematic pulling, not for autofocus-dependent shooting styles.
On MFT cameras with their 2x crop factor, the 25mm focal length provides a 50mm equivalent field of view, which is a classic normal perspective ideal for interviews, narrative work, and general-purpose shooting.
While it is designed as a cinema lens with T-stop markings and a smooth focus throw, it can absolutely be used for still photography on any compatible MFT camera body.