Shure

Shure BETA 91A Kick Drum Microphone with Integrated Preamp

4.8 (217 reviews)
XLR

Low-profile boundary condenser mic engineered for powerful kick drum capture with integrated preamp.

$269.00*
In Stock on Amazon.com
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*Price sourced from Amazon.com. Last updated:Jul 14, 2026.Price and availability are subject to change.

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Overview

The Shure BETA 91A is a half-cardioid condenser boundary microphone purpose-built for kick drum and low-frequency instrument applications. Its flat, low-profile form factor sits directly inside a bass drum on a pillow or dampening pad, eliminating the need for internal mic stands or clamps that can shift during performance. The integrated preamplifier connects directly via a built-in XLR output, reducing the component count on stage and streamlining setup. This design makes the BETA 91A a favorite for touring engineers who need consistent, repeatable placement night after night.

Sonically, the microphone's frequency response is specifically tailored for low-frequency capture, with a wide dynamic range that handles the high sound pressure levels kick drums produce. The two-position contour switch is a key feature: the flat setting delivers a natural, full-range sound suitable for studio recording or jazz contexts, while the low-mid scoop setting carves out the muddiness and emphasizes the beater attack and sub-low thump, which is ideal for rock, pop, and live reinforcement. The half-cardioid polar pattern inherently rejects sound from below the mic's surface and from the sides, providing excellent isolation from snare bleed, hi-hats, and stage wash. It ships with a zipper storage pouch for protection between sessions.

Key Features

Uniform half-cardioid polar pattern for maximum gain-before-feedback and rejection of off-axis sound

Precision-engineered low-profile design features integrated preamplifier and XLR connector to maximize setup efficiency while minimizing stage clutter

Frequency response tailored for kick drum/low frequency applications with a wide dynamic range for use in high SPL environments

Two-position contour switch to maximize attack and clarity depending on application: select the flat response setting for natural sound in most applications or the “low-mid scoop” setting for a strong low frequency “punch” with plenty of higher frequency attack

Requires no external mounting or accessories for ease of use and storage

Furnished with zipper pouch.

Kick drum microphone provides a strong low-end response and maximum gain-before-feedback due to its half-cardioid polar pattern. It features a two-position contour switch to maximize attack and clarity and a low-profile design.

Also in the box: 1 - 95A2314 Storage bag.

Specifications

Brand
Shure
Model
BETA 91A
Type
Boundary Condenser Microphone
Polar Pattern
Half-Cardioid
Frequency Response
Tailored for Low-Frequency Applications
Connectivity
Integrated XLR
Preamplifier
Integrated
Contour Switch
Two-Position (Flat / Low-Mid Scoop)
Power Requirement
48V Phantom Power
Included Accessories
Zipper Storage Pouch

Pros & Cons

👍 Pros

  • Integrated preamplifier and XLR connector simplify setup and reduce cable clutter on stage
  • Two-position contour switch lets you quickly tailor the sound between natural response and punchy attack
  • Low-profile boundary design requires no stand or mounting hardware, just place it inside the drum
  • Half-cardioid polar pattern provides strong off-axis rejection for excellent isolation in loud stage environments
  • Wide dynamic range handles the high SPL levels produced by kick drums without distortion

👎 Cons

  • Requires 48V phantom power, so it cannot be used with unpowered mixers or basic recorders without an external supply
  • Specialized low-frequency tuning limits its versatility for general-purpose microphone duties
  • Higher price point compared to dynamic kick drum microphones like the Shure Beta 52A or AKG D112
  • Boundary placement inside the drum captures a specific sound character that may not suit every mixing style

Frequently Asked Questions

Yes, as a condenser microphone with an integrated preamplifier, it requires standard 48V phantom power supplied through its XLR connection.
The flat position provides a natural, uncolored sound for general use. The "low-mid scoop" position emphasizes low-end punch and high-frequency attack, which is popular for live kick drum applications where cut-through is needed.
Yes, its half-cardioid pattern and low-frequency tailoring make it suitable for other low-frequency sources like cajon, floor toms, or piano (placed inside a grand piano lid). It excels wherever a boundary-style placement is practical.
No, its low-profile boundary design is meant to be placed directly on a flat surface — typically on a pillow or pad inside a kick drum. No external stand or mounting hardware is required.
The half-cardioid pattern picks up sound from above the mic while rejecting sound from below and the sides, providing excellent isolation from nearby drums and cymbals and maximum gain-before-feedback on stage.