Shure

Shure PGA52 Kick Drum Microphone Bundle XLR Cable Stand

5.0 (22 reviews)
XLR

The Shure PGA52 delivers focused low-end punch and bundled essentials that get your kick drum in the mix without a separate gear hunt.

$130.99*
Check availability

*Price sourced from Amazon.com. Last updated:Jul 14, 2026.Price and availability are subject to change.

Affiliate Disclosure: Studio Supplies may earn a commission from qualifying purchases made through links on this page, at no additional cost to you. This helps support our editorial team.

Notice a mistake? Let Us Know

Overview

The Shure PGA52 is a purpose-voiced dynamic microphone engineered specifically for kick drum and high-SPL low-frequency applications. Its frequency response is shaped to complement what a kick drum actually produces: an extended low-end capture for shell resonance and body, paired with a controlled presence peak in the upper midrange that brings the beater transient forward in a dense mix. That voicing means less corrective EQ on the channel — a genuine workflow advantage in a live console environment where you're making quick decisions under pressure, or in a tracking session where the engineer wants a workable sound from the first take. The cardioid polar pattern's off-axis rejection is a practical asset in a drum kit environment, reducing snare and hi-hat bleed when the mic is aimed through the resonant head port toward the beater.

Constructed around a dynamic capsule, the PGA52 handles the extreme sound pressure levels inside a kick drum shell without requiring a pad — the capsule simply doesn't overload where a condenser would. The swivel-mount design allows precise angular positioning to balance attack against body before locking in place. This bundle pairs the microphone with an XLR cable, a boom stand, and a storage pouch, giving drummers and recording engineers everything needed to go from unboxing to tracking without additional purchases. The included stand performs its function for rehearsal rooms and home studios, but professionals gigging regularly will likely want to pair the PGA52 with a more robust floor stand. The microphone itself, however, performs well above its price point and holds its own in sessions alongside gear that costs significantly more.

Key Features

Shure PGA52-LC Cardioid Swivel-Mount Dynamic Kick-Drum Microphone

Mic Boom Stand

xlr microphone cable

pouch

Specifications

Brand
Shure
Microphone Type
Cardioid Swivel-Mount Dynamic Kick-Drum Microphone
Microphone Model
PGA52-LC
Included Accessories
Mic Boom Stand, XLR microphone cable, Pouch

Pros & Cons

👍 Pros

  • The PGA52's low-frequency voicing and presence peak work together to produce a kick drum sound with both body and beater definition without heavy EQ correction.
  • Dynamic capsule construction handles the extreme SPL inside a kick drum shell without distortion or capsule fatigue.
  • Cardioid polar pattern provides practical rejection of snare and hi-hat bleed when positioned correctly through the resonant head port.
  • No phantom power requirement simplifies gain staging and eliminates risk to the mic when sharing a console with phantom-powered condensers.
  • Bundle packaging — mic, cable, stand, and pouch — removes the friction of sourcing compatible accessories separately for a first kick drum setup.

👎 Cons

  • The PGA52 lacks a pad switch, though its dynamic capsule handles high SPL natively — the absence is rarely a practical issue but limits fine gain control options.
  • Frequency response tailored for kick and bass cabinet means this mic has limited utility outside its intended low-frequency role; it's a single-purpose tool in the mic locker.
  • The included boom stand is a budget-tier accessory; drummers and engineers in professional touring environments typically replace it with a heavier-duty floor stand.
  • The swivel mount can loosen under sustained vibration during live performance, requiring periodic retightening between sets.

Frequently Asked Questions

No. The PGA52 is a dynamic microphone and operates entirely without phantom power. You can run it straight into any XLR-equipped interface, preamp, or console without engaging 48V — an important detail when mixing with condenser mics that do require phantom power on the same channel strip.
The unidirectional cardioid pattern gives the PGA52 strong front-axis sensitivity and natural off-axis rejection, which helps isolate the kick from snare bleed and room wash when placed at or through the resonant head port. Angling the capsule toward the beater slightly brightens the attack transient; pulling it back and aiming at the center of the shell emphasizes the body and decay.
Shure rates the PGA52 with a frequency response tailored to low-frequency sources, with a presence peak in the upper mids to help the beater attack cut through dense mixes. While it's optimized for kick drum and bass cabinet applications, some engineers use it successfully on floor tom and bass amp. It is not suited for overhead, room, or vocal use — the voicing is purpose-built for high-SPL low-end sources.
The bundle ships with the PGA52-LC microphone (no cable attached — the LC suffix indicates cable not included in the mic itself, but the bundle adds one), an XLR cable, a mic boom stand suited for floor-level drum positioning, and a pouch for storage and transport.
The swivel-mount design allows angle adjustment to dial in beater-facing placement and then locks in position. For live use, periodic tightening of the swivel is advisable — vibration from adjacent drums can loosen the joint over time. The mount is functionally reliable; it just rewards a quick pre-show check rather than set-and-forget installation.