
PreSonus R80 V2 8-inch Studio Monitor
AMT ribbon tweeter precision and 8-inch low-end punch in a studio monitor built for mixing engineers who need honest, revealing playback at every frequency.
*Price sourced from Amazon.com. Last updated:Jul 14, 2026.Price and availability are subject to change.
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Overview
Key Features
2-way active AMT tweeter design provides articulate high-frequency response, wide stereo imaging, and narrow vertical dispersion.
Custom-designed, 6.8-inch, AMT tweeter responds to the subtlest waveforms and the highest frequencies for audiophile-grade air and space.
8-inch LF drivers provide transparent mid- and low-frequency reproduction for clean, punchy bass.
Acoustic tuning controls (Low cut, Mid, High, Acoustic Space) compensate for room acoustics and placement.
Now comes included with Studio One Prime and Studio Magic plug-in suite, over $1000 USD worth of music production software.
Balanced XLR and ¼-inch TRS plus unbalanced RCA inputs provide flexibility for seamless integration into any environment.
Toroidal power transformer eliminates noise and hum.
System protections include RF interference, output current limiting, over-temperature, turn-on/off transient, subsonic filter, external mains fuse.
Power: 100-120V ~50/60 Hz or 220-240V ~50/60 Hz; Biamped, 140W RMS (LF = 75 W, HF = 65 W) Class A/B power amplifier with switching power supply.
Specifications
Pros & Cons
👍 Pros
- The AMT tweeter resolves high-frequency transients — cymbal hits, sibilance, and room reverb tails — with a clarity that exposes mix decisions immediately.
- 140W biamplified power gives the 8-inch LF driver enough headroom to reproduce bass accurately without compression at working levels.
- Four acoustic tuning controls (Low Cut, Mid, High, Acoustic Space) provide meaningful room correction for imperfect studio environments.
- Toroidal transformer design keeps the noise floor clean and minimizes interference in dense studio setups.
- Three input types (XLR, TRS, RCA) cover professional and semi-pro signal chain configurations without adapters.
👎 Cons
- The AMT tweeter's narrow vertical dispersion — a characteristic of ribbon-style designs — means the sweet spot is precise; off-axis listening changes the high-frequency balance noticeably.
- At 8 inches of LF driver size, sub-bass below 40 Hz is not fully represented — a subwoofer is still advisable for bass-heavy mixing work.
- No digital inputs (USB, AES/EBU, S/PDIF) — integration with modern digital mixing workflows requires a dedicated DA converter in the signal chain.
- The broad acoustic tuning range can be a liability as well as an asset — incorrect EQ settings compound rather than correct room problems without careful calibration.