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Monoprice 104760 XLR to 1/4
Monoprice 104760 XLR to 1/4
Monoprice 104760 XLR to 1/4
Monoprice 104760 XLR to 1/4
Monoprice

Monoprice 104760 XLR to 1/4" TRS Cable 3ft

★★★★★4.7 (6835 reviews)
4inXLR

Clean, interference-free balanced signal from console to stage — this 3ft Monoprice Premier XLR to TRS cable is built for the session grind.

$12.99*$15.48Save 16%
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*Price sourced from Amazon.com. Last updated:Jul 14, 2026.Price and availability are subject to change.

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Overview

In a signal chain, the cable between your preamp output and interface input is the last place you want to introduce noise or hum. The Monoprice 104760 Premier Series XLR Male to 1/4" TRS Male cable is built around balanced audio architecture — a separate braided shield over the two signal conductors keeps interference from modulating into your audio path. What that means at the session: you hear the source, not the electrical environment it's traveling through. At 3 feet, this is a rack and patch cable — the kind you use to connect outboard EQ to a console insert, route a DI output to an interface, or tie a patchbay to a processor chain.

Gold-plated connectors at both ends resist the slow oxidation that turns cheap cable contacts into intermittent crackling problems six months down the road. Molded strain relief boots protect the solder joints — the most common failure point in cables that get coiled and pulled repeatedly. The 16AWG conductor isn't about audio performance at this length; it's about physical durability when the cable lives on a stage floor or gets stepped on during a set changeover. For a balanced, short-run patch cable in a professional rack or live stage context, this is a workhorse tool that does its job without drawing attention to itself — which is exactly what a cable should do.

Key Features

Balanced cables have a separate braided shield to provide additional resistance to interference without modulating the interference into the signal.

Prevents ground loop issues.

XLR to 1/4in TRS balanced pro audio cables provide high fidelity and eliminate noise in the recording studio and on the stage.

Our new premier series cables up the ante in terms of construction quality and performance.

Specifications

Cable Type
XLR Male to 1/4" TRS Male
Length
3 Feet
Gauge
16AWG
Connectors
Gold Plated
Shielding
Separate Braided Shield
Signal Type
Balanced Audio
Strain Relief
Molded Boots
Series
Premier Series

Pros & Cons

👍 Pros

  • Separate braided shield effectively rejects RFI and EMI interference, keeping the noise floor clean even in electrically noisy live environments.
  • Balanced construction eliminates ground loop hum when bridging XLR and TRS balanced gear in studio racks or FOH setups.
  • Gold-plated connectors resist corrosion and oxidation, maintaining low contact resistance through repeated insertions over years of use.
  • Molded strain relief boots protect the solder joints at both ends — the failure point most budget cables skip.
  • 16AWG conductor construction gives the cable mechanical durability on stage floors and in tight rack patches.

👎 Cons

  • At 3 feet, this is a short-run patch cable — not suitable as a main stage or studio send cable for longer distances.
  • XLR end is male-only, limiting use cases to specific signal routing directions where a female XLR output is already present.
  • No published capacitance specification makes it harder to assess high-frequency performance in critical monitoring chains.
  • The Premier Series sits at entry-level professional pricing, so build consistency across batches can vary compared to boutique cable brands.

Frequently Asked Questions

Balanced cables carry the audio signal on two conductors in opposite polarity, plus a separate braided shield. Any interference picked up along the cable is present on both conductors equally; the differential input at the destination cancels it out. In practice, you hear a quieter noise floor — especially over longer runs near power transformers, stage lighting dimmers, or dense rack environments.
Yes. The separate braided shield on this Monoprice Premier Series cable is designed specifically to resist ground loops. When connecting balanced XLR outputs (from a preamp, DI box, or stage snake) to a balanced TRS input on an interface or mixer, you avoid the characteristic 60Hz hum that plagues unbalanced connections sharing imperfect grounds.
The XLR end is male, so this cable is designed for line-level balanced signal routing — connecting preamp outputs to interface inputs, patchbay to processor, or stage box to console, not mic-to-interface. For microphone connections, you'd want a female XLR on at least one end.
Primarily corrosion resistance. Gold plating on the connector contacts maintains low contact resistance over time and repeated insertions, which matters in stage environments with humidity and sweat. Sonically, a well-seated gold contact versus a clean nickel contact is indistinguishable — the benefit is long-term reliability of that clean signal.
At 3 feet, cable resistance is negligible for audio purposes. The 16AWG conductor is a positive construction indicator — heavier gauge means more durable cable under mechanical stress, which is what you want on a stage floor or in a frequently-patched rack.

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