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Sony fx30 Cinema Line Super 35 Camera Renewed — main product image
Sony fx30 Cinema Line Super 35 Camera Renewed
Sony fx30 Cinema Line Super 35 Camera Renewed
Sony fx30 Cinema Line Super 35 Camera Renewed
Sony fx30 Cinema Line Super 35 Camera Renewed
Sony fx30 Cinema Line Super 35 Camera Renewed
Sony

Sony fx30 Cinema Line Super 35 Camera Renewed

★★★★★4.7 (13 reviews)
1 MP

Cinema-quality Super 35 footage in a compact, accessible body — the renewed FX30 brings S-Cinetone and 14+ stops of dynamic range to independent filmmakers.

$1,627.32*$2,098.00Save 22%
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*Price sourced from Amazon.com. Last updated:Jun 03, 2026.Price and availability are subject to change.

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Overview

The Sony FX30 occupies a unique position in the Cinema Line as the entry point to professional video production without the professional price tag. Built around a 20.1 MP Exmor R APS-C sensor in Super 35 format, it speaks the visual language that cinematographers have trusted for decades — shallow depth of field control, natural background separation, and a field of view that pairs beautifully with compact cine primes. S-Cinetone, Sony's signature color science borrowed from the flagship FX9 and FX6, gives you rich, filmically pleasing skin tones and color straight out of the camera, meaning solo shooters can deliver polished footage without hours in the grading suite. Dual Base ISO and a 14+ stop dynamic range mean you can move from harsh midday exteriors to dimly lit interiors and trust that the sensor is capturing usable detail in both highlights and shadows.

In hand, the FX30 is compact and manageable at 2.7 pounds — light enough for gimbal work and run-and-gun documentary shooting, yet with enough body to rig out with a top handle, cage, and external monitor for more structured sets. The E-mount system opens up one of the widest lens ecosystems available, from budget-friendly Sigma and Tamron options to Sony's own G Master glass. Flexible ISO modes, including Cine EI Quick and Cine EI Log, give experienced shooters the tools to optimize exposure for post-production workflows, while User LUT support on both the LCD and HDMI output keeps on-set monitoring accurate. This renewed model brings all of that capability at a reduced cost, professionally inspected and backed by Amazon's Renewed Guarantee — a compelling proposition for filmmakers ready to invest in Cinema Line image quality without the full sticker price.

Key Features

20.1 MP Exmor R APS-C (Super 35mm format) image sensor with wide dynamic range

S-CinetoneTM for a cinematic look straight out of the camera without grading

Flexible ISO, Cine EI Quick and Cine EI Log shooting modes for optimized image quality

User LUTs can be applied to the LCD display and HDMI output and embedded in clips

Dual Base ISO and a 14+ stop range for wide latitude and low-noise images

item weight: 2.7 Pounds

Specifications

Brand
Sony
Model
FX30
Sensor
20.1 MP Exmor R APS-C (Super 35mm format)
Dynamic Range
14+ stops
ISO Modes
Flexible ISO, Cine EI Quick, Cine EI Log
Color Science
S-Cinetone
Video Resolution
2160p, 1080p
Display
3-inch LCD with User LUT support
Connectivity
Wi-Fi, USB, HDMI, NFC
Weight
2.7 lbs
Color
Grey
Condition
Renewed

Sony FX30 — Editorial Review

The FX30 is the most affordable camera in Sony's Cinema Line — a Super 35 (APS-C) body that brings the FX-series video features and form factor to a far lower price. At launch it cost around $1,800 body-only, less than half the full-frame FX3, while sharing the same active-cooling design, XLR handle option, and Cinema Line color science.

Featured Video Review

Sony FX30 Review: Good Camera. Great Value.
Gerald Undone · "Sony FX30 Review: Good Camera. Great Value." · Watch on YouTube

Cinema features at an entry price

The 26.1MP sensor is the highest-resolution APS-C chip in Sony's lineup and does full 6K oversampling for sharp 10-bit 4K. As CineD details, it slots into the Cinema Line as a genuine entry point with pro video tools. CameraLists frames it as amazing cinema power for the price, and Keith Knittel's hands-on (and his later long-term follow-up) weigh the real-world strengths against the compromises. In Gerald Undone's review — featured above — the verdict is in the title: good camera, great value, with the caveats below.

