
Rode
Rode BLIMPR Microphone Windshield and Suspension System
★★★★★
The Rode Blimp R delivers broadcast-grade wind and handling rejection so your shotgun mic captures clean, uncolored dialogue in the field.
$299.00*
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*Price sourced from Amazon.com. Last updated:Jul 14, 2026.Price and availability are subject to change.
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Overview
Key Features
Greatly reduces handling and wind noise
Accommodates most shotgun microphones 325mm in length and 19-22mm diameter
Rycote Lyre suspension system onboard with internal spacing guide
Specifications
Compatible Mic Length
Up to 325mm
Compatible Mic Diameter
19–22mm
Suspension System
Rycote Lyre
Connector Type
XLR
Item Weight
1.21 lbs
Product Dimensions
19.29 x 5 x 11.2 inches
Color
Black
Model Number
BLIMPR
Pros & Cons
👍 Pros
- Rycote Lyre suspension provides mechanical isolation that audibly eliminates handling artifacts from boom pole movement and grip vibration
- Compatible with a wide range of professional shotgun microphones up to 325mm, making it a long-term investment across mic upgrades
- Internal spacing guide ensures consistent mic centering, preventing contact resonance that would otherwise color the noise floor
- Dramatically improves wind rejection in outdoor field recording, allowing clean dialogue capture in conditions that would otherwise render a track unusable
- XLR passthrough integrates cleanly into standard boom pole signal chains without impedance or level compromise
👎 Cons
- At 1.21 pounds, the Blimp R adds meaningful weight to an extended boom pole run, which accumulates into fatigue during long documentary or film takes
- The plastic shell construction, while functional, lacks the premium feel of metal-frame blimps at higher price points — durability under hard field use is a reasonable concern
- No integrated pistol grip or handle, so boom operators working handheld must source a separate grip accessory
- The 19–22mm diameter range excludes some narrower-profile shotgun microphones, requiring verification before purchase
- Outer windjammer fur is not included in all configurations — confirm kit contents before assuming full outdoor wind protection is out of the box
Frequently Asked Questions
Does the Blimp R require phantom power or any power source to operate?
No. The Blimp R is a purely passive mechanical system — no power source required. It works entirely through the Rycote Lyre suspension and the windshield foam/fur barrier, so your phantom power budget stays dedicated to the microphone inside.
Which shotgun microphones fit inside the Blimp R?
The Blimp R accommodates shotgun microphones up to 325mm in length with a barrel diameter between 19mm and 22mm. An internal spacing guide helps center the mic in the basket, which is critical for maintaining consistent Lyre contact and preventing shell rattle at the capsule.
How much handling noise does the Rycote Lyre suspension actually reject compared to a standard shock mount?
The Lyre suspension outperforms elastic-band shock mounts in low-frequency mechanical isolation — particularly floor rumble and grip vibration that a standard mount passes through as low-end smear. The difference is audible on a waveform: transient handling bumps that would register as artifacts in dialogue are reduced to near-inaudible levels.
Is the Blimp R suitable for both boom pole work and handheld documentary shooting?
Yes. The integrated Rycote Lyre mount threads directly onto a standard boom pole, and the XLR connector routes clean to the mic inside. For handheld run-and-gun scenarios, the combination of foam interior and outer windshield fur addresses both high-wind exterior conditions and the mechanical noise introduced by grip movement.
Will the Blimp R affect the polar pattern or high-frequency response of my shotgun mic?
At moderate wind speeds the acoustic effect is minimal — you may notice a slight top-end softening above 15kHz with the fur cover in place, which is typical of any windjammer design. In controlled indoor environments, the foam alone is sufficient and introduces less coloration. The trade-off in air transparency is far outweighed by the noise floor improvement in any real outdoor recording situation.