
Sennheiser
Sennheiser 798304230772 E 835 Dynamic Vocal Microphone Bundle
★★★★★
The Sennheiser e 835 delivers a punchy, feedback-resistant vocal signal on XLR with the road-ready durability that keeps it on touring riders for decades.
$129.95*
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*Price sourced from Amazon.com. Last updated:Jul 14, 2026.Price and availability are subject to change.
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Overview
Key Features
Consumer Alert: Most users do not need a license to operate this wireless microphone system. Nevertheless, operating this microphone system without a license is subject to certain restrictions: the system may not cause harmful interference; it must operate at a low power level (not in excess of 50 milliwatts); and it has no protection from interference received from any other device.
Specifications
Brand
Sennheiser
Model
E 835
Transducer Type
Dynamic
Polar Pattern
Unidirectional (Cardioid)
Frequency Response
40 Hz – 16 kHz
Connectivity
XLR
Phantom Power Required
No
Body Material
Metal
Color
Black
Included Accessories
Microphone stand, XLR cable, carrying pouch
Pros & Cons
👍 Pros
- The cardioid polar pattern provides tight off-axis rejection that holds feedback at bay in monitor-heavy live stages, reducing the gain-before-feedback guessing game at the console.
- A 40 Hz – 16 kHz frequency response captures natural vocal warmth in the low-mids while delivering clear articulation in the upper presence region without harsh sibilance peaks.
- Passive dynamic transducer requires no phantom power and adds no self-noise — the noise floor of your signal chain is determined entirely by the preamp, not the microphone.
- Metal body construction withstands drop impacts, temperature swings, and the mechanical abuse of touring environments without sacrificing capsule alignment.
- The bundle includes stand, XLR cable, and pouch, eliminating the accessory sourcing that delays first use with a standalone microphone purchase.
👎 Cons
- As a dynamic transducer, the e 835 has a slower transient response than a condenser — very fast consonants and percussive vocal attacks are reproduced with slightly less crispness than a large-diaphragm studio condenser would deliver.
- The cardioid pattern provides no figure-eight or omnidirectional option for ambient capture or multi-source applications — it is a single-purpose vocal mic in terms of polar pattern.
- The frequency response rolls off above 16 kHz, which means the subtle air and shimmer that condenser microphones reproduce above that range is absent — a consideration for studio recording but generally irrelevant in live reinforcement.
- The included stand is a basic accessory-grade unit — performing musicians who need stability for a long tour will want to replace it with a heavier-duty live stand.
Frequently Asked Questions
What gain do I need from my interface or console to drive the e 835 to a healthy signal level?
The e 835 is a passive dynamic microphone with a relatively efficient output for its class — a clean preamp with 50–60dB of gain available will drive it to a healthy operating level without reaching the noise floor of most modern interfaces. Unlike ribbon microphones or low-output dynamics such as the SM7B, it doesn't demand exceptional preamp headroom.
Does the e 835 require phantom power?
No. It is a passive dynamic transducer — phantom power does nothing to its signal and causes no damage if accidentally engaged. This makes it a safe choice in any live or studio signal chain regardless of console or interface phantom power settings.
How does the cardioid polar pattern behave during live vocal performance with monitors on stage?
The e 835's unidirectional cardioid pattern has consistently tight off-axis rejection, which contributes to its well-documented feedback resistance in live monitor environments. The rear rejection is cleanest on-axis to the capsule — pointing the mic accurately at the vocalist's mouth rather than at the source of potential feedback gives the polar pattern the geometry it needs to work as designed.
What is the effective frequency range and what does it mean for a vocalist?
The e 835 handles 40 Hz to 16 kHz. The low end captures chest resonance and warmth in baritone and bass voices without requiring a HPF to clear rumble, though most live applications benefit from engaging a high-pass filter at 80–100 Hz at the console. The upper range extends cleanly into the presence region, lending articulation to consonants and adding air to higher female voices without harshness.
What's included in the bundle and is everything needed for immediate use?
The bundle includes the e 835 microphone, a microphone stand, XLR cable, and a carrying pouch — everything required to connect to a mixer or interface and begin performing or recording immediately.