
Sirui Jupiter PL50 50mm T2 Cine Macro Lens
The Sirui Jupiter PL50 reaches 0.79 feet at T2 — a macro cine prime that moves from grain-of-sand close-ups to infinity without changing glass.
*Price sourced from Amazon.com. Last updated:Jul 14, 2026.Price and availability are subject to change.
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Overview
Key Features
SIRUI 50mm Macro Full-Frame Cine Lens - explore macro world from a grain of sand to infinity.
Close up to Explore Macro World: The micro world presented by this lens set has a sharp and focused center with a gradual and pleasing fall off of contrast and light towards the edges. To capture close-ups and macro shots, the minimum focus distance is only 0.24m/0.79ft, which allows users to get extremely close to the subjects.
Excellent Optical Performance: The performance of sharpness, color reproduction, distortion control, and optical aberration control on this lens set is excellent with optics coated to help eliminate veiling glare. Professional photography productions can be handled pretty well with this lens set.
Minimal Focus Breathing: Focus breathing on this lens set is precise and well controlled to make sure the audience won’t feel distracted while enjoying a story.
SIRUI 50mm Macro Full Frame Lens | Shootig Distance: 0.79ft(0.24m) - ∞ | Maximum Aperture: T2 | Minimum Aperture: T22 | Aperture Blade: 11 | Fliter Spec: M92X0.75 | Max. Diameter: 95mm | Diameter of the Focus Ring: 88mm | Diameter of the Aperture Gear Ring: 88mm | Gear Pitch: m=0.8 | Focus Method: Mannual Focus | Mount: PL Mount | Weight: 1.066KG/2.35lbs | Length: 115.2mm/4.54inches | Rotation Angle of Focus Ring: 220°| Structure: 13 Elements in 10 Group
Specifications
Pros & Cons
👍 Pros
- The 0.24m minimum focus distance enables extreme close-up coverage — sand grains, circuit board traces, botanical details — without requiring close-up diopters or extension tubes that would otherwise interrupt a cinema lens kit.
- Eleven aperture blades produce smooth, circular specular bokeh highlights in the macro range, lending organic and cinematic out-of-focus rendering to backgrounds and foreground elements.
- The 220° focus ring rotation provides fine-grained control during macro focus pulls, where even small ring movements translate to significant depth shifts at close focus distances — critical for precise, repeatable focus transitions on set.
- Minimal controlled focus breathing means the frame doesn't expand or contract visibly during focus pulls, maintaining the compositional integrity of a carefully framed close-up shot.
- Color matching with the Sirui Jupiter lens line ensures consistent color temperature and rendering when cutting between the 50mm and other Jupiter focal lengths — cohesive multi-lens productions benefit immediately.
👎 Cons
- At 1.066kg (2.35 lbs) for a 50mm lens, the Jupiter PL50 is heavy relative to its focal length — on lighter camera builds or gimbal configurations, the weight affects balance and requires counterweight adjustment.
- Manual focus only with no autofocus option means this lens is not suitable for documentary, event, or solo-operator shooting where a dedicated focus puller isn't available.
- PL mount limits direct, no-adapter installation to professional cinema cameras — EF, Sony E-mount, and MFT camera operators require adapters, which add cost and potential backfocus calibration complexity.
- The M92x0.75 filter spec is a non-standard thread size — standard 77mm or 82mm screw-in filters won't attach directly, requiring a dedicated matte box or step-down ring solution for filtration.
- At a professional cinema lens price tier, this is a significant capital investment for independent filmmakers — it's correctly positioned for productions with lens budget to match, but out of reach for micro-budget narrative work.