PreSonus

PreSonus NSB32.16 AVB Networked Stage Box

5.0 (3 reviews)
XLR

32 remote-controllable XMAX preamps in a rugged AVB stage box deliver pristine gain staging for large-format live productions.

$1,138.28*$1,198.19Save 5%
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*Price sourced from Amazon.com. Last updated:Jul 14, 2026.Price and availability are subject to change.

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Overview

The PreSonus NSB32.16 is a networked stage box built around 32 remote-controllable XMAX Class A preamps, delivering the clean, headroom-rich gain staging that these preamps are known for across every input simultaneously. The signal path from mic capsule to AVB network stream stays transparent — you hear the source and the room, not the preamp. With 64x16 AVB channel capacity (32 direct input channels plus 32 gain-compensated channels over 16 output returns), the NSB32.16 replaces a heavy multi-pair analog snake with a single Ethernet cable while adding the gain compensation layer that makes shared-console workflows practical. Every input and output uses locking connectors — combo XLR/TRS on the inputs, standard XLR on the 16 outputs, and etherCON-style locking Ethernet on the AVB ports — because connections that come loose during a live show are not acceptable.

This stage box is purpose-built for mid-to-large format live sound productions running PreSonus StudioLive Series III consoles, where a front-of-house engineer and a monitor engineer need independent control of shared inputs without compromise. The remote preamp control through UC Surface or the mixer itself means gain adjustments happen from the mix position, not at the stage box — a workflow improvement that pays dividends on every show. The rugged 3U rack enclosure with multi-position rack ears accommodates various mounting orientations, and at 10.2 pounds it is light enough for single-person handling. The Mute All button on the front panel provides a physical safety net for those moments when you need every channel silent immediately. For productions that have committed to the PreSonus AVB ecosystem, the NSB32.16 is the signal chain foundation that makes the rest of the system sing.

Key Features

Rugged 3U 19-inch rack enclosure with multi-position rack ears for flexible installation

32 locking, combo mic/line inputs and 16 XLR line outputs

32 remote-controllable XMAX preamps

Gain compensation provides independent control from multiple mixers

16 locking XLR line outputs

2 AVB ports with locking XLR Ethernet jacks

64x16 AVB (32 direct input channels + 32 gain compensated input channels)

Mute All button

Easy setup and remote gain control from StudioLive Series III mixers and free PreSonus UC Surface software

Specifications

Mic/Line Inputs
32 Locking Combo XLR/TRS
Line Outputs
16 Locking XLR
Preamps
32 Remote-Controllable XMAX
AVB Ports
2 (Locking XLR Ethernet)
AVB Channel Count
64x16 (32 direct + 32 gain compensated inputs, 16 outputs)
Gain Compensation
Yes — independent control from multiple mixers
Phantom Power
48V per channel (remote switchable)
Enclosure
3U 19-inch rack mount with multi-position rack ears
Dimensions
5.25 x 19 x 5.25 inches
Weight
10.2 lbs
Connectivity
AVB Ethernet
Software Control
PreSonus UC Surface, StudioLive Series III mixers

Pros & Cons

👍 Pros

  • 32 XMAX Class A preamps deliver clean, transparent gain with low self-noise across all channels simultaneously
  • Gain compensation splits each input into direct and compensated streams, enabling independent gain control for FOH and monitor engineers without signal degradation
  • Single AVB Ethernet cable replaces a 32-channel analog snake, dramatically reducing cable weight and setup time for large-format shows
  • Locking combo XLR/TRS inputs and locking etherCON AVB ports ensure secure connections that withstand the vibration and movement of live environments
  • Remote preamp control from StudioLive mixers or UC Surface eliminates stage-side gain adjustments during the show

👎 Cons

  • Full remote control functionality is limited to the PreSonus StudioLive Series III ecosystem, creating significant vendor lock-in
  • 16 output channels may be limiting for monitor-heavy productions requiring numerous discrete stage mixes
  • 3RU rack depth of 5.25 inches keeps it compact but leaves limited internal space for thermal management during sustained high-channel-count operation
  • No built-in redundant AVB port failover — a single cable failure on a long run could take down all 32 channels simultaneously
  • 10.2 pounds is manageable but adds up when stacking multiple units for 64+ input counts on festival-scale productions

Frequently Asked Questions

The NSB32.16 uses the AVB (Audio Video Bridging) protocol, so it can technically connect to any AVB-compliant device. However, remote preamp control and gain compensation features are designed specifically for PreSonus StudioLive Series III mixers and UC Surface software. With third-party AVB devices, you get audio transport but lose the integrated remote control workflow.
Gain compensation allows multiple mixers to share the same input channels while maintaining independent gain control at each console. The NSB32.16 splits its 32 inputs into 32 direct channels plus 32 gain-compensated channels (64 total AVB sends), so a front-of-house and monitor engineer can each set their own effective gain without affecting the other's mix — critical for maintaining consistent headroom across split console setups.
The XMAX preamps are Class A designs known for a clean, transparent signal path with generous headroom. At high gain settings needed for quiet sources like ribbon microphones, they maintain a low noise floor without introducing audible coloration — you get an honest representation of the source without the preamp imposing its own character.
The NSB32.16 uses standard Cat5e or Cat6 Ethernet cable terminated with locking etherCON-style XLR connectors on the stage box end. A single Ethernet cable carries all 64 input channels and 16 return channels, replacing a heavy analog copper snake with a single lightweight run of up to 100 meters.
Yes. All 32 XMAX preamps supply switchable 48V phantom power, controllable remotely from the StudioLive mixer or UC Surface software. You can enable or disable phantom power per channel without walking to the stage box.