
NiSi 6729 100x150mm Reverse Graduated ND8 Filter
Tame bright horizons without sacrificing foreground exposure — the Reverse ND8 is built for the golden hour shots that standard GNDs ruin.
*Price sourced from Amazon.com. Last updated:Jul 14, 2026.Price and availability are subject to change.
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Overview
Key Features
Graduated filter with a hard-edged transition to a darkened density of 0.9, or a 3 stop light reduction. The transition starts from the middle and transitions to the top of the filter
Similar to hard-edged GNDs except that the darkest part of the filter is at the transition point
True to life color, No color cast
High definition optical glass with NiSi Nano Coating on both sides - waterproof, anti-reflection, scratch resistant, and easy to clean
Compatible with the NiSi 100mm System and any other systems that hold 100x150mm filters with 2mm thickness
Specifications
Pros & Cons
👍 Pros
- The reverse density gradient eliminates the bright midzone band that makes standard hard-edge GNDs unusable for low-angle sunrise and sunset shooting.
- NiSi's Nano coating on both sides resists fingerprints and water droplets, keeping cleaning time between shots minimal during fast-moving golden hour windows.
- True neutral color transmission means your sky-to-land white balance holds consistently across a sequence without per-frame correction in post.
- Optical glass construction at 2mm thickness maintains corner sharpness across the frame — no soft edges or chromatic fringing introduced by the filter itself.
- Fits the widely adopted NiSi 100mm system, so it slots into an existing holder without adapters or workarounds.
👎 Cons
- The hard transition line requires precise filter positioning — misplace it even slightly and the density band becomes visible in shots with a flat, uncluttered horizon.
- At 100x150mm and optical glass, the filter adds real weight to a 100mm holder stack; carrying multiple GND strengths across a long hike adds up.
- The 3-stop (ND8) reduction covers the most common exposure scenario but won't replace a dedicated 6-stop or 10-stop ND for long-exposure water work — it's a single-purpose tool.
- Not ideal for scenes where the horizon is broken by mountains, trees, or buildings — the density line crosses those elements and creates unnatural darkening unless you plan to blend exposures in post.