
Rokinon DSX24-NEX 24mm T1.5 Cine Lens Sony E
Capture Cinematic Brilliance with Rokinon Cine DSX Lens The Rokinon 24mm T1.5 Cine DSX lens is designed for professional filmmakers and videographers. This wide-angle cine lens features a fast T1.5 aperture, smooth bokeh, and enhanced lens markings for precise control. Its weather-sealed mount an...
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Overview
Capture Cinematic Brilliance with Rokinon Cine DSX Lens
The Rokinon 24mm T1.5 Cine DSX lens is designed for professional filmmakers and videographers. This wide-angle cine lens features a fast T1.5 aperture, smooth bokeh, and enhanced lens markings for precise control. Its weather-sealed mount and compatibility with Rokinon Cine DS lenses make it a versatile and reliable tool for capturing stunning visuals.
Specifications:
- Focal Length: 24mm
- Aperture: T1.5
- Mount: Sony E
- Aperture Blades: 9
- Features: Weather-Sealed Mount, Enhanced Lens Markings
- Compatibility: Rokinon Cine DS Lenses
Key Features
Optically constructed of 13 elements in 12 groups
Aperture range of T1.5 - T23
Uses 77mm filter size
Features ultra multi-coated glass and 9 aperture blades
Angle of view of 84.1 degrees on full frame and 61.3 degrees on APS-C
Specifications
Pros & Cons
👍 Pros
- The Rokinon DSX24-NEX lens offers a fast T1.5 aperture, which is highly beneficial for low-light conditions and achieving creative shallow depth of field.
- Its optical design, composed of 13 elements in 12 groups, aims to deliver high image quality and sharpness.
- Ultra multi-coated glass is used to help minimize reflections and ghosting, resulting in improved contrast and color fidelity.
- Equipped with 9 aperture blades, this lens produces smooth, attractive bokeh, enhancing the aesthetic quality of out-of-focus backgrounds.
- The wide angle of view, 84.1 degrees on full frame and 61.3 degrees on APS-C, is versatile for various photographic and cinematic applications.
👎 Cons
- As a cine lens, it typically lacks autofocus capabilities, requiring manual focus, which can be challenging for fast-moving subjects.
- The absence of a de-clicked aperture feature (unlike some other cine lenses) might make smooth iris adjustments during video recording less fluid.
- The T1.5 to T23 aperture range, while broad, is still fixed, and without electronic communication, all adjustments are manual.
- The 77mm filter size, while common, requires specific filters that may not be universally owned by all photographers.
- There is no mention of image stabilization, which could lead to camera shake in handheld shooting situations without a stabilized camera body.