
Radial Engineering
Radial Engineering R800 1440 Gold Digger 4-Channel Mic Selector
The Gold Digger's passive straight-wire circuit lets you audition four mics through one preamp with zero coloration — the only variable in the comparison is the microphone.
$459.99*
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*Price sourced from Amazon.com. Last updated:Jul 14, 2026.Price and availability are subject to change.
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Overview
Key Features
4-channel Mic Selector Featuring Four Selectable Inputs with Trim Adjusts
Straight-wire Signal Path
Specifications
Inputs
4 selectable microphone inputs
Trim Adjustments
Individual trim per input
Circuit Design
Passive straight-wire
Relays
Sealed military-grade gold relays
Signal Path
Distortion-free passive
Weight
3.3 lbs
Dimensions
11 x 5 x 3 inches
Pros & Cons
👍 Pros
- Passive straight-wire circuit introduces zero coloration, noise floor elevation, or phase shift — the selector is acoustically invisible in the signal chain.
- Sealed military-grade gold relays ensure long-term contact reliability and clean switching transients, critical for session work where switching artifacts would be unacceptable.
- Per-input trim adjustments allow level-matched comparisons between microphones of different sensitivities — a prerequisite for accurate sonic evaluation.
- Four selectable inputs cover a practical range of comparison scenarios without requiring multiple preamps or a patchbay reconfiguration.
- Passes 48V phantom power cleanly, enabling condenser mics on all four inputs without an external phantom supply.
👎 Cons
- No active gain stage means the Gold Digger can't compensate for insertion loss in long cable runs — passive circuits introduce slight signal attenuation that becomes audible at high gain settings.
- Four inputs is the hard ceiling; engineers comparing five or more microphones simultaneously must reconfigure or use multiple units.
- No relay-switching automation or remote control — selection is manual only, which limits use cases in larger broadcast or installation environments where remote switching is standard.
- At 3.3 lbs and 11 x 5 x 3 inches, the chassis is substantial for a passive device — it occupies rack or desk real estate comparable to an active DI or preamp.
Frequently Asked Questions
Does the Gold Digger add any noise or coloration to the signal path?
No. The Gold Digger uses a passive straight-wire circuit — there are no active components, buffers, or transformers in the signal path. What you hear through your preamp is the microphone signal unaltered. This is the core design principle: the selector itself contributes nothing to what you're comparing.
Can the Gold Digger pass 48V phantom power to condenser microphones?
Yes. Because the circuit is passive and uses sealed military-grade gold relays, phantom power from your preamp passes through cleanly to whichever input is selected. All four inputs can accept condenser mics; switching between them while phantom is engaged is safe.
What does the trim adjust on each input actually do?
Each of the four inputs has an individual trim control that compensates for sensitivity differences between microphones. This lets you level-match mics before switching — so when you A/B a ribbon against a condenser, you're comparing tone, not volume, which is critical for accurate evaluation.
Does the Gold Digger work with ribbon microphones?
Yes, with one important caveat: do NOT apply phantom power when a ribbon mic is on any of the active inputs unless that ribbon is explicitly rated for phantom power. The selector passes whatever phantom state your preamp sends. If you're mixing dynamic/ribbon and condenser mics across the four inputs, disable phantom power or use a preamp with per-channel phantom control.
Can the Gold Digger be used in a live sound or broadcast rack, or is it strictly a studio comparison tool?
The passive circuit and sealed gold relays make it durable enough for rack use in broadcast and live environments. The trim adjusts allow it to serve as a permanent front-end selector for multiple mic positions feeding a single preamp channel — a broadcast desk mic plus a backup, for instance. It is not limited to studio A/B comparison.