Neewer
Neewer 10101308 1.33x Anamorphic Lens for GoPro
★★★★★
Transform your GoPro footage into 2.40:1 cinematic widescreen with anamorphic horizontal flares and retro lens character — straight from your Hero 9/10/11.
$50.99*
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*Price sourced from Amazon.com. Last updated:Jul 14, 2026.Price and availability are subject to change.
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Overview
Key Features
【High Clarity and Vivid Color】Made of high quality HD optical glass with multiple anti reflection coatings on both sides and a CNC machined frame, ensures no sacrifice in image quality and even more vivid color rending. The upgraded version has no hint of vignette effects and is optically perfect. The image on the screen is as natural, clear and precise as you want it to be.When using this filter, please turn off the video stabilization function to avoid distortion of the image.
【2.40:1 Cinematic Aspect Ratio】Provides a 1.33x anamorphic squeeze, which can be unsqueezed into a 2.40:1 cinematic aspect ratio in the camera app. A wider field of view by 33% captures more of a scene than the standard lens and lets everyone become the director of life.
【Cinematic Halo and Flare Effect】 This anamorphic lens creates retro brushed glare in bright light, making the whole image dynamic at night. The cinematic color flairs help to add some creative shots with your hero 9/10/11 Black for your work on TikTok, IG and Youtube.
【Use with Camera APP】 Need to combine with Camera App to unsqueeze the footage captured by your Hero 9/10/11 black lens into a cinematic aspect ratio. Otherwise, it can't generate a 2.40:1 widescreen screen directly.
【Fits Easily and Securely】 Just twist the standard lens and pull off, twist and push this NEEWER lens on. The lens is compact and fits perfectly to your hero 9/10/11 Black. Comes with a silicone lens cap and a small zippered carrying case for shooting with great ease.
Specifications
Squeeze Factor
1.33x anamorphic
Aspect Ratio (Unsqueezed)
2.40:1 cinematic
Optical Material
HD optical glass
Coatings
Multiple anti reflection coatings on both sides
Frame Material
CNC machined
Compatibility
GoPro Hero 9/10/11 Black
Included Accessories
Silicone lens cap, zippered carrying case
Pros & Cons
👍 Pros
- The 1.33x anamorphic squeeze captures 33% more horizontal scene width than the standard GoPro lens, delivering a field of view advantage on constrained shooting environments like indoor events or vehicle interiors.
- Horizontal anamorphic lens flares add production-value cinematic character to GoPro footage that no digital filter or LUT can authentically replicate.
- HD optical glass with multi-layer anti-reflection coatings on both sides preserves the color saturation and contrast of the underlying Hero 9/10/11 sensor without degrading sharpness.
- The twist-on/twist-off attachment mechanism allows fast swaps between the anamorphic lens and the standard GoPro module without tools — practical for run-and-gun documentary or travel shooting.
- The included silicone lens cap and zippered carrying case protect the glass optics during transport, where unprotected action camera accessories routinely get scratched in kit bags.
👎 Cons
- HyperSmooth stabilization must be disabled entirely when using this lens — on handheld or unstabilized mounts, footage will require either a physical gimbal or post-stabilization, adding workflow steps.
- The 2.40:1 widescreen ratio only appears in the final output after unsqueezing in a compatible app or editing software — the in-camera recording stores squeezed footage that looks incorrect on standard screens without processing.
- The lens is only compatible with GoPro Hero 9, 10, and 11 Black — it does not fit Hero 8 or earlier models, or the Session series.
- Anamorphic lens flares, while a signature aesthetic, are permanent and cannot be selectively removed in post — every point light source in the frame will produce horizontal streaks whether desired or not.
- Shooting with this lens requires disabling in-camera stabilization, making smooth footage dependent on external mounts or gimbals that add cost and bulk to the GoPro's typically compact kit.
Frequently Asked Questions
Does this Neewer anamorphic lens produce the actual 2.40:1 aspect ratio in-camera, or does it require post-processing?
The 2.40:1 ratio requires unsqueezing in post — the lens delivers a 1.33x horizontal squeeze to your footage, which the GoPro camera app can unsqueeze in real time for preview, but the recorded file stores the squeezed image. To get the final 2.40:1 widescreen output, you unsqueeze in your editing software or via the camera app. This is standard anamorphic workflow — the lens doesn't generate widescreen pixels natively.
Do I need to turn off GoPro's video stabilization (HyperSmooth) when using this lens?
Yes — Neewer explicitly states that video stabilization must be disabled when using the anamorphic lens. HyperSmooth's digital crop and warp processing distorts the anamorphic squeeze geometry, causing image distortion that makes unsqueezing in post produce warped results. Shoot with stabilization off and handle shake with a mount or in post if needed — this is a known limitation of anamorphic adapters on stabilized action cameras.
Is there any vignetting at the edges when using this lens on a Hero 10 or Hero 11?
According to Neewer, the upgraded version of the 10101308 is optically designed to eliminate vignetting, and users on standard GoPro field-of-view modes confirm the corners are clean. Using the lens on a wide or superview field of view mode may introduce some vignetting at extreme corners depending on the hero model — shooting at linear or standard FOV is recommended for the cleanest frame edges.
How does this lens attach to and detach from the GoPro?
The lens uses a twist-and-push mechanism — you remove the GoPro's standard lens module by twisting it off, then push and twist the Neewer anamorphic lens on in its place. No adapters, tools, or adhesives are required. The fit is designed to be secure without tools but still removable in the field. A silicone lens cap and zippered carrying case are included for storage and protection between uses.
What does the horizontal flare effect actually look like in footage, and can it be avoided?
The horizontal glare creates a retro-style streak across light sources — streetlights, car headlights, the sun, and other point sources produce elongated horizontal lens flares characteristic of traditional anamorphic cinema glass. It's a deliberate aesthetic feature, not an aberration, and it's visible primarily in scenes with strong point light sources. If you want clean footage without flares, standard lens shooting is the more appropriate choice — the flare is intrinsic to the anamorphic optical design.
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