Neewer DJI Osmo Pocket 3 1.2X Anamorphic Lens — main product image

Neewer DJI Osmo Pocket 3 1.2X Anamorphic Lens

Neewer

Neewer DJI Osmo Pocket 3 1.2X Anamorphic Lens

Name: Neewer DJI Osmo Pocket 3 1.2X Anamorphic Lens
Brand: Neewer
SKU: DJI Osmo Pocket 3

★★★★★3.3 (18 reviews)

0.2oz

Add cinematic widescreen framing and signature blue lens flares to your DJI Osmo Pocket 3 footage with this magnetic anamorphic lens.

$39.99*$44.99Save 11%

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*Price sourced from Amazon.com. Last updated:Jul 14, 2026.Price and availability are subject to change.

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Overview

The Neewer LS-44 1.2X Anamorphic Lens is designed exclusively for the DJI Osmo Pocket 3, adding cinematic character to the compact gimbal camera's already capable video output. By compressing the horizontal field of view by a factor of 1.2x, it captures a wider scene than the native lens, which is then desqueezed in post-production or in-camera to produce the wider aspect ratio and visual hallmarks associated with anamorphic cinematography — including horizontal blue lens flares, oval-shaped bokeh, and a distinctive depth-of-field fall-off that gives footage a filmic quality rarely seen from pocket-sized cameras.

The magnetic attachment system is a key practical feature, allowing creators to snap the lens on in seconds when a cinematic look is desired and remove it just as quickly when standard framing is preferred. The aspherical lens construction works to keep the image sharp across the frame, minimizing the distortion and softness that can plague lesser anamorphic adapters. At 1.2x compression, the effect is more subtle than higher-ratio anamorphic lenses, which makes it forgiving for beginners while still producing a noticeable visual upgrade. It is worth noting that all footage shot with this lens requires desqueeze processing to look correct, which adds a step to the editing workflow but is well supported by most video editing software and the Osmo Pocket 3 itself.

Key Features

【1.2x Compression for Immersive Widescreen】NEEWER 1.2x anamorphic lens is fully compatible with DJI Osmo Pocket 3 to create cinematic images and footage. It offers a wider field of view to capture more scenes with your pocket camera, creating enticing movie footage like a Hollywood blockbuster. Recommended to use Adobe Premiere, DaVinci Resolve, Corel VideoStudio, etc., for post editing to adjust the video width and tune out your desired effect

【Stunning Cinematic Bright Blue Flare】 This anamorphic action camera lens delivers a dreamy blue flare effect when exposed to bright light. Bringing a retro cinematic look to your camera, this effect lens achieves a brighter and sci fi halo effect that works well when photographing headlights, streetlights, or directional lights

【Safe & Stable Magnetic Attachment】Quick attach and detach through its convenient and reliable magnetic design. Added stability prevents the lens from accidentally dropping. Easy to adjust the lens accurately and quickly for worry free shooting

【Lightweight & High Transmission】 Crafted with multi coated high transmission optical resin lenses of 3 elements in 3 groups, this aspherical camera lens produces sharper images and footage with decreased aberrations and distortion. Mini and only 0.2oz (4.6g) lightweight, it is compact for on the go photography

【Enhanced Photography with NEEWER Magnetic Lens Filters】 Looking for lens filters to take more intriguing and professional shots? Here are some NEEWER filter kits compatible with DJI Osmo Pocket 3. Get the neutral density and CPL filters from the FL-P5 ND Filter Set, FL-P7 ND/PL Set, and FL-P10 14 Pack Filter Set, and get the variable neutral density filter from the FL-P9 Adjustable ND Filter Set. Look for effect filters? Check out the FL-P8 Special Effects Filter Set

Specifications

Compatibility

DJI Osmo Pocket 3

Compression Ratio

1.2x

Lens Type

Aspherical

Attachment Method

Magnetic

Model

LS-44

Pros & Cons

👍 Pros

Magnetic attachment makes it fast and easy to mount and remove without tools
1.2x anamorphic compression delivers cinematic widescreen framing and distinctive blue flares
Aspherical lens element helps maintain image sharpness across the frame
Compact and lightweight design avoids adding significant bulk to the Osmo Pocket 3
Purpose-built for the Osmo Pocket 3 ensures proper fit and optical alignment

👎 Cons

Only compatible with the DJI Osmo Pocket 3 and cannot be used with other cameras or gimbals
1.2x compression is relatively modest compared to 1.33x or 1.5x anamorphic lenses, producing a subtler widescreen effect
Requires desqueeze processing in-camera or in post-production to display footage correctly
Magnetic mount may shift or detach during very active handheld movement if bumped
Adds an extra optical element in front of the sensor, which can introduce minor edge softness or vignetting

Frequently Asked Questions

How does this anamorphic lens attach to the DJI Osmo Pocket 3?

It uses a magnetic attachment system, allowing you to quickly snap the lens on and off the Osmo Pocket 3 without tools or complicated mounting hardware.

What does the 1.2x compression ratio mean for my footage?

The 1.2x horizontal compression squeezes a wider field of view onto the sensor. When desqueezed in post-production, this creates a wider aspect ratio with the characteristic anamorphic look, including horizontal lens flares and oval bokeh.

Will this lens work with other cameras or gimbals besides the DJI Osmo Pocket 3?

No, this lens is specifically designed for the DJI Osmo Pocket 3 and its magnetic mounting system. It is not compatible with other cameras or gimbal models.

Do I need to adjust settings on the Osmo Pocket 3 when using this lens?

You will typically need to enable the anamorphic desqueeze setting in the Osmo Pocket 3's camera settings or apply desqueeze during editing so the final footage displays at the correct aspect ratio.

Does this lens affect the image quality or sharpness of the Osmo Pocket 3?

The aspherical lens design is intended to maintain sharpness across the frame. Some minor softening at the extreme edges is normal with anamorphic lenses and is generally considered part of the cinematic character.