Sirui

Sirui Jupiter PL50 50mm T2 Cine Macro Lens

5.0 (2 reviews)

The Sirui Jupiter PL50 reaches 0.79 feet at T2 — a macro cine prime that moves from grain-of-sand close-ups to infinity without changing glass.

$475.00*
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*Price sourced from Amazon.com. Last updated:Jul 14, 2026.Price and availability are subject to change.

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Overview

The Sirui Jupiter PL50 is a 50mm T2 full-frame cine prime engineered for professional cinematographers who need macro capability without sacrificing the optical and mechanical quality expected from a cinema lens. With a minimum focus distance of 0.24 meters, it covers a continuous range from intimate extreme close-ups — insects, textures, fine detail — all the way to infinity, within a single lens and without accessories. The T2 aperture provides meaningful low-light performance and depth of field control across this entire focus range. The 11-blade aperture produces near-perfectly circular specular highlights in the out-of-focus field, rendering background and foreground elements with the smooth, organic character that distinguishes purpose-built cinema glass from adapted still lenses. The Jupiter line's controlled focus breathing is a specific design achievement: the frame remains compositionally stable during focus pulls, which is essential for professional narrative work where breathing on a locked-off close-up would undermine the scene.

The lens is built to professional cinema tolerances throughout. The 220° focus ring rotation provides the fine mechanical arc needed for controlled macro pulls, where focus depth can change dramatically with minimal subject movement. The aperture and focus gear rings share standard M0.8 pitch, compatible with industry-standard follow focus and wireless lens control systems. At 95mm maximum diameter and 115.2mm length, the body integrates into a standard cine rig build. Weight at 1.066kg is substantial for a 50mm prime — rigging and gimbal work require counterweight planning. The non-standard M92x0.75 filter thread means standard screw-in filters don't apply directly; a matte box or step ring is necessary for filtration. Color matching to other Sirui Jupiter focal lengths makes this lens a natural anchor for a Jupiter prime set, producing consistent color renders that cut cohesively without per-lens color correction in the grade.

Key Features

SIRUI 50mm Macro Full-Frame Cine Lens - explore macro world from a grain of sand to infinity.

Close up to Explore Macro World: The micro world presented by this lens set has a sharp and focused center with a gradual and pleasing fall off of contrast and light towards the edges. To capture close-ups and macro shots, the minimum focus distance is only 0.24m/0.79ft, which allows users to get extremely close to the subjects.

Excellent Optical Performance: The performance of sharpness, color reproduction, distortion control, and optical aberration control on this lens set is excellent with optics coated to help eliminate veiling glare. Professional photography productions can be handled pretty well with this lens set.

Minimal Focus Breathing: Focus breathing on this lens set is precise and well controlled to make sure the audience won’t feel distracted while enjoying a story.

SIRUI 50mm Macro Full Frame Lens | Shootig Distance: 0.79ft(0.24m) - ∞ | Maximum Aperture: T2 | Minimum Aperture: T22 | Aperture Blade: 11 | Fliter Spec: M92X0.75 | Max. Diameter: 95mm | Diameter of the Focus Ring: 88mm | Diameter of the Aperture Gear Ring: 88mm | Gear Pitch: m=0.8 | Focus Method: Mannual Focus | Mount: PL Mount | Weight: 1.066KG/2.35lbs | Length: 115.2mm/4.54inches | Rotation Angle of Focus Ring: 220°| Structure: 13 Elements in 10 Group

Specifications

Focal Length
50mm
Maximum Aperture
T2
Minimum Aperture
T22
Mount
PL
Format
Full-Frame
Minimum Focus Distance
0.24m / 0.79ft
Aperture Blades
11
Filter Thread
M92x0.75
Maximum Diameter
95mm
Focus Ring Diameter
88mm
Aperture Gear Ring Diameter
88mm
Gear Pitch
M=0.8
Focus Ring Rotation
220°
Focus Method
Manual
Lens Construction
13 elements in 10 groups
Length
115.2mm / 4.54"
Weight
1.066kg / 2.35 lbs

Pros & Cons

👍 Pros

  • The 0.24m minimum focus distance enables extreme close-up coverage — sand grains, circuit board traces, botanical details — without requiring close-up diopters or extension tubes that would otherwise interrupt a cinema lens kit.
  • Eleven aperture blades produce smooth, circular specular bokeh highlights in the macro range, lending organic and cinematic out-of-focus rendering to backgrounds and foreground elements.
  • The 220° focus ring rotation provides fine-grained control during macro focus pulls, where even small ring movements translate to significant depth shifts at close focus distances — critical for precise, repeatable focus transitions on set.
  • Minimal controlled focus breathing means the frame doesn't expand or contract visibly during focus pulls, maintaining the compositional integrity of a carefully framed close-up shot.
  • Color matching with the Sirui Jupiter lens line ensures consistent color temperature and rendering when cutting between the 50mm and other Jupiter focal lengths — cohesive multi-lens productions benefit immediately.

👎 Cons

  • At 1.066kg (2.35 lbs) for a 50mm lens, the Jupiter PL50 is heavy relative to its focal length — on lighter camera builds or gimbal configurations, the weight affects balance and requires counterweight adjustment.
  • Manual focus only with no autofocus option means this lens is not suitable for documentary, event, or solo-operator shooting where a dedicated focus puller isn't available.
  • PL mount limits direct, no-adapter installation to professional cinema cameras — EF, Sony E-mount, and MFT camera operators require adapters, which add cost and potential backfocus calibration complexity.
  • The M92x0.75 filter spec is a non-standard thread size — standard 77mm or 82mm screw-in filters won't attach directly, requiring a dedicated matte box or step-down ring solution for filtration.
  • At a professional cinema lens price tier, this is a significant capital investment for independent filmmakers — it's correctly positioned for productions with lens budget to match, but out of reach for micro-budget narrative work.

Frequently Asked Questions

The PL mount is the standard for professional cinema cameras including ARRI, RED, and many cinema-modified cameras. Third-party PL-to-EF, PL-to-E, and PL-to-LPL adapters exist, but verify optical clearance and backfocus calibration with any adapter — PL lenses have strict flange focal distance requirements that some adapters don't maintain precisely.
The 220° rotation is a genuine operational advantage for focus pulling — it spreads focus transitions across a wide arc, making delicate macro pulls between very close focus distances more controllable than a short-throw ring would allow. The Jupiter's focus ring damping is designed for cinema-standard smooth operation.
The 0.24m minimum focus distance enables close-up and macro-range shooting, but this is a cine prime designed for controlled motion capture rather than highest-magnification tabletop macro work. For high-magnification scientific or product macro photography, a dedicated macro still lens provides better magnification ratios; the Jupiter's strength is the combination of macro range and cinematic rendering characteristics.
The lens uses 11 aperture blades, which produces a near-circular aperture across its range. In the macro focus range, specular highlights render as smooth, rounded discs rather than polygonal shapes — contributing to the organic, cinematic bokeh character the Jupiter line is known for.
Sirui specifically designed the Jupiter macro lens with minimal, well-controlled focus breathing. For professional narrative and documentary work, the breathing behavior is restrained enough that it won't distract viewers during focus pulls — a meaningful engineering distinction from repurposed still-camera lenses adapted to cine use.