
Neewer
Neewer 10089871 7" Standard Reflector with Honeycomb Grid Bowens Mount
Six interchangeable honeycomb grids turn any Bowens strobe into a precision scalpel — sculpting tack-sharp light exactly where the frame demands it.
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Overview
Specifications
Reflector Diameter
7 inches (18 cm)
Mount Type
Bowens Mount
Reflector Material
Aluminum
Grid Material
Aluminum Alloy
Grid Angles Included
10°, 20°, 30°, 40°, 50°, 60°
Frequently Asked Questions
What Bowens-mount strobes is this reflector compatible with?
Any strobe with a standard Bowens S-type mount will accept this reflector. That covers most studio monolights and pack-head units from Godox, Neewer, Bowens, Elinchrom (with adapter), and many others — it's the most common studio mount standard, so compatibility is rarely an issue.
Which grid angle should I use for portrait rim lighting versus a product flat?
For portrait rim and hair lights where you need a tight shaft that doesn't contaminate the background, reach for the 10° or 20° grid. For product table work where you want directional shaping with some spread to cover the subject evenly, the 40°–50° range gives you control without hard falloff edges.
How does this 7-inch reflector compare to a larger parabolic for key lighting?
The 7-inch diameter produces inherently harder, more specular output than a 24-inch parabolic — that's by design. This modifier is a shaping and accent tool, not a key source. Use it alongside a softbox or octa as your primary key, then reach for this to add separation light, rim, or background spot work.
Do the grids stay securely seated during a session or do they shift position?
The aluminum alloy grids seat into the reflector snugly and hold their position through normal repositioning of the light stand. They're not mechanically locked, so a hard knock during kit transport can dislodge them — pull the grids before breaking down stands.
What's the beam spread difference between the tightest and widest grid?
The 10° grid produces a very narrow, theatrical beam with visible edge vignetting — ideal for dramatic accent work. The 60° grid opens up to a much broader directional spread, closer to a bare reflector but still with reduced spill compared to using no grid at all. The six angles between them give you a full range for different control needs.