
Rokinon
Rokinon Cine DS DS24M-C 24mm T1.5 Cine Lens Canon EF
At T1.5 and color-matched to a complete cine set, the Rokinon DS 24mm turns wide-angle narrative scenes into cohesive, cinema-quality footage.
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Overview
Key Features
Full frame coverage with aperture range of T1.5 - T22
New DS line that is color matched with other Rokinon DS lenses and have unified gear and aperture positions among all Rokinon Cine DS lenses
84.1 degrees angle of view on full frame cameras & 57.6 degrees angle of view on APS-C
Minimum focusing distance of 9.8 inches; uses filter size of 77mm
Specifications
Focal Length
24mm
Aperture Range
T1.5 – T22
Mount
Canon EF
Format Compatibility
Full Frame
Angle of View (Full Frame)
84.1°
Angle of View (APS-C)
57.6°
Minimum Focus Distance
9.8 inches
Filter Size
77mm
Series
Rokinon Cine DS (color-matched)
Focus
Manual
Frequently Asked Questions
Does this lens work on both full-frame and APS-C Canon EF bodies, and does the angle of view change?
Yes — the lens covers full-frame (84.1° angle of view) and APS-C sensors (57.6° effective), so it works on any Canon EF-mount body. On a crop body, the effective focal length becomes approximately 38mm equivalent.
What does "DS line color-matched" mean, and does it matter if I'm only using one Rokinon lens?
Color matching means all Rokinon DS lenses are tuned to produce consistent color temperature and rendering. If you're shooting with only one lens, color matching has no practical benefit — it becomes essential when cutting between multiple focal lengths in a narrative or commercial production.
Is the aperture ring clickless on this lens for smooth exposure pulls during a take?
Yes — the DS line uses a de-clicked aperture ring with cinema-standard gear teeth, allowing smooth, silent aperture transitions during a take without the audible clicks that would be picked up on set audio.
What is the minimum focusing distance, and can this lens produce useful close-up shots in a documentary or interview context?
The minimum focus distance is 9.8 inches — close enough for tight close-up work on objects or facial details in an interview setup. For a 24mm wide-angle prime, this is notably close and adds creative flexibility beyond standard wide establishing shots.
Is autofocus available on this lens, and is manual focus reliable for cinema work?
This is a manual-focus-only lens. The 220° focus ring rotation (on the 50mm Jupiter, and designed similarly across the DS line) provides fine focus control for precise pulls — it's designed for cinema use where manual focus is standard operating procedure.