Panasonic

Panasonic S-R24105 Lumix S 24-105mm F4 Lens

4.4 (46 reviews)

From environmental portraits to intimate macro detail, one lens covers your entire shoot with consistent F4 sharpness across the full-frame frame.

$1,197.99*$1,399.99Save 14%
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*Price sourced from Amazon.com. Last updated:Jun 04, 2026.Price and availability are subject to change.

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Overview

A 24-105mm F4 lens is the definition of a working photographer's zoom — wide enough for environmental context, long enough for compressed mid-range portraits, and fast enough to handle most controlled-light situations without compromise. The Panasonic LUMIX S 24-105mm F4 is built to serve L-Mount full-frame shooters across exactly that range of scenarios: editorial travel, corporate events, documentary portraiture, and commercial product work. The constant F4 aperture means your exposure stays predictable as you zoom, and the 0.5x macro capability at 0.3m minimum focus adds a layer of creative versatility that most general-purpose zooms don't offer — getting close enough to fill the frame with a product detail or botanical subject without switching lenses mid-shoot.

The optical construction — 16 elements in 13 groups with 2 aspherical and 2 ED lenses — is engineered to suppress chromatic aberration and maintain edge-to-edge resolution across a demanding zoom range. The integration with LUMIX S body stabilization via 5-axis Dual I.S. 2 is a practical differentiator: up to 6 stops of combined compensation gives handheld photographers meaningful latitude in dim interiors and golden-hour conditions. The sealed construction handles dust, moisture, and low temperatures with the confidence you need when shooting outside of controlled studio conditions. At 2.6 pounds, it's a substantial piece of glass, and balance on the body matters — but the handling becomes natural across a long shooting session, and the consistency it delivers across focal lengths justifies carrying the weight.

Key Features

Lumia S camera lens – 24-105mm standard focal macro zoom F4 l-mount for Lumia S Series full-frame l-mount digital Mirrorless cameras.

O. I. S. Stabilization – complies with Lumia camera body I. S. ; 5-axis Dual I. S. 2 [1] makes it possible to use 6-STOP slower shutter speed [2]

Lens elements – 16 lenses in 13 groups; 2 aspherical lenses and 2 ED (extra-low dispersion) lenses effectively suppress chromatic aberration and achieve high resolution.

Macro Lens – 0. 5x macro shooting with a minimum focusing distance of 0. 3M so you can photograph small subjects at very close distances.

Rugged lens design – dust/splash*/freeze-resistant design withstands use under harsh conditions for high mobility.

Driven by world-renowned Japanese technology and a spirit of never-ending innovation, LUMIX cameras inspire creators to tell their stories beautifully and vividly.

Specifications

Focal Length
24-105mm
Aperture
F4
Lens Mount
L-Mount
Optical Stabilization
O.I.S. (5-axis Dual I.S. 2 compatible)
Lens Construction
16 lenses in 13 groups
Special Elements
2 aspherical, 2 ED (Extra-low Dispersion)
Macro Capability
0.5x magnification
Minimum Focusing Distance
0.3M
Durability
Dust/splash/freeze-resistant

Pros & Cons

👍 Pros

  • Constant F4 across 24-105mm keeps exposure consistent during zoom changes on commercial and event shoots without re-metering between focal lengths.
  • The 5-axis Dual I.S. 2 system combined with O.I.S. allows handheld shooting at shutter speeds where most zoom lenses require a tripod, expanding creative options in available-light environments.
  • 0.5x macro capability with 0.3m minimum focus means one lens handles environmental portraits, detail shots, and product close-ups without swapping glass.
  • Dust, splash, and freeze sealing means you can shoot confidently in light rain, dusty event venues, or cold-weather outdoor locations without babying the lens.
  • The 2 ED and 2 aspherical elements in a 16-element construction keep chromatic aberration and distortion controlled across the full zoom range — important for architectural and product work.

👎 Cons

  • At 2.6 pounds, this lens is substantial on smaller LUMIX S bodies — after a full day of handheld event shooting, the front-heavy balance becomes noticeable.
  • F4 is not a fast aperture for subject isolation or indoor available-light shooting where F2.8 or faster lenses produce noticeably shallower depth of field.
  • The L-Mount ecosystem currently offers fewer third-party lens options than Canon RF or Nikon Z, so if you need system flexibility, the mount choice matters.
  • Filter size is unspecified in the product data — confirm before purchasing to avoid buying incompatible step-up rings or filter accessories.
  • At its price point, this lens competes against Sigma and Leica L-mount options that some photographers find sharper wide open, so comparing samples at your focal length priorities is worthwhile.

Frequently Asked Questions

Yes — the built-in O.I.S. communicates with compatible LUMIX S body stabilization to enable 5-axis Dual I.S. 2, providing up to 6 stops of combined shake compensation. This is one of the lens's most practical advantages for handheld work in low light.
The 0.3m minimum focusing distance delivers 0.5x (half life-size) reproduction — capable enough for product details, flower close-ups, and texture shots. It won't replace a dedicated 1:1 macro lens, but it means you don't need to carry a separate macro for most editorial or commercial work.
Yes — F4 is constant from 24mm to 105mm. This is critical for consistent exposure when zooming during a shoot, and it means your metering and flash exposure remain predictable without compensating for a variable aperture.
The sealed construction is rated for use in rain, dusty environments, and cold temperatures. It's not rated for full submersion, but for outdoor editorial, event, and travel work in typical adverse weather, the sealing provides meaningful protection.
The lens is designed for the LUMIX S system's contrast-detection and DFD autofocus, which provides smooth, quiet focus transitions suited to video. For fast-moving subjects in photo mode, continuous AF performance depends heavily on the body's AF system rather than the lens mechanics.