
PreSonus Eris-E3.5_K4 3.5-Inch Studio Reference Monitor Bundle
Honest, flat reference monitoring with a 3.5-inch Kevlar woofer and 25W Class AB amplification — a complete bundle that anchors a bedroom studio's mix position without breaking the budget.
*Price sourced from Amazon.com. Last updated:Jul 14, 2026.Price and availability are subject to change.
Notice a mistake? Let Us Know
Overview
Key Features
Bundle Includes: PreSonus Eris 3.5 3.5-Inch Low-Frequency Driver Media Reference Monitor with RF Interference, Studio Monitor Isolation Pads Suitable for 3-4" Speakers (2-Pack), and 3.5mm TRS to Dual 1/4-inch TS Stereo Breakout Cable
Low-Frequency Transducer: 3.5-inch (89 mm) Kevlar low-frequency transducer
High-Frequency Transducer: 1-inch (25 mm), ultra-low-mass, silk-dome, high-frequency transducer
Acoustic Port: Rear-firing acoustic port for superior bass-frequency reproduction
Volume Control: Front-panel volume control for speakers and headphone amplifier
Specifications
Pros & Cons
👍 Pros
- 3.5-inch Kevlar low-frequency driver provides controlled, accurate bass reproduction without the resonance peaks found in cheaper paper-cone designs — translating to more reliable low-midrange decisions at the mix position.
- 1-inch silk-dome tweeter with ultra-low mass delivers extended high-frequency response and smooth transient reproduction, audible on cymbals, sibilance, and room reverb tails.
- 25W Class AB amplification per side provides clean headroom at near-field listening levels, avoiding compression artifacts that obscure mix dynamics.
- Balanced 1/4-inch TRS input accepts studio-grade signal connections, reducing noise floor compared to unbalanced consumer connections at equivalent cable lengths.
- Bundle includes isolation pads and breakout cable — practical additions that address the two most common setup friction points (desk resonance and source connectivity) without additional purchases.
👎 Cons
- The 3.5-inch woofer's physical size limits meaningful low-frequency extension; sub-bass frequencies below approximately 80Hz are not reliably reproduced, requiring headphone cross-referencing for any bass-heavy mix work.
- The rear-firing acoustic port design demands careful placement — monitors need 15+ cm clearance from the back wall to prevent bass buildup that compromises the reference accuracy the driver delivers.
- At 25W into a small enclosure, maximum SPL is limited; for a large room or any session where the monitors need to fill significant space, the Eris 3.5 will run out of clean headroom before it runs out of room.
- The included 3.5mm TRS to dual 1/4-inch TS cable is an unbalanced TS connection on the monitor end, not a balanced TRS-to-TRS run — users with a proper audio interface should connect directly via balanced 1/4-inch cables for best noise rejection.
- No built-in acoustic EQ room correction beyond the basic high and low trim controls — complex room problems require external treatment or a dedicated monitor controller.