
Shure
Shure P9T=-G7 PSM 900 Wireless Transmitter G7 Band
Broadcast-grade PSM 900 IEM transmission that keeps your monitor mix transparent, locked, and performance-ready every night.
$799.00*
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Overview
Key Features
Wireless In-ear Monit Transmitter f Shure PSM 900 Series - G7
Specifications
Series
Shure PSM 900
Band
G7
Component Type
Wireless In-ear Monitor Transmitter
Frequently Asked Questions
How does the P9T integrate with a digital mixing console for monitor world management?
The P9T is networkable via Shure's proprietary Wireless Workbench software, allowing you to remotely manage frequencies, output levels, and transmitter parameters from your monitor engineer position without walking the stage. This makes multi-band IEM deployments significantly more manageable on large touring rigs.
Does the P9T require any specific rack hardware, and how does it mount in a stage rack?
The P9T is a half-rack unit, meaning you'll need a half-rack mounting adapter or the Shure dual-unit rack mount to fill a standard 1U rack space. It does not ship with rack ears — factor that into your rack build for touring or installed A/V applications.
What is the G7 band's frequency range, and is it legal for use in my region?
The G7 band covers 506–542 MHz. In the United States, this range falls within the UHF TV spectrum that has undergone FCC reallocation — always verify current FCC clearances and your specific geography before deploying this band in licensed use cases. G7 may be restricted or require coordination in some markets.
How does the P9T pair with PSM 900 receivers, and can it serve multiple receivers simultaneously?
The P9T transmits a single RF signal that can be received by any number of P9R or compatible PSM 900 receivers tuned to the same frequency — it operates as a broadcast transmitter. For personalized stereo mixes per musician, each performer needs their own dedicated transmitter-receiver pair.
What audio inputs does the P9T accept, and what are the gain staging considerations?
The P9T accepts balanced XLR/TRS combo inputs. For optimal headroom and noise performance, feed it a line-level signal from your monitor console's aux or mix outputs — avoid sending mic-level signals directly, as you'll introduce unnecessary noise floor before the RF stage.