Rokinon
Rokinon DS24M-MFT Cine DS 24mm T1.5 MFT Wide Angle Lens
★★★★★
Capture Cinematic Visions with Precision and StyleThe Rokinon Cine DS 24mm T1.5 ED AS IF UMC Lens is tailored for Olympus and Panasonic Micro Four Thirds systems. Offering unified gears, dual focusing scales, and color matching, this lens streamlines video production workflow. Specifications * ...
$529.00*
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Overview
Capture Cinematic Visions with Precision and Style
The Rokinon Cine DS 24mm T1.5 ED AS IF UMC Lens is tailored for Olympus and Panasonic Micro Four Thirds systems. Offering unified gears, dual focusing scales, and color matching, this lens streamlines video production workflow.
Specifications
* Focal Length: 24mm * Aperture: T1.5 * Lens Type: Wide Angle Cine * Format: Full Frame * Mount: Micro Four Thirds * Features: Unified gears, Dual focusing scales, Color matched * Optical Design: ED AS IF UMC ElementsKey Features
Aperture range of T1.5 - T22
New DS line that is color matched with other Rokinon DS lenses and have unified gear and aperture positions among all Rokinon Cine DS lenses
47.6 degrees angle of view
Minimum focusing distance of 9.8 inches; uses filter size of 77mm
Specifications
Mount Type
MFT
Focal Length
24mm
Aperture Range
T1.5 - T22
Angle of View
47.6 degrees
Minimum Focusing Distance
9.8 inches
Filter Size
77mm
Product Line
Cine DS
Pros & Cons
👍 Pros
- Features a wide aperture range of T1.5 to T22, providing excellent low-light performance and depth of field control.
- Part of the new DS line, ensuring color matching with other Rokinon DS lenses for consistent visual output in multi-lens setups.
- Offers unified gear and aperture positions across all Rokinon Cine DS lenses, streamlining lens changes during production.
- Provides a 47.6-degree angle of view, making it a versatile wide-angle lens for various cinematic and photographic applications.
- A minimum focusing distance of 9.8 inches allows for close-up shots with compelling background separation.
👎 Cons
- The lens uses a 77mm filter size, which might require purchasing new filters if you have a different filter system.
- As a wide-angle lens, it may introduce some perspective distortion, especially noticeable with architectural subjects.
- Manual focus operation means no autofocus capabilities, which could be a limitation in fast-paced shooting scenarios.
- The T-stop measurement (T1.5) is excellent for video, but photographers might be more accustomed to f-stop ratings for still photography.
- Specific weight and dimensions are not provided, which could be a factor for portability and balancing on gimbal setups.
Frequently Asked Questions
What does "color matched with other Rokinon DS lenses" mean for a filmmaker?
Color matching ensures that when you switch between different Rokinon DS lenses during a shoot, the color rendition remains consistent, simplifying post-production color grading.
Is this Rokinon 24mm lens suitable for shooting in very low light conditions?
Yes, with a wide T1.5 aperture, this lens is excellent for low-light shooting, allowing more light to reach the sensor for brighter images and videos.
Can I use this lens for still photography, or is it exclusively for video?
While designed with cinema features like geared rings and T-stops, this lens can be used for still photography, though it is manual focus only.
What are the advantages of unified gear and aperture positions on cine lenses?
Unified positions mean that the focus and aperture gears are in the same place on all Rokinon Cine DS lenses, allowing for quicker and easier lens changes without adjusting follow focus or matte box setups.
Is image stabilization included in this lens?
The product features do not mention image stabilization for this Rokinon DS24M-MFT lens.
How does the 47.6-degree angle of view affect the types of shots I can capture?
This wide-angle view is versatile for capturing expansive landscapes, architectural interiors, and establishing shots, offering a broad perspective in your compositions.
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