Radial Engineering

Radial Engineering R800 1440 Gold Digger 4-Channel Mic Selector

The Gold Digger's passive straight-wire circuit lets you audition four mics through one preamp with zero coloration — the only variable in the comparison is the microphone.

$459.99*
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*Price sourced from Amazon.com. Last updated:Jul 14, 2026.Price and availability are subject to change.

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Overview

The Radial Engineering Gold Digger is a 4-channel passive microphone selector designed around a single engineering premise: let the preamp hear each microphone as if it were the only device in the chain. The passive straight-wire circuit means there are no op-amps, transformers, or active components between the mic capsule and your preamp input — the selector contributes no harmonic character, no noise floor of its own, and no phase artifacts. Signal routing is handled by sealed military-grade gold relays, chosen specifically for their long-term contact stability and clean switching behavior. Each of the four inputs carries an individual trim pot, which is not a luxury feature here — it is a functional requirement for valid comparison. Without level matching, what sounds like a tonal difference between two microphones is often just a sensitivity difference, and the Gold Digger's trim controls eliminate that variable before you start listening.

In practice, the Gold Digger earns its place in two distinct workflows. The first is the A/B comparison session: a tracking engineer wants to audition a large-diaphragm condenser, a dynamic, and a ribbon on the same source through the same preamp without repatching. The Gold Digger makes that a one-switch operation, with trim-matched levels ensuring the comparison is honest. The second workflow is permanent multi-mic selection — a broadcast desk with a primary and backup mic on one preamp channel, or a film set with multiple boom positions feeding a single recorder input. The passive design means it adds no self-noise to critical dialogue or music recording, and the relay durability means it holds up to the switching frequency of a live environment. It is not a glamorous piece of kit, but it is a precise one, built for engineers who understand that the best tool in a signal chain is often the one you can't hear.

Key Features

4-channel Mic Selector Featuring Four Selectable Inputs with Trim Adjusts

Straight-wire Signal Path

Specifications

Inputs
4 selectable microphone inputs
Trim Adjustments
Individual trim per input
Circuit Design
Passive straight-wire
Relays
Sealed military-grade gold relays
Signal Path
Distortion-free passive
Weight
3.3 lbs
Dimensions
11 x 5 x 3 inches

Pros & Cons

👍 Pros

  • Passive straight-wire circuit introduces zero coloration, noise floor elevation, or phase shift — the selector is acoustically invisible in the signal chain.
  • Sealed military-grade gold relays ensure long-term contact reliability and clean switching transients, critical for session work where switching artifacts would be unacceptable.
  • Per-input trim adjustments allow level-matched comparisons between microphones of different sensitivities — a prerequisite for accurate sonic evaluation.
  • Four selectable inputs cover a practical range of comparison scenarios without requiring multiple preamps or a patchbay reconfiguration.
  • Passes 48V phantom power cleanly, enabling condenser mics on all four inputs without an external phantom supply.

👎 Cons

  • No active gain stage means the Gold Digger can't compensate for insertion loss in long cable runs — passive circuits introduce slight signal attenuation that becomes audible at high gain settings.
  • Four inputs is the hard ceiling; engineers comparing five or more microphones simultaneously must reconfigure or use multiple units.
  • No relay-switching automation or remote control — selection is manual only, which limits use cases in larger broadcast or installation environments where remote switching is standard.
  • At 3.3 lbs and 11 x 5 x 3 inches, the chassis is substantial for a passive device — it occupies rack or desk real estate comparable to an active DI or preamp.

Frequently Asked Questions

No. The Gold Digger uses a passive straight-wire circuit — there are no active components, buffers, or transformers in the signal path. What you hear through your preamp is the microphone signal unaltered. This is the core design principle: the selector itself contributes nothing to what you're comparing.
Yes. Because the circuit is passive and uses sealed military-grade gold relays, phantom power from your preamp passes through cleanly to whichever input is selected. All four inputs can accept condenser mics; switching between them while phantom is engaged is safe.
Each of the four inputs has an individual trim control that compensates for sensitivity differences between microphones. This lets you level-match mics before switching — so when you A/B a ribbon against a condenser, you're comparing tone, not volume, which is critical for accurate evaluation.
Yes, with one important caveat: do NOT apply phantom power when a ribbon mic is on any of the active inputs unless that ribbon is explicitly rated for phantom power. The selector passes whatever phantom state your preamp sends. If you're mixing dynamic/ribbon and condenser mics across the four inputs, disable phantom power or use a preamp with per-channel phantom control.
The passive circuit and sealed gold relays make it durable enough for rack use in broadcast and live environments. The trim adjusts allow it to serve as a permanent front-end selector for multiple mic positions feeding a single preamp channel — a broadcast desk mic plus a backup, for instance. It is not limited to studio A/B comparison.