NiSi

NiSi Cinema 4x5.65 Linear Polarizer Filter

5.0 (1 reviews)

A cinema-grade 4x5.65" linear polarizer that tames reflections and deepens color saturation for professional film and video work.

$245.00*
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*Price sourced from Amazon.com. Last updated:Jul 14, 2026.Price and availability are subject to change.

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Overview

The NiSi Cinema 4x5.65" Linear Polarizer is built for professional film and video production, where controlling reflections and enhancing color saturation are everyday requirements. Sized to fit standard cinema matte boxes, this filter reduces glare from non-metallic surfaces such as water, glass, and foliage, while simultaneously deepening blues in skies and boosting overall tonal richness. Its linear polarization design is intentional — cinema cameras overwhelmingly use contrast-detection autofocus or manual focus, so there is no need for the circular polarization that still cameras require, and the linear configuration provides stronger, more predictable polarization performance.

Constructed from optical glass, the filter maintains edge-to-edge sharpness without introducing distortion. The filter factor of 2 to 2.8x (1 to 1.5 stops) is relatively light, meaning it can be used without dramatically altering exposure settings — a practical advantage when shooting in changing light conditions. NiSi has chosen to leave this filter uncoated, which keeps the color rendering neutral but means shooters working with strong backlight or point light sources should be mindful of potential flare. For narrative filmmakers, documentarians, and commercial videographers, this filter is a fundamental piece of kit that addresses one of the most common visual challenges on set.

Specifications

Brand
NiSi
Filter Type
Linear Polarizer
Size
4 x 5.65 inches
Filter Factor
2 to 2.8x (+1 to 1.5 stops)
Material
Optical Glass
Coating
Non-Coated
Mount Type
Matte Box (4x5.65 tray)

Pros & Cons

👍 Pros

  • 4x5.65-inch cinema-standard size fits the vast majority of professional matte box systems
  • Optical glass construction maintains image sharpness and clarity across the frame
  • Modest 1 to 1.5 stop light loss preserves exposure flexibility compared to heavier ND-polarizer combinations
  • Linear polarization type delivers maximum reflection control without unnecessary circular polarizer elements
  • Effectively reduces glare on water, glass, and non-metallic surfaces while boosting color saturation

👎 Cons

  • Non-coated glass is more susceptible to flare and internal reflections than multi-coated alternatives
  • At only 1 to 1.5 stops of light reduction, it cannot double as a meaningful ND filter
  • Linear polarization is not compatible with cameras that rely on phase-detection autofocus, limiting DSLR or hybrid use
  • The 4x5.65 form factor requires a matte box, making it impractical for still photography filter ring setups

Frequently Asked Questions

Linear polarizers are preferred in cinema because most professional video cameras do not use phase-detection autofocus, which is what circular polarizers are designed to accommodate. A linear polarizer provides stronger, more consistent polarization without the quarter-wave plate that circular polarizers add.
The NiSi Cinema Linear Polarizer has a filter factor of 2 to 2.8x, which translates to approximately 1 to 1.5 stops of light loss. You will need to compensate with wider aperture, slower shutter, or higher ISO accordingly.
It is designed for standard 4x5.65-inch matte box filter trays, which are the most common size used in professional cinema rigs from manufacturers like Tilta, Bright Tangerine, and Wooden Camera.
No. NiSi specifies this as a non-coated optical glass filter. While this means it may be slightly more prone to internal reflections than coated alternatives, it avoids any coating-related color casts.
Yes. Most 4x5.65 matte boxes have a rotating filter stage specifically for polarizers, allowing you to dial in the exact angle of polarization needed for each shot.