
PreSonus Eris Studio 5 Active Studio Monitor
Accurate, detailed studio monitoring with a wide sweet spot and versatile acoustic tuning controls in a compact 5.25-inch nearfield design.
*Price sourced from Amazon.com. Last updated:Jul 14, 2026.Price and availability are subject to change.
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Overview
Key Features
Professional studio monitors for music and other audio production.
Superior high-frequency reproduction: 1-inch (25 mm), ultra-low-mass, silk-dome, high-frequency transducer for crystal-clear, natural high end.
Custom-tuned 120˚(H) x 60˚(V) EBM waveguide provides a wide sweet spot for superior stereo imaging.
5.25-inch, woven-composite, low-frequency drivers produce a powerful, accurate, and smooth bass response with extended low end.
48 Hz to 20 kHz frequency response.
Front-firing acoustic port for superior bass-frequency reproduction and optimized, resonance-suppressing internal bracing.
Loud and clear: 80W, Class AB biamplification delivers up to 102 dB SPL (Peak, @ 1 meter) without sacrificing tonal balance or audio clarity.
All the connections you need: Balanced XLR, balanced ¼-inch TRS, and unbalanced RCA inputs.
Customize for your room with precise Acoustic Tuning controls: HF and Midrange, highpass filter, and Acoustic Space control (flat, -2, -4 dB) to compensate for speaker position near a wall or corner.
Protection features: RF interference, output-current limiting, over-temperature, transient, subsonic protection and amplifier “soft start” feature (eliminates popping on power-up).
Specifications
Pros & Cons
👍 Pros
- Custom-tuned 120° x 60° EBM waveguide creates a wide sweet spot, reducing the need for perfectly fixed listening positions
- Comprehensive acoustic tuning controls let you adapt the monitor's response to your specific room and placement
- Front-firing port design allows placement near walls without exaggerating low-end frequencies
- Multiple input options including balanced XLR, balanced TRS, and unbalanced RCA accommodate a wide range of source equipment
- Built-in protection circuitry guards against RF interference, over-temperature, and power-on transients
👎 Cons
- 48 Hz low-frequency extension may not be sufficient for bass-heavy music production without a subwoofer
- Class AB amplification generates more heat than Class D designs, which can be noticeable in small, enclosed spaces
- At 80W total biamplification, maximum output may be limited for larger rooms or high-SPL monitoring needs
- Sold individually rather than as a matched pair, increasing the purchasing steps for a stereo setup