
Nikon 2179 AF-S DX 18-105mm VR Zoom Lens
From street corners to distant subjects, the 18-105mm VR delivers sharp, stabilized travel shots on any DX-body without swapping glass.
*Price sourced from Amazon.com. Last updated:Jul 15, 2026.Price and availability are subject to change.
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Overview
Key Features
It includes LC-67 67mm snap-on front lens cap , LF-1 rear lens cap , HB-32 Bayonet lens hood, CL-1018 Flexible lens pouch and maximum reproduction ratio is 1/5
Vibration Reduction is engineered specifically for each VR NIKKOR lens and enables handheld shooting at up to 3 shutter speeds slower than normal.
Aspherical lens element virtually eliminates coma and other types of lens aberration, further improving image integrity.
Nikon Super Integrated Coating (SIC) enhances light transmission and offers superior color consistency and reduced flare.
Close focusing to 1.48 feet - Creative close-up photography is possible throughout the entire zoom range.
Specifications
Pros & Cons
👍 Pros
- Broad 18-105mm range covers wide environmental shots through compressed portrait framing in a single lens — ideal for travel or event days where switching glass isn't practical.
- VR stabilization genuinely extends handheld shooting into lower light, letting you keep ISO manageable in indoor or late-day situations.
- Aspherical element keeps corners cleaner than the kit 18-55mm, especially noticeable in architectural interiors and landscape wide-angle shots.
- Close focus throughout the zoom range adds creative flexibility — you can stay at 105mm for compressed close-ups without repositioning.
- Compact and light enough that it doesn't fatigue you during long walk-around days the way a heavier zoom would.
👎 Cons
- Variable aperture (f/3.5–5.6) means you lose a stop of light as you zoom in — at 105mm in mixed indoor light you'll be pushing ISO more than you'd like.
- Plastic barrel construction feels noticeably less premium than Nikon's pro-line glass and offers no weather sealing, so you'll want to be careful in rain or dusty conditions.
- At the telephoto end, sharpness drops off toward the corners — fine for subjects centered in the frame, but landscape shooters who pixel-peep edges will notice.
- Autofocus can hunt in low-contrast or low-light scenes, producing that characteristic back-and-forth seeking before locking.