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Rokinon Cine DS DS24M-C 24mm T1.5 Cine Lens Canon EF — main product image
Rokinon

Rokinon Cine DS DS24M-C 24mm T1.5 Cine Lens Canon EF

★★★★★4.5 (67 reviews)

At T1.5 and color-matched to a complete cine set, the Rokinon DS 24mm turns wide-angle narrative scenes into cohesive, cinema-quality footage.

$497.00*$529.00Save 6%
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*Price sourced from Amazon.com. Last updated:Jul 14, 2026.Price and availability are subject to change.

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Overview

The Rokinon Cine DS DS24M-C 24mm T1.5 is built for filmmakers who need a wide-angle cine prime that integrates into a professional set without compromise. The T1.5 aperture makes it one of the faster wide-angle options available to Canon EF-mount shooters — wide open, it renders available-light interiors with enough depth of field control to isolate subjects against a context-rich background, a combination that's difficult to achieve with slower kit zooms. Its placement in the Rokinon DS line means it's color-matched to the other DS focal lengths, a critical feature for any production cutting between lens sizes — the grade carries over from shot to shot without per-focal-length correction.

The DS line distinguishes itself from standard Rokinon cine offerings through unified gear placement and de-clicked aperture rings across all focal lengths — meaning your follow focus, matte box, and lens control system stay in the same position when you swap glass. The Canon EF mount version supports both full-frame and APS-C sensor formats, giving it broad compatibility across Canon's DSLR and cinema camera lineup. The lens is built to cine tolerances rather than still-photography standards: the focus ring has smooth, precisely damped rotation suited for manual pulls, and the aperture ring moves silently. For indie narrative work, documentary, and commercial productions operating within a constrained lens budget, the DS 24mm delivers a level of optical and operational performance that was previously inaccessible without a significantly larger investment.

Key Features

Full frame coverage with aperture range of T1.5 - T22

New DS line that is color matched with other Rokinon DS lenses and have unified gear and aperture positions among all Rokinon Cine DS lenses

84.1 degrees angle of view on full frame cameras & 57.6 degrees angle of view on APS-C

Minimum focusing distance of 9.8 inches; uses filter size of 77mm

Specifications

Focal Length
24mm
Aperture Range
T1.5 – T22
Mount
Canon EF
Format Compatibility
Full Frame
Angle of View (Full Frame)
84.1°
Angle of View (APS-C)
57.6°
Minimum Focus Distance
9.8 inches
Filter Size
77mm
Series
Rokinon Cine DS (color-matched)
Focus
Manual

Pros & Cons

👍 Pros

  • The T1.5 aperture enables available-light wide-angle shooting in dimly lit practical locations — interior scenes, street documentary work — without sacrificing depth of field control or resorting to high ISO alone.
  • The color-matched DS system means cutting between the 24mm and other Rokinon DS focal lengths in an edit produces consistent, cohesive color without per-lens grading corrections.
  • De-clicked aperture gearing enables silent, smooth exposure pulls during a take — essential for narrative work where the camera assistant needs to ride exposure without distracting the sound department.
  • The 77mm filter thread accepts standard matte box adapters and screw-in filters, integrating cleanly into a professional cinema rig without proprietary accessories.
  • Full-frame coverage at this price tier is rare for a cine prime — the Rokinon DS 24mm gives full-frame filmmakers access to a wide cinematic perspective without budget overruns.

👎 Cons

  • Manual focus only means this lens is unsuitable for any shooting situation that relies on autofocus — run-and-gun documentary, news, or solo operators without a dedicated focus puller will find it limiting.
  • At T1.5 on a 24mm, focus depth is razor-thin in close-up configurations — even a subtle subject movement forward can pull eyes or lips out of the critical focus plane on a full-frame sensor.
  • The lens has no image stabilization, which is expected for a cine prime but relevant for handheld operators: shaky wide-angle footage at T1.5 requires a stable rig to look intentional rather than accidental.
  • Like most manual cine primes at this price, the Rokinon DS 24mm can show some chromatic aberration toward the corners at T1.5 on full-frame — a consideration for high-contrast architectural or backlit scenes.
  • At 9.8 inches minimum focus on a 24mm, very tight extreme close-up work still requires a diopter or supplementary close-up element — the lens alone won't get you macro-level detail.

Frequently Asked Questions

Yes — the lens covers full-frame (84.1° angle of view) and APS-C sensors (57.6° effective), so it works on any Canon EF-mount body. On a crop body, the effective focal length becomes approximately 38mm equivalent.
Color matching means all Rokinon DS lenses are tuned to produce consistent color temperature and rendering. If you're shooting with only one lens, color matching has no practical benefit — it becomes essential when cutting between multiple focal lengths in a narrative or commercial production.
Yes — the DS line uses a de-clicked aperture ring with cinema-standard gear teeth, allowing smooth, silent aperture transitions during a take without the audible clicks that would be picked up on set audio.
The minimum focus distance is 9.8 inches — close enough for tight close-up work on objects or facial details in an interview setup. For a 24mm wide-angle prime, this is notably close and adds creative flexibility beyond standard wide establishing shots.
This is a manual-focus-only lens. The 220° focus ring rotation (on the 50mm Jupiter, and designed similarly across the DS line) provides fine focus control for precise pulls — it's designed for cinema use where manual focus is standard operating procedure.

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