Nikon

Nikon 2210 AF-S NIKKOR 58mm f/1.4G FX DSLR Lens

4.3 (71 reviews)
f/1.

Shoot full-body environmental portraits wide open at night and pull tack-sharp subjects from a sea of buttery, creamy bokeh with the NIKKOR 58mm f/1.4G.

$899.00*$1,599.95Save 43%
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*Price sourced from Amazon.com. Last updated:Jul 14, 2026.Price and availability are subject to change.

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Overview

The Nikon AF-S NIKKOR 58mm f/1.4G is not simply a fast standard lens — it was engineered with a specific optical agenda around what Nikon calls "3D rendering": the way a subject appears to emerge from the background with volumetric presence rather than being flatly isolated from it. The f/1.4 maximum aperture is the starting point, but the lens's true differentiator is its control of sagittal coma aberration at wide apertures. Most fast normal lenses produce comet-shaped flare around point light sources when shot wide open — a particular problem in city portraits at night, concert photography, and any scene with specular highlights in the background. The 58mm f/1.4G's redesigned optical formula suppresses this artifact aggressively, rendering those lights as clean, circular bokeh rather than smeared streaks. The 9-blade rounded aperture reinforces this by maintaining circular bokeh geometry throughout the aperture range, not just at maximum opening.

This is a portrait and environmental lens built for FX shooters doing deliberate, controlled image-making — fashion, editorial, beauty, fine-art portraiture, and contemplative street work. The 58mm focal length on full-frame gives just enough compression and working distance from the subject to create natural perspective in head-and-shoulders framing without the intimacy pressure of a 50mm. The AF-S internal focusing motor handles competently across well-lit portrait scenarios and is quiet enough for natural-light session work. The lens measures appreciably larger than a 50mm f/1.4 — you feel it in the bag and on the camera over a long shoot — but the size is a consequence of the optical design required to achieve its rendering goals, not padding. For photographers whose creative vision depends on the specific bokeh, coma control, and subject dimensionality this lens produces, there is no direct Nikon AF substitute.

Key Features

Excels in low-light and nighttime applications

Maximum reproduction ratio: 0. 13x. Exceptionally sharp, evenly lit, high-contrast shots Focus Mode - Auto, Manual, Manual/Auto

9 rounded-blade aperture for excellent bike control

Picture Angle with 35mm (135) format-40° 50′

Specifications

Focal Length
58mm
Maximum Aperture
f/1.4
Format Compatibility
FX and DX (Nikon F-mount)
Autofocus
AF-S (Silent Wave Motor)
Focus Modes
Auto, Manual, Manual/Auto
Aperture Blades
9 (Rounded)
Maximum Reproduction Ratio
0.13x
Picture Angle (FX)
40° 50'

Pros & Cons

👍 Pros

  • Sagittal coma is precisely controlled at f/1.4, allowing clean wide-open shooting at night without the comet-flare artifacts that plague most fast 50mm-class lenses
  • The 58mm focal length at f/1.4 on FX produces a depth of field so shallow that single-eyelash separation from focus is achievable in close portrait work
  • Nine rounded aperture blades maintain circular bokeh highlights at all shooting apertures, giving the background a polished quality that clients respond to emotionally
  • Edge-to-edge sharpness on FX bodies at f/2 and beyond eliminates the need for corner-specific exposure compensation in full-frame environmental portraits
  • The AF-S motor is whisper-quiet — discreet enough for location portrait sessions where mechanical noise would break the atmosphere of the shoot

👎 Cons

  • At roughly twice the price of the 50mm f/1.4G, the 58mm commands a significant premium that is difficult to justify for photographers whose work doesn't prioritize the specific bokeh and coma-free rendering it provides
  • The lens is large and heavier than a typical fast 50mm — noticeable on a full day of hand-held portrait shooting, especially paired with a larger FX body
  • Maximum reproduction ratio of 0.13x means it is not suitable for detail or product work where close-focus magnification matters
  • Autofocus hunting can occur in very dim conditions below its effective working light level — it is not a sports AF lens and should not be used as one
  • The specific rendering character — the signature "look" — is a creative tool, not a neutral one; photographers who want clinical sharpness over painterly depth may prefer a modern 50mm Sigma or Zeiss design

Frequently Asked Questions

It works on both FX and DX Nikon bodies. On a DX camera, the 1.5x crop factor gives a 35mm equivalent of approximately 87mm — a flattering short portrait length. The FX design means the image circle covers the full 35mm frame, so there is no vignetting on DX, and the lens performs identically if you later upgrade to a full-frame body.
Controlling sagittal coma was the explicit engineering objective of this lens's optical redesign compared to earlier Nikon 50mm f/1.4 designs. Point light sources — stars, street lamps, bokeh specular highlights — render as clean circles rather than the comet-like smearing typical of most fast 50mm-class lenses shot wide open. This is its single most distinguishing optical characteristic.
The AF-S internal focusing motor is responsive and quiet, well-suited to candid portrait and lifestyle work. It is not a sports or action AF system — tracking fast, unpredictable movement is not this lens's strength. For posed portraits, street photography, and slower-paced event work, focus acquisition is confident and accurate.
The 9 rounded aperture blades produce circular, smooth bokeh highlights throughout the mid-aperture range rather than the polygonal shapes that odd-numbered or straight-blade designs create. Combined with the longer-than-standard 58mm focal length and f/1.4 maximum aperture, the depth of field separation is pronounced and the transition from sharp to soft is gradual and organic.
The 58mm f/1.4G is a different optical proposition entirely. The 50mm f/1.4G is a conventional fast normal lens; the 58mm f/1.4G was designed around the concept of "3D rendering" — how the lens draws subjects with volumetric depth. It is larger, heavier, more expensive, and produces a quality of rendering that the 50mm cannot replicate, particularly at wide apertures and in controlled coma at night. It is a deliberate creative choice, not a direct cost-tier comparison.