Honest cons

  • It's a video camera, not a hybrid. There's no mechanical shutter, no continuous stills shooting, and no uncompressed RAW — stills are an afterthought.
  • No viewfinder. Like the FX3, it omits an EVF, relying on the screen — less ideal for run-and-gun in bright sun.
  • Rolling shutter in fast pans. Readout is roughly a7 IV-level — well controlled but slower than stacked-sensor rivals; visible on quick movement.
  • 120p adds a heavy crop. High-frame-rate 120p applies an extra ~1.6x crop (around 2.4x total vs full-frame), limiting wide slow-motion.

Where this camera fits

  • Indie filmmakers and video creators who want Sony Cinema Line tools, color, and the active-cooling body at the lowest entry price.
  • FX3 owners wanting an affordable B-camera that matches color and workflow.
  • Run-and-gun shooters who value the compact body, XLR handle option, and 6K-oversampled 4K.
  • Not stills photographers (no mechanical shutter/continuous stills), shooters needing an EVF, or those who rely heavily on wide 120p slow motion.

Sources & Citations

  1. CineD, "Sony FX30 Released — 4K Camera With a Super 35mm Sensor," cined.com (accessed 2026-05-25)
  2. CameraLists, "Sony FX30 Review," cameralists.com (accessed 2026-05-25)
  3. Keith Knittel, "I Preordered the Sony FX30, Should You Too?," keithknittel.com (accessed 2026-05-25)

Last verified: 2026-05-25

Now that you've seen the details — ready to take a closer look?

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Pros & Cons

👍 Pros

  • S-Cinetone color science delivers a polished, cinematic look straight off the sensor with minimal grading required
  • Dual Base ISO and 14+ stops of dynamic range let you confidently shoot in mixed and low-light conditions without crushed shadows
  • Super 35 sensor pairs naturally with affordable APS-C cine lenses while accepting full-frame E-mount glass
  • At 2.7 pounds, the compact body handles comfortably on gimbals and handheld rigs through long shoot days
  • Cine EI and Log modes give professional colorists the latitude they expect from cameras costing significantly more

👎 Cons

  • No internal ND filters means you'll need an external matte box or variable ND for outdoor daylight shooting
  • The 3-inch LCD is fixed and relatively small, making critical focus checks difficult without an external monitor
  • As a renewed unit, warranty coverage differs from new — Amazon Renewed Guarantee is more limited than Sony's standard warranty
  • APS-C crop factor narrows your field of view compared to full-frame cinema cameras, which can be limiting in tight interior locations
  • No built-in electronic viewfinder, so bright outdoor shooting relies heavily on a shade or external EVF

Frequently Asked Questions

The FX30 uses Sony's E-mount, giving you native access to the full Sony FE and APS-C lens lineup. You can also adapt Canon EF, Nikon F, and other mounts with third-party adapters, though autofocus performance will vary by adapter.
Dual Base ISO gives you two native sensitivity levels with minimal noise — a lower base for well-lit scenes and a higher base for low-light work. The camera handles the switch automatically in Cine EI mode, or you can set it manually. In practice, this means cleaner shadow detail when you push exposure in dimly lit interiors or golden-hour exteriors.
Yes. The FX30 lets you load custom User LUTs and apply them to both the built-in LCD and the HDMI output simultaneously, so your director and colorist can evaluate a graded look in real time while the camera records log footage.
This renewed unit has been professionally inspected and tested to work and look like new, backed by Amazon's Renewed Guarantee. Sensor wear is not a practical concern on digital cinema cameras, though you should inspect the unit on arrival for any cosmetic signs of prior use.
The FX30 records 4K (2160p) internally to CFexpress Type A or SD cards. You can also output via HDMI to an external recorder if you want additional codec options or larger monitoring.

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