
Shure
Shure PGA52 Kick Drum Microphone Bundle XLR Cable Stand
XLR
The Shure PGA52 delivers focused low-end punch and bundled essentials that get your kick drum in the mix without a separate gear hunt.
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Overview
Key Features
Shure PGA52-LC Cardioid Swivel-Mount Dynamic Kick-Drum Microphone
Mic Boom Stand
xlr microphone cable
pouch
Specifications
Brand
Shure
Microphone Type
Cardioid Swivel-Mount Dynamic Kick-Drum Microphone
Microphone Model
PGA52-LC
Included Accessories
Mic Boom Stand, XLR microphone cable, Pouch
Frequently Asked Questions
Does the PGA52 require phantom power?
No. The PGA52 is a dynamic microphone and operates entirely without phantom power. You can run it straight into any XLR-equipped interface, preamp, or console without engaging 48V — an important detail when mixing with condenser mics that do require phantom power on the same channel strip.
How does the cardioid polar pattern affect placement inside the kick drum?
The unidirectional cardioid pattern gives the PGA52 strong front-axis sensitivity and natural off-axis rejection, which helps isolate the kick from snare bleed and room wash when placed at or through the resonant head port. Angling the capsule toward the beater slightly brightens the attack transient; pulling it back and aiming at the center of the shell emphasizes the body and decay.
What's the self-noise and frequency response, and is this mic usable for anything other than kick drum?
Shure rates the PGA52 with a frequency response tailored to low-frequency sources, with a presence peak in the upper mids to help the beater attack cut through dense mixes. While it's optimized for kick drum and bass cabinet applications, some engineers use it successfully on floor tom and bass amp. It is not suited for overhead, room, or vocal use — the voicing is purpose-built for high-SPL low-end sources.
What does the bundle include beyond the microphone itself?
The bundle ships with the PGA52-LC microphone (no cable attached — the LC suffix indicates cable not included in the mic itself, but the bundle adds one), an XLR cable, a mic boom stand suited for floor-level drum positioning, and a pouch for storage and transport.
Is the swivel mount sturdy enough for live drum use, where the stand takes regular vibration and physical contact?
The swivel-mount design allows angle adjustment to dial in beater-facing placement and then locks in position. For live use, periodic tightening of the swivel is advisable — vibration from adjacent drums can loosen the joint over time. The mount is functionally reliable; it just rewards a quick pre-show check rather than set-and-forget installation.