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Sigma SIG57A965-KIT2 24-70mm f/2.8 Sony E Lens Bundle — main product image
Sigma SIG57A965-KIT2 24-70mm f/2.8 Sony E Lens Bundle
Sigma SIG57A965-KIT2 24-70mm f/2.8 Sony E Lens Bundle
Sigma SIG57A965-KIT2 24-70mm f/2.8 Sony E Lens Bundle
Sigma SIG57A965-KIT2 24-70mm f/2.8 Sony E Lens Bundle
Sigma SIG57A965-KIT2 24-70mm f/2.8 Sony E Lens Bundle
Sigma SIG57A965-KIT2 24-70mm f/2.8 Sony E Lens Bundle
Sigma

Sigma SIG57A965-KIT2 24-70mm f/2.8 Sony E Lens Bundle

★★★★★5.0 (2 reviews)
4KUSB-Cf/2.8

The Sigma 24-70mm f/2.8 Art II on Sony E-Mount — constant aperture across the full zoom range for tack-sharp editorial work from wide environmental portraits to compressed 70mm character studies.

$1,319.00*
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*Price sourced from Amazon.com. Last updated:Jul 14, 2026.Price and availability are subject to change.

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Overview

The Sigma 24-70mm f/2.8 DG DN II Art for Sony E-mount is the kind of lens that earns a permanent position in the camera bag — a constant-aperture standard zoom that handles environmental portraits, editorial storytelling, intimate event coverage, and cinematic video work with a single optic. The f/2.8 floor at every focal length from wide 24mm to telephoto-ish 70mm means your exposure relationships remain predictable as you zoom, which matters enormously in fast-moving documentary situations where stopping to recalculate would cost you the moment. The second-generation optical design improves resolving power over the original DG DN Art — designed to extract maximum detail from Sony's current high-resolution sensor options. The HLA autofocus is noticeably faster and quieter than prior Sigma zoom implementations, making this lens genuinely competitive with first-party Sony G Master options for hybrid photo-video workflows.

The second-generation refinements — 7% smaller body, 10% lighter — are not marketing increments; over the course of a twelve-hour wedding day or documentary shoot, the accumulated fatigue difference between the two generations is real. The dedicated aperture ring is a professional control that cinematographers and hybrid shooters will use constantly, allowing smooth in-shot aperture transitions without touching the camera body. This bundle augments the lens with a SanDisk Professional 1TB G-Drive ArmorATD for on-location backup, a SanDisk 64GB Extreme PRO SDXC card rated V30/U3 for high-bitrate capture, a Sigma lens case and hood, and a microfiber cleaning cloth — covering the storage and protection needs of a working session from first frame to backup.

Key Features

SIGMA 24-70mm F2.8 DG DN II | Art Lens (Sony E-Mount): Flagship lens with advanced technology, improved resolving power, aperture ring, high-speed AF with HLA, 7% smaller, 10% lighter, versatile tool for photographers & filmmakers to unleash creativity.

Ultimate Durability, Maximum Storage: SanDisk Professional 1TB G-Drive ArmorATD external hard drive is a rugged USB-C 3.2 Gen 1 drive with up to 130 MB/s read speeds, ensuring quick backups and extra storage. Its premium aluminum enclosure, shock mounts, and rubber bumper offer reliable protection against drops, making it suitable for outdoor adventures. With a spacious 1TB capacity and compatibility, it's ready for any journey.

Save Every Moment with Confidence: SanDisk 64GB Extreme PRO UHS-I SDXC Memory Card offers exceptional performance and it is designed for capturing Full HD, 3D, and 4K video, along with raw and burst photography. With a capacity of 64GB, this card is compatible with the UHS-I bus and boasts a speed class rating of V30, ensuring write speeds of 30 MB/s - 90 MB/s. With UHS Speed Class 3 (U3) and Video Speed Class V30 compatibility, it ensures uninterrupted video capture.

Waith Cleaning Cloth: Constructed from high-quality microfiber fabric that effectively removes dust, fingerprints, and smudges from delicate surfaces without scratching. Includes a convenient storage pouch or bag, allowing you to keep the cloth clean and easily accessible (Colors/Sizes may vary)

Bundle Includes: 1 x Sigma 24-70mm f/2.8 DG DN Art Lens (Sony E-Mount), 1 x Sigma Lens Case, 1 x Sigma Lens Hood, 1 x Sigma LCF-82 III 82mm Lens Cap, 1 x Sigma LCR II Rear Lens Cap, 1 x SanDisk Professional 1TB G-Drive ArmorATD, 1 x USB-C to USB-C Cable, 1 x USB-C to USB-A Cable, 1 x SanDisk 64GB Extreme PRO UHS-I SDXC Memory Card, 1 x Waith Cleaning Cloth

Specifications

Focal Length
24–70mm
Maximum Aperture
f/2.8 (constant)
Lens Mount
Sony E
Format Coverage
Full-Frame
Filter Size
82mm (front)
Optical Design
19 elements in 15 groups
Focus Type
Autofocus (HLA — High-response Linear Actuator)
Aperture Ring
Yes (de-clickable)
Storage (bundle)
SanDisk 1TB G-Drive ArmorATD (USB-C 3.2 Gen 1, up to 130 MB/s read, IP54)
Memory Card (bundle)
SanDisk 64GB Extreme PRO SDXC, V30/U3, up to 200 MB/s read / 90 MB/s write

Pros & Cons

👍 Pros

  • Constant f/2.8 across the full 24-70mm range means you're never forced to adjust exposure as you zoom — critical during event and wedding coverage where lighting changes between compositions.
  • The updated optical design delivers improved resolving power that extracts full detail from Sony's high-resolution Alpha sensors, producing files with the fine edge clarity that defines the Art series.
  • HLA autofocus acquires subjects quickly and quietly — fast enough for environmental portraiture and moving event subjects, quiet enough for video work where AF noise in the recording is unacceptable.
  • The aperture ring enables cinematographer-style manual aperture control during video work, making this a versatile optic for hybrid photo-video productions without workflow interruption.
  • The 7% smaller, 10% lighter second-generation body makes a tangible difference over the course of a full wedding day or documentary shoot compared to the original version's bulk.

👎 Cons

  • At f/2.8 maximum aperture across the full zoom range, the lens is large and heavy compared to variable-aperture zoom options — carrying it for an entire event day alongside a second body requires a proper shoulder or harness strap.
  • The 82mm filter thread means polarizer and ND filter costs are higher than smaller-threaded lenses — an 82mm circular polarizer typically costs more than 77mm equivalents.
  • While the HLA is fast for a zoom, single-focus-point tracking of unpredictable fast-moving subjects (sports, children at play) may not match the acquisition speed of dedicated telephoto prime lenses.
  • The bundle's telephoto storage solution (1TB G-Drive ArmorATD) uses USB-C 3.2 Gen 1, capped at 130 MB/s — adequate for backup but slower than Thunderbolt drives for large RAW file transfers after demanding sessions.
  • The included 64GB Extreme PRO memory card may fill quickly during an all-day event shoot with Sony's high-resolution 40MP or 60MP RAW formats — carrying additional cards is recommended.

Frequently Asked Questions

This lens uses the native Sony E-mount — it attaches directly to Sony Alpha mirrorless bodies (A7, A9, A1, ZV-E1 series and others) without an adapter, allowing full electronic communication for autofocus, IBIS cooperation, and EXIF data.
HLA drives focus with a linear motor rather than a traditional gear-driven or stepper motor — the result is faster response and quieter operation than prior Sigma DG DN versions. In portrait sessions and event work, you'll notice confident subject acquisition and near-silent AF that doesn't intrude on the environment or video audio.
Sigma states the second generation is 7% smaller and 10% lighter than the original DG DN Art. In practical shooting terms, a 10% weight reduction across a full day of event or wedding photography translates to measurably less arm fatigue — and the smaller diameter makes it slightly easier to balance on Sony's lighter mirrorless bodies.
Yes — 82mm is a standard filter thread size for professional-grade lenses, and circular polarizers, ND filters, and diffusion filters in 82mm are widely available. The SanDisk accessories in this bundle address storage, not filtration — if filtration is part of your workflow, 82mm options are readily available from Tiffen, NiSi, B+W, and others.
The aperture ring allows direct, physical aperture adjustment on the lens barrel — a workflow familiar to photographers and cinematographers who prefer tactile exposure control without reaching for a camera dial. It can be de-clicked (smooth rotation without detents) on compatible bodies for smooth aperture pulls during video work.

